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    Ethnic Traditional Costumes Are Facing "Extinction".

    2016/6/27 16:40:00 40

    ApparelKnitwearProducts

     Yunnan Nationalities

    On the 17 th -19 days, the colorful Yunnan (International) National Costume Culture Festival set off a Yunnan folk custom and 103 traditions in Shanghai.

    Clothes & Accessories

    The exhibition is for the Yunnan people at the same time.

    knitting

    Dyeing and weaving embroidery fabric

    product

    The exhibition has brought popularity, but for a few days, improved clothing seems to be more popular.

    Faced with the embarrassing situation that the traditional costumes of ethnic minorities are fading away, some experts believe that as a cultural treasure of Yunnan, Yunnan should increase support to protect and inherit, and at the same time integrate fashion elements into ordinary people's life.

    Scene

    Ice and fire song in the world of needles

    On the 3 day's trip to Shanghai, He Guiying, who first wore the traditional costume of the Kino people to the exhibition of "magic capital", was somewhat defeated.

    He Guiying, 49 years old, has the skills of weaving, embroidery and so on.

    At the end of the exhibition, her Kino dress and adornment stand sold for more than 800 yuan, and her income was not enough.

    But He Guiying still has confidence in her products. She told reporters that this is a rare opportunity and two intentional orders have been reached.

    "I didn't expect that many Korean people living in Shanghai brought all the Korean dolls sold."

    Yunnan hundred son Ying Fu arts and Crafts Co., Ltd. is running Yunnan national characteristic handicraft national wooden doll. The person in charge is out of stock for some dolls. It is also very unexpected. She said that if you come to Shanghai next time, you must bring more Korean dolls.

    There is a cold and hot sale in the exhibition. For this reason, a staff member of the provincial cultural production office said that the significance of "exhibition" in the exhibition of traditional costumes of ethnic minorities is greater than that of "selling". Only by showing the traditional costumes of ethnic minorities in Yunnan again and again can there be further development opportunities.

    dilemma

    Ethnic traditional costumes are facing "extinction".

    The exhibition of Yunnan national knitting and dyeing and embroidering fabric products is one of the Shanghai series activities of the colorful Yunnan (International) national costume culture festival. It was exhibited in 16 provinces and 45 national fabric enterprises in the whole province. The embroidery products of nearly 20 ethnic groups were first assembled in Shanghai.

    Reporters noted that after improvement, "ground gas" and national characteristics of products are more popular.

    In the festival, 103 sets of traditional Yunnan ethnic minorities' traditional costumes went to T, which shocked Lin Jiayang, a professor of design and creativity school at the Tongji University in Shanghai.

    He said, a circle saw that these ethnic minorities are everywhere hot, and the traditional embroidery is very thick, beautiful and not gaudy.

    Not only Yunnan, but also the national minority costumes are facing the embarrassing situation that traditional things are going backwards and new improved products can not come out.

    "How complex it is to grow cotton, spinning and weaving, and making clothes, and the style is not so good, so it is better to spend money on it."

    He Guiying said that even though there were fewer and fewer people wearing traditional ethnic costumes and even less able to dye them, she worried that the traditional crafts of the Kino people would be lost decades later.

    Chen Jinsong, Dean of the school of design, Yunnan Arts University believes that in the past period, the concept of minority masses has been misled.

    Because of the need of stage performance, ethnic costume began to turn to red and green.

    The clothes that were really tasteful were gradually improved and abandoned.

    In fact, in the past, the minority areas were poor and backward. They had no chemical stains, mostly from plants and minerals. The color saturation was not as high as that of chemical dyes. The whole looked more harmonious and accords with the aesthetic standards of modern people.

    Weapon

    How to regenerate traditional clothes?

    Under the flood of market development, the protection and inheritance of ethnic traditional costumes is imminent.

    How to develop traditional costumes of ethnic minorities in Yunnan?

    The most attractive thing in Yunnan is these traditional costumes, and they can not be duplicated.

    What we need to do now is to restore the misguided concept of ethnic minorities and rebuild their confidence in national culture.

    Chen Jinsong, Dean of School of design, Yunnan Arts University

    We should establish national confidence and national costume is an important carrier of national culture.

    In the follow-up development, we should vigorously protect the intangible heritage of Yunnan and even the world. Only talents are the core of creating culture, especially the development of cultural and creative products, and the inheritance and innovation of handicraftsmen.

    Professor Lin Jiayang, School of design and creativity, Tongji University, Shanghai

    The protection is protected by the development of the development.

    Governments at all levels should increase support, not only to protect clothing itself, but also to pass on the skills handed down from generation to generation. At the same time, we should also adapt to the continuous development of the market, let minority elements take into account practical development, and integrate into fashion elements to open the market.

    Yin Jiayu, director of Yunnan Intangible Cultural Heritage Protection Center

    The embroidery industry of ethnic minorities in Yunnan still has great room for expansion.

    Besides the integration of ethnic elements, clothing should also integrate into the lives of young people in the design area, so that there is hope for development.

    - Chen Biao, director of Shanghai folk and folk culture and creative promotion center.

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