The Release Of Shanghai Fashion Week'S Works Caused Various Feelings.

"Fashion" is also a fun thing. People who live in it enjoy the most fun.

We may understand that the Chinese fashion industry has finally learned to take the fashion business seriously.

This is actually a very short day, BAN XIAOXUE, C.J.YAO, Wby WenJun, deepmoss, ZHANG YUHAO, ZUKKAPRO X M-graph, M-graph...

There are both famous and innovative graduates of fashion schools, as well as many international celebrities who are invited to come to many stars. Everyone is so excited that they can run a show on the platform of fashion week, and everyone does not want to lose. This joyful and competitive mood makes this day a day full of journeys. People who watch the show do not want to miss this, nor do they want to neglect it. Many people rush to the stage from morning till night, but they also enjoy themselves.

Many people are not optimistic about China's fashion week so far. Especially when people and things that are "on the wrong track" appear in the fashion week around the country, it is even more sad to see the immaturity and imperfection of China fashion week.

This will undoubtedly add to the Shanghai fashion week.

However, it is gratifying to note that the progress of China's fashion industry is still obvious. Taking Shanghai fashion week as a reference standard, it can be seen that Chinese fashion designers are quietly completing the alternation of generations: concepts, logic, inspiration, passion, even goals and aspirations have all changed.

The most intuitive example is that Chinese fashion designers are abandoning the Chinese elements as the theme of design, but trying to make Chinese elements a part of the fashion trend of the world.

To put it simply, early Chinese fashion pursued Chinese and Western tastes; in the first ten years, this idea turned into a mixture of Chinese and Western cultures; now, young designers who deliberately emphasize Chinese elements are getting fewer and fewer. They do not use some big Chinese style in design, but skillfully use traditional Chinese techniques to produce works that conform to the fashion trend of the world.

The bone and blood that I have relied on are rather spiritual.

This feature can be clearly seen on the first day of the 2015 autumn and winter works in Shanghai fashion week.

I want to interpret this feature in the simplest and intuitionistic way.

Let's take a look at some of the most popular shows on this day, the last closed LOOK.

Designers usually care most about the two LOOK: the opening set is the wedge that he or she wants to talk about, so it needs refreshing, ingenious thinking, and can think of his / her thoughts, so it should be a design that has not yet shown its true colors but has a strong attraction.

The most exquisite and detailed details should be the most complicated and conceived should be the most mature.

I choose the closed field LOOK to review the first day of the Shanghai fashion week's debut, and discover the self evolution of designers and the projection influence on the entire Chinese fashion industry.

It has been trying to weaken the concept of gender, but this weakening is not pure sex stripping. In this season's show, men's wear and women's wear appear on the overpass simultaneously. It's really hard for you to find a clear set of sexes: Men's clothing has the tailoring of women's clothing, and women wear the profile of men's wear. BANXIAOXUE makes gender hedges even more ambiguous, and at the same time tries to make subtle connections between the two.

C.J.YAO also never stubbornly takes the Chinese style as the main theme of the design. In fact, she has Chinese complex, but it works wonderfully and skillfully.

For example, she likes wood very much and uses Huanghua pear as handbag handle. This is very Chinese, and it doesn't spread all over the world. It's all Chinese elements, and even deviates from fashion design's original intention is to be "right".

2015, the last LOOK in autumn and winter, she could see that her works were interlaced from the plane to form a strong sense of space. Digital printing created a psychedelic visual effect, but the bearer of color and luster was silk. She also used a variety of fabrics to control the design sense of light and steady.

Li Wenjun tried to create fairy tales for adults with fashion language. This style is deeply influenced by French fashion, and can be seen as a romantic romance scattered over the overpass.

There are not many Chinese design logic in her works, from the selection of fabric, the tailoring of profile, even the color and texture are the characteristics of European fashion.