2017 Prada Prada New Series: Tribute To Classic

The theme of the new Prada is "the mutability of time". No wonder Miuccia feels the same way.

Her new series slips out of the Prada campaign chapter, which makes it easy and direct for you to imagine: if this is the first sight of Prada, how attractive it is.

The same idea was released in June of this year.

Reflected in it.

Full of memories, restore confidence, brand classics.

At that time there was a modified Black Nylon Backpack, which made Prada accumulate a lot of wealth in 1980s.

The men's wear series has a carnival temperament, idealistic temperament, backpacker community temperament, while in the women's clothing series, the dominant visual pattern is the very special pattern printing variant of Prada in 1990s.

With the rapid growth of revenues, it has become the "new" model of the industry.

But those days are gone forever.

The struggle against reality (that is, the redundant style that is bound to the so-called "mature brand") unless you plan to have a 180 degree reversal of Gucci.

Returning to the concept of luxury brands, business can be revitalization.

But what has been seen in this season's series for the "first sight" style that has just started?

The feather of the stork.

As you can imagine, novice will wonder why there are plastore feathers everywhere, and experienced observers may think that, although this is one of the elements she always hates, Miuccia has to put it in a series to face her disgusting (suede is the most famous example).

But not at all.

She still thinks that the feather is the most stupid and stupid thing.

This sounds like the most wonderful irony compliment, incidentally, because Miuccia herself hopes more or less to tie the ultimate badge of femininity with feminist shields on the wall.

So in her design, the stork's feather appeared in half.

The camel was wrapped on the edge of the cuff, and the model wearing the black coat was wrapped in it.

The same half business style handbag was clutched.

Okay...

It's just like a semi business style.

This series illustrates how Ms. P consistently stubbornly defined women's images in a variety of ways.

She once used the "elegant new way" as a reference.

It is not difficult to see that her new elegance combined with the greatest degree of mobility, the sudden change of news and the "walking away" physical characteristics.

A vest, a body jacket, and a convenient sport.

Everything is born for quick response.

But it was decorated with stork and sandals.

It can only be said that it is a sense of modernity combined with two worlds.

The real world and the fantasy world.

Behind the whole conference is a team of all think tanks.

First of all, naturally, Prada is a long term co operative musician Frederic Sanchez in conference music.

Alex Menzies piano piece with the new Sadie style, mixed into Donna Sanmer Donna Summer (MacArthur Park) and Diana Ross (Diana Ross) "love hangover" (Love Hangover). "Menzies"

Sanche calls it an existentialist mix, a sad recognition of the changing world, and a total denial of the blessing of disco.

The world is getting darkening.

Thanks for the fashion that still shines.

I can't thank you once more.