Yamamoto Teruji: With The "Bad Man"

He loathed coquettish women, hated the crude and simple concept of masculinity and femininity, hated cumbersome European ornaments, loathed the rules of a clothing series every six months, and had no time to use the "fermented", natural, mature and mature beautiful fabrics.

He said, I want to design the time itself.

Because the family was poor and grew up under the mother's harsh and protective care, Yamamoto Teruji was never able to integrate well into the world.

"If I don't succeed in my career, I think it's only a crime to get rid of it."

Fortunately, there were fewer criminals on the streets of Tokyo, but in the movie "Four Seas brothers" and "the seat city", you saw Takeshi wearing a Yamamoto Teruji Oversize suit or a wind coat to become the most stylish black man in the history.

Yamamoto Teruji, 72, said in his autobiography, "I dropped a bomb," that he hated Retrospect and did not believe in the future.

Even if he declared bankruptcy five years ago because of 6 billion debt, he did not see his will be eliminated.

After giving away his business to others and being his own creative director, he can finally immerse himself in the world of design.

In the mid 90s of last century, Yamamoto Teruji became famous in Europe by working with Heiner Miller, a German dramatist, in the visual design of opera.

However, he did not like Milan and New York.

"They think good clothes are good clothes. They think fashion designers are chasing fashion constantly, and winners will buy a castle or a private plane."

What he hates most is any form.

。

"I hate those great people and things.

What I care about is how to design clothes without authority. "

He also hates hanging and symmetry.

I don't like advanced customization.

He used black to oppose flashy and unnecessary.

The unpretentious black became his symbol, leading the most brilliant Studio 54 club from Tokyo, Paris to New York.

Those who dislike authority eventually establish "authority".

For men who are not fashionable or fashionable, Yamamoto likes to stimulate them, but never does it.

When a man puts his hand in his pocket,

We often think of American Idol James Dean and Robert Mitchum, who are known for their "rebellious" image.

That movement is often a sign that tells about the hooligans who live on the edge of society and have close ties with the underworld.

They are rebellious, ironic and rebellious to society, and have a skeptical attitude towards society.

He may live in Tokyo, Paris or New York, "lingering in the dark streets, facing a hostile big man.

At that time, his hand in his pocket was ready and ready to fight.

In the next moment, he took out a bunch of keys, as if he was holding a weapon, holding it tightly in his hand.

No wonder Yamamoto Teruji would have a working vest for 13 pockets.

"If I could drop my passport, I wouldn't even have a suitcase."

His women's models always wear flat heels, and they seldom wear heavy make-up.

He has always advocated that women should have the power to dress like men, and that women wearing military uniform and hunting clothes are the sexiest.

Even the evening dress of women wants to put on their pockets, "so they don't need to carry a handbag."

My idea is always so funny that no handbag will be stolen.