The Chinese Elements Of The Cobbler'S Independent Designer
He ran, the founder of "PARHASARD encounter", a modern craftsman who made red wine as a Chinese product.
The first time she saw the leather bag she had designed, she was deeply attracted - with the plot of European art, with the Chinese traditional sense of the times, Chinese and Western style, tradition and modernity, gentle and fortitude, a pair of seemingly contradictory words were perfectly blended here.
In the creation of "
PARHASARD encounter
Before that, he ran his own clothing studio and luckily earned the first pot of gold.
In the early days of her career, she suddenly went to France to further her studies. After returning home, she gave up her costume design and instead took the accessories as a starting point for her restarting.
In the old days, the cobbler, using his rough and dexterous hands, made a piece of raw leather into a delicate and practical leather product.
With the arrival of the tide of commodities, these silent traditional handicraftsmen have gradually become an ancient picture.
Today's cobbler - no, maybe they should be called leather designer. With unique design and meticulous production, they will attract more and more consumers who pursue individuality and have different aesthetic feelings.
"I am an absolute emotional animal. Every step is followed by feeling. There is no plan at all."
Because boredom, in the private sector, chose to start their own business, because they wanted to go to France, and immediately stopped studios to concentrate on learning French, because they thought that accessories could better express their interest in life, and when they returned to China, they founded "PARHASARD meet".
He ran a series of wayward actions to prove his worth.
"Fortunately, fate is not thin for me. My life and work are exactly what I want to do: live at work and create in life!"
As a matter of fact, he likes to toss about clothes from an early age.
"At that time, I applied for financial examination with my parents' advice, but on 1997, I celebrated the return of Hongkong, and I conducted a fashion show with my little partner, and was taken to the attention of the Academy.
After two years of "crooked road", it is like the grandson of sun in the hands of Buddha, who did not turn over the design of Five Fingers Group.
In life, however, he is a real hot and hot girl. He likes rock and dance. Before going abroad, she is very resistant to traditional culture.
It was a trip to Yunnan that changed her mind. She was deeply attracted by the Miao embroidery with national flavor.
"That is simple and unrestrained, free and uninhibited, and I am closely connected with my bones."
From then on, she began to be fascinated by collecting some old embroidery pieces and embroidered clothes to understand the story and craft behind her.
Later,
He ran
While visiting Tianzifang, he was also influenced by the rich and folk flavor of life and the petty bourgeoisie in Europe and America.
These different elements are attracted by collisions.
For this reason, she also wrote a poem and became the origin of her brand name.
In order to make Chinese elements appear "cool and cool" and close to the aesthetics of young people, they use the popular shapes and colors in Europe. In Chinese style, apart from the use of hand embroidery, they also use various elements such as Chinese furniture, architecture, traditional handicrafts and so on.
"I hope to use traditional handicraft design and make beautiful things, but also to pass on.
Unified handicraft
The inheritance and development will play a catalytic role.
But when I heard more about the craftsman's story and his love for handicrafts, I always had time to stir up trouble.
"Husband and son made a small bow tie for them on their birthday."
Although the product is small, but from the beginning of the design blueprint, through various processes such as skin selection, coloring, cutting, cutting, grinding, sewing and so on, it is never perfect and perfect, and let her experience the most scarce and precious state of modern society, ingenuity.
"For me, I don't know the design of the production time is more apparent, and the production not only brings the perfect pursuit of details, but also in the process can inspire new creative inspiration."
He ran down his own identity as "designer" or "craftsman", immersed in the quiet and serenity of handcraft.
She said, "hand me away from social people, but closer to me."
In this fast food society, we need such craftsmen, with exquisite and exquisite refinement, endowing artifacts with the spirit of confrontation.
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