Simon Porte Jacquemus Released 2014 Autumn Winter Women'S Wear Series

"P > a href=" http://www.91se91.com/news/index_c.asp "> Simon Porte Jacquemus < /a >." this is a conceptual expression, a way to wipe out all fashion hierarchies and immerse the audience in the fashion world of Jacquemus. "

Throughout the show, we can see different shapes of color blocks in a concise and modern conceptual style.

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< p > < a href= "http://www.91se91.com/news/index_c.asp > > designer < /a > seize the latest popular points and interpret them in their own way.

The personality freedom and uninhibited performance is more incisively and vividly.

From life style and apathy attitude to find their own design inspiration, and inspiration in this attitude towards life, design free and uninhibited works.

The design concept is to adopt unique clothing tailoring, unique colors, clean and refreshing, comfortable and self-cultivation, and stick to their own style.

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< p > > a href= "http://www.91se91.com/news/index_c.asp" > brand design < /a > is very unique. It brings us the luxury, sexy and unique characteristics of the unique style. It brings us a wonderful visual design.

For all fashionable, confident and caring women, they can interpret the charm of charm.

Fashion products permeate every field of life. Its distinctive design style, unique aesthetic feeling and strong avant-garde artistic representation make it popular all over the world.

Its design style is distinct, and it is a symbol of vanguard art with strong aesthetic feeling.

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< p > in the contemporary style workshop, the brand clothing can be said to have found a brand new classic style, explaining the value of elegance in a unique and dynamic way.

The spirit of independence and freedom has been integrated into the design, and has joined a special young vigor, gradually becoming the representative of the international city style in the fashion world.

Skillfully balancing the two styles of street and fashion, providing a fashionable choice with fresh vitality and modern sense.

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