Do You Know How To Get The Clothes In The Legend Of Zhen Huan?

Chen Tongxun, the fashion director of The Legend of Zhen Huan, directed Zheng Xiaolong's life to 3 stages, and designed more than 30 costumes. All of them first made design drawings, took out samples and color cards of clothing materials, and then received the director's approval before sending them to the clothing factory. In order to create Zhen's " Fake Princess Dress "Finally, there are 28 sets of models that are used, and there are 38 sets of jewelry that match them.

The The Legend of Zhen Huan is strict and realistic about details, making it a court play with different temperament. In the The Legend of Zhen Huan, each of the "Princess concubines" has boldly adopted the fabrics that have never been used before in the ancient costume dramas. All the designs on the clothes are designed on the basis of reference to the costumes of the Qing Dynasty, according to the different personalities, grades and interests of each concubine. Every gorgeous women's play in the harem, how the collocation of the concubines is collocated and how to highlight the primary and secondary are carefully designed. Even the audience can only see the meaning of the story from the costumes of the palace.

The "imperial concubine" is specially tailored and knocked down, using real gold and silver plated, mixed with silk material, colored glass, beads and other materials of silk flowers, matching with different imperial concubine faces, different sizes of flag heads, and even occasionally worth tens of thousands of dollars of point Cui genuine, old silver ornaments.

While appreciating the vivid expressions and the surging hidden secrets of the concubines, these gorgeous ornaments add dignity and persuasion to a magnificent palace.

At the beginning of communication, director Zheng Xiaolong put forward his request for costumes in costume for Chen Tongxun. "Zheng Dao's style is culture. Unlike other directors who want to please the audience, he is attracted by his charisma." In the The Legend of Zhen Huan, Chen Tongxun designed more than 400 sets of costumes for actors, such as the imperial concubine of an Ling Rong and Mei Zhuang, each had more than 10 sets of shapes, and the emperor had 15 sets of clothes to be replaced. After Chen Tongxun's design, the design will be sent to Embroidery Department, dyeing department, drawing department, synthetic department and so on. It will be completed by more than 60 people's joint efforts. "The cost of each garment will be $10000, and the outfit may be more expensive, so the total price of clothing will be $3 million."

　　 Fabric: Korean yarn, kimono yarn, silk yarn.

It is worth mentioning that most of the "The Legend of Zhen Huan" used are the fabrics that were not used in ancient costume dramas. "For example, Korean yarn used for Korean national costume; Japanese and kimono yarn; and domestic silk yarn. Even if we use real silk, we will lay a lining in it. Many costume dramas are very vulgar, no matter whether they are very light or floating, we have to make the material very heavy.

　　 Embroidery: up to seven or eight stories.

All the designs on the clothes are designed according to the character, status and preferences of the harem women, combined with the ritual system at that time. "In the Qing Dynasty, there was a dress code, which strictly stipulated the costumes from the concubines to the Empress Dowager. We studied for a long time, not what the audience wanted to see.

In the past Qing opera, many plays will be used. Suzhou embroidery Hand embroidered works, but in the "The Legend of Zhen Huan" is the pursuit of layered, heavy embroidery. "If embroidered on the yarn, the first way will be embroidered relatively empty, the second layer will be embroidered with another thread, and by hand and machine combination, using different lines and colors to make different levels of space sense of plane objects, sometimes seven or eight layers will be achieved. This formula will be used in all the imperial concubines."

　 Color: ensure no supporting role.

In some clean plays, the drama group is often asked by the TV station that "endless beauty" is a manifestation of "ignorance and lack of culture" in Chen Tongxun's view. "Color is a contrast, any picture can not be an independent existence of color. It is difficult to evaluate the color of a single color. I think we should not pursue the more gorgeous, the better, we should learn to use color science systematically, this will be more promising.

At the beginning of the design, Chen Tongxun set the respective chromatograms for the first line, second line and three line roles to ensure that the supporting role would not take away the color of the protagonist in the group play. "This is a very complicated system engineering. There are dozens of women in a play. Each woman has seven or eight colors for each dress, plus different hem, embroidery thread, lace... Each garment is estimated to have hundreds of colors, the proportion of cold and warm proportions of these colors, and the contrast effect is the test of the lens composition.

　 Etiquette: big sleeves with wide sleeves

In many Qing palace dramas, actors are wrapped tightly and exquisitely in clothing, but in fact, this is a Bug that is not consistent with historical facts. "Chest is chest, waist is waist, legs are legs, which makes the solemn and ceremonial feeling disappear in court. The clothes of ancient Chinese aristocrats were mostly sleeves and big sleeves, and the size of costumes was also formatted to a certain extent. For example, we do Zhen Huan's gown On the basis of the clothing format of Qing Dynasty, the cuffs and hem were enlarged, which was much more noble and more dignified than the previous aristocratic style.