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    The Clothing Training School Tells You The Quality Of Fashion Designers.

    2015/8/1 9:13:00 14

    ClothingTraining SchoolFashion DesignerDesignerQuality

    As a fashion profession, fashion designers aspire for most people. The primary stage of clothing design is to master some basic skills and skills. The most important thing for successful fashion designers is to have a design mind and keen creative thinking. It is far from enough to grasp basic skills and draw beautiful effects.

    Painting foundation and modeling ability


      


    Painting foundation and modeling ability are one of the basic skills of fashion designers.

    Of course, some of the previous masters didn't draw pictures, but he needed to be more outstanding in other aspects.

    However, some people can not express their design ideas in the form of painting even though they are systematically learning and training in schools, which will bring great difficulties to their creation.

    Only with a good foundation of painting can we express the designer's creative concept accurately in the form of painting through the expressive ability of design. On the other hand, we can also appreciate the beauty of rhythm and rhyme in the process of design, so as to inspire the designer's inspiration.


      


    In the early twentieth Century, Bauhaus once proposed that the purpose of design is "human rather than product", especially clothing, which is the external covering of human body, and has close relationship with human body. As designers only have an accurate and comprehensive understanding of the proportions of human body in order to express the beauty of human body in a better and three-dimensional way, this is the basis of design.


      


    imagination


      


    Originality and imagination are the wings of fashion designers. Designers with no imaginative skills can only be called craftsmen or tailors, but can not be called real designers.


      


    The essence of design is creation, which involves innovation and uniqueness.

    Natural flowers, birds and trees, ornaments and objects around us, rich ethnic and Folk Themes, music, dance, poetry, literature and even modern way of life can give us good inspiration and inspiration.

    For thousands of years, the long history of clothing has left us with valuable wealth because of the rich imagination and creative spirit of our predecessors.


      


    In the history of Western costume design, the designer clothing designers who have attracted much attention have redesigned their ingenuity with their unique creativity and imagination.

    In particular, Xia Bo Li Li, a very influential female designer in Italy in 1930s, designed shoes to be hats on top of his head and designed his pockets as drawers. His rich imagination and image humor and bold and unique design style were highly respected by later generations.


      


    Mastery of style, color and fabric


      


    Clothing styles, colors and fabrics are three basic elements of clothing design.


      


    The style of clothing is the external contour modeling and component detail modeling of clothing, which is the basis of design change.

    The external contour modeling consists of the length and latitude of the garment, including waist line, skirt length, shoulder width and hem looseness.

    The most common contour models are "A", "X", T, H and O.

    The external contour of clothing shapes the lines of clothing and directly determines the popularity of styles.

    The detail of the parts is the design of collar, sleeve, pocket, cutting structure, even pleats, zippers and buttons.


      


    The color change of clothing is the most striking part of design.

    The color of clothing is the easiest way to express design feelings and is easy to be accepted by consumers.

    Hot red, bright yellow, quiet blue, holy pendulum, solid gray, hard black, each color of clothing has rich emotional representation, giving people rich connotation of association.

    Besides, there are color, intensity, cold and warm, soft and hard colors. Of course, color can also help us to get a sense of taste and smell.


      


    Mastering and applying the characteristics of fabric is an important condition that a mature designer should possess. First of all, the designer should first understand the difference between fabric thickness, hardness, hardness, smoothness, roughness and three-dimensional smoothness. Through the different drape, luster, sense of depth, weight and elasticity, and so on, the designer will have a careful understanding of the style and brand difference, and use it flexibly in the design.

    The perfect matching of fabrics with different texture and texture can show designers' artistic skills and taste better.

    The various styles of clothing design are not only displayed on the design drawings, but also are achieved by various fabrics and cutting techniques. Skillfully mastering and applying fabric design will be handy.


      


    The three parts of style, color and fabric are indispensable to designers.

    The basic knowledge of style, color and fabric can also reflect the aesthetic taste, taste and artistic skills of a designer to a certain extent.


      


    Understanding of structural design, tailoring and sewing


      


    Learning from structural design and cutting technology is also the basic knowledge that fashion designers must master.

    Structural design is part of the style design. The various styles of clothing are actually completed through tailoring and changing the size itself.


      


    If you do not know the fabric, structure and tailoring, the design can only be "on paper".

    Do not think that in the company, the structural design and tailoring is a matter of printing master. The designers who only draw pictures and do not know how to print are definitely not a perfect and mature designer.

    Without knowing the pattern and structural changes, the design will be unreasonable, immature and even impossible.

    Students in schools often encounter such problems. Because they can not play the edition, they can only ask masters to play the edition, but they draw a kind of effect. They are totally out of shape and fail to achieve the desired results.

    This shows that the plate itself directly determines the shape and overall effect of the garment.


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