Wang Zaishi Is A Designer Who Comes Out In Accordance With Nature And Compromise.

If you want to design an adjective for Wang Shi Shi, it should be "tough".

Her personal brand Vega Zaishi Wang is clear in style, neat cut, cool hue and clear shoulder profile, borrowed from men's version.

Another story can be verified: it was in 2009 that Fan Bingbing had just become "Fan Ye". When she was filming in the studio, she met the king who was playing with clothes next door.

After passing through the picture album, Fan Ye bought Wang in a whole series.

Now, in the past few years, Vega Zaishi Wang has settled in more than 20 buyer stores, operates a direct store in Beijing's old Buddha's department store, and owns an image store in Suzhou Xinguang world, covering Beijing, Nanjing, Xinjiang, Mudanjiang, Shanghai, Nanchang, Shenzhen and many other markets.

The "Ye" spirit was also found in the girl Wang Zaishi after 85.

At the moment, she is sitting in the studio of a small courtyard attic in the moon Hutong, Beijing, and talking with the visiting guests. The tattoo on the cuff is slightly concealed in the black cotton suit, and the hat is covered with black short hair that has been maintained for many years.

The sprouting cycle of a brand is often very long. After finishing school, some people grope for growth in the success or failure of the competition, others go to the group brand to accumulate experience.

This is the choice of most people, a little careless, a few years passed by.

Wang chose to design clothes as a career, like fatalism.

For example, the English name Vega, which was taken off by her father friend, was found to be Vega after many years.

"When I was a teenager, I knew I wanted to be in the direction of design, and I preferred to make things, and the tutor said that clothes would suit me."

Wang recalled at the real interface reporter.

Wang Zaishi grew up in a family of engineers whose parents studied light-emitting diodes and semiconductors.

At the age of 8, she went down from Liaoning to Shenzhen with her parents, and went to high school in England alone at the age of 16. Two years later, she was admitted to the London Institute of clothing with the help of her tutor. After a year, she pferred to central Saint Martin to study women's wear major.

In his own way, Saint Martin constantly conveys a strong signal to young people who have not yet done so: clothing is a high-voltage industry, designers are high-voltage occupations, test comes from mentality, and also comes from business.

One of the ways that mature fashion houses are used to disperse pressure is to rely on effective.

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When I was working in the studio of Alexander McQueen, Wang Zaishi had a deep understanding of this. "I helped them draft the manuscript with the embroidery thread, because I didn't draw much of 3D.

In their team, people perform their duties in their respective fields, which makes the whole studio work very harmoniously.

It also lets me know that the first thing I want to build in the future is to build a team.

At that time, Wang Zaishi had not thought that what happened later made her understand the team deeply.

The story starts from graduation.

Saint Martin's graduation show was a student's honorary certificate. Wang Zaishi, who was ambitious, secretly made up her mind: she wanted to build an eye catching luminous cloth to simulate the faint blue light of the seabed creatures.

But she did not know at that time that the work became an introduction to her return home.

Because the production of light-emitting clothing is still very expensive at the time of the cold light, the cost of up to about 160 thousand yuan.

Wang Zaishi, who was short of money, met with the gold master. It was a traditional clothing company visited by Saint Martin from China. Wang Zaishi was the guide of their group.

After seeing Wang's shining works, he once worked as a red tailor Tailor (the first group of Western-style clothes in China, started in Ningbo and became famous in Shanghai). The enthusiastic boss decided to sponsor her, but the condition of exchange was that after graduation, she had to go back to China to avoid the brain drain.

The promise was made, and after graduation, Wang returned to China in real terms.

"But after a month's work, I found it finished, because her brand is making clothes for women between 45 and 65 years old. This is not what I'm good at. If I continue to stay in an inappropriate environment, I'm afraid I will forget everything Saint Martin gave me."

Wang said in fact.

She made a speech and insisted on that decision.

After she resigned, she searched the independent Chinese designer on the Internet, and the webpage of Shangguan zhe first jumped out.

This jump changed her trajectory.

"I sent an email to him and asked what the independent designer's living environment was like in China, and sent it to him.

He came back quickly and said, "come to Xiamen."

Shangguan zhe described his studio in Xiamen with great compliments, and let Wang set the next stop in Xiamen.

In 2008, Xiamen was still quiet, and at that time China did not emerge as a hot wave of design like today.

At present, SHANGZHENG Zhe, who was quite successful, had just set up a brand name for two years at that time, and everything started. Xiamen is still a spiritual garden different from big cities.

The meeting in Wang Zaishi's memory was filled with clean sea flavor and pure ideals.

Maybe Xiamen is very beautiful. Maybe it was a good partner. Wang Zaishi decided to stay at the moment. It lasted 10 months.

In the studio of Shangguan Zhe, Wang Zaishi registered his brand and made the first series, and when she took the first work to take pictures in Beijing, the story of Fan Bingbing began to take place.

The unexpected unexpected recognition gave young people great encouragement, and this also made Wang Zaishi, who has always been a clear target, understand that compared with Xiamen, where Beijing is located, the resource concentrated city is like a loudspeaker, making the influence of the brand can be expanded hundreds of times here.