Costumes Scholars Mistake "Yue Biography" To Popularize Traditional Dress Knowledge

Scholars of Nanjing's clothing history have been pricking: "biography" is wrong.

The ancient costume drama "biography of the moon" was launched soon, and the costumes of the drama were gorgeous, lofty and high.

Because the play is adapted from the history of the Queen's empress dowager, it is not an aerial history. It is hard to avoid being picked out by sharp eyed viewers.

Today, Huang Qiang, a historian of dress history in Nanjing and a teacher of the Department of literature and history at Jinling University for the aged, told reporters that the style of the play was quite different from that of the late Warring States period to the Qin Dynasty.

Huang Qiang's concentrated study

In the past 30 years, he has made many thorns for Zhang Yimou's movie "the golden flower of the Manchu city", "Jinling thirteen hairpin", and the TV play Wu Mei Niang's legend.

In his view, the film and TV plays often ignore the historical truth and lack the guidance of professional scholars for visual effects.

Due to the absence of historical heritage, there is a fault between the modern dress and the ancient costume. Nowadays, Chinese people are already unfamiliar with traditional costumes, which needs to strengthen the popularization of traditional culture and clothing knowledge.

Error 1: Winston Chao's crown is wrong.

Zhou Dai's popularity of the crown dress system is the crown of the coronet, which is the crown of the emperor's head.

Zhou Dai already has the scale.

The number of vertical crowns on the coronal crown is determined by the type of corona and the identity of the coronal. There are three, five, seven, nine and twelve.

The crown is twelve, twelve jade for each jade, two hundred and eighty-eight pieces for jade (two sides), nine for jade, two hundred and sixteen for jade, seven for seven, one hundred and sixty-eight for jade, five for jade, one hundred and twenty for jade, and three for jade.

Those who wear twelve will be emperors, princes, doctors and doctors. They can only be nine, seven, five.

The number of hangs is corresponding to their identities, indicating that their positions are large and their ranks are high.

Therefore, whether officials know or not, the official position can be seen through the hanging of the crown, which is especially important for the servants who are engaged in service and security work.

It is very convenient to identify a high-ranking official or a small official at a glance, and it will not make mistakes when enjoying different levels of service.

In Huang Qiang's view, in the biography of Winston Chao, the king of Chu Wei wore the coronal crown, but it was not right.

Kings are 12 yuan, 12 jade each.

"I counted 11 drops, and the beads were not jade, far more than 12.

There are no such hangs in history.

Error 2: the crown wears less "twelve chapters".

In the ancient time, the crown was embroidered with twelve chapters.

Zhou Dai's crown clothes are mostly Xuan Yi and his clothes. The color of his coat symbolizes the unseen clothes, and the next clothes represent the twilight.

The unity of heaven and earth is a reminder of the diligence of kings.

Embroidered the twelve chapters of the day, the moon, the stars, the mountains, the dragons, the worms, the Zong Yi, the algae, the fire, the powder, the rice and the jade.

The twelve chapter is the color of the stripes. According to the classics, the dragon is pure blue, the Chinese insect is pure yellow, the Zong is black, the algae is white, the fire is red, the pink rice is white, the daily use is white, the moon is blue, the stars are yellow, so there are white, green, yellow, red and black colors, embroidered on the clothes, that is, five.

In ancient times, emperors dressed in twelve chapters on the most important and ceremonious occasions.

In accordance with the seriousness of etiquette, the crown clothing and its stripes diminishing.

Wang Gongguizhou, the official dress of imperial civil service (Imperial dress) and its stripes also diminishing in turn.

The royal crown of the king is made up of nine chapters. The Hou and the coronation of the crown are divided into seven chapters: the following are the five chapters.

It consists of three chapters below the rice flour.

But in the biography of the moon, twelve chapters were not seen.

Clothing without twelve chapters is not in line with the crown dress system.

Obviously, director and costume design have neglected the very important element of the coronal costume, and its clothing is naturally different from the historical costume.

Error 3: the imperial concubines in the Warring States period did not enjoy "Gao bun".

Huang Qiang said that during the period from the Warring States period to the Qin and Han Dynasties, the empress and concubines had the corresponding costumes, and

Bun.

"Yue biography" in the crown decoration with many gold jewelry, pearls and jade, this does not conform to the characteristics of the times.

The bun of the Warring States period to the Qin Dynasty is not common. Gao bun is not common. The tall and lofty bun began in the last years of the Han Dynasty. During the Wei and Jin Dynasties, it became prosperous.

Some bun is about one foot high.

For example, the shape of the plate is going to be swept to the top of the head when the comb is drawn, and it is combined into a bunch and circled into bun.

It began in the Han Dynasty and prevailed in the Six Dynasties, followed by the Sui and Tang Dynasties.

The shape of the heart is bended to the top and is lofty.

The shape of green onion is assumed to be fluffy, such as trees.

Huang Qiang said that the "moon biography" pplanted the high bun of the Wei and Jin Dynasties.

The female bun of the Shang Dynasty was characterized by the total hair on the top and the plait behind the head, followed by the spring and Autumn period, the Warring States period and the Qin Dynasty.

Qin dynasty fell to the Han Dynasty, but the popular horse fell.

There was no very big bun made by wood and wig in the Wei and Jin Dynasties (Gao Ji).

In addition, pearl and Cui and Cui Cui techniques were mostly produced in the Song Dynasty.

During the Warring States period to the Qin and Han Dynasties, the crown decorations of empress and concubines were not so complicated.

"Biography of the moon" is the Song Dynasty, the Ming and Qing Dynasties, the Queen's Phoenix technology, grafting to the film and television, with its luxurious prominence of the queen, concubines noble, but unfortunately used the wrong place.