National Costume Shows Cultural Confidence, Artisan Spirit, Expectation Of Inheritance

Every year the two sessions are dressed in Chinese business attire and exquisite.

When the delegates entered the hall, they all had a beautiful landscape.

This year, strengthening the confidence of Chinese cultural brands, speeding up the spread of traditional clothing and clothing brand culture, and promoting the brand craftsman spirit have also aroused heated debate among the representatives of textile participants in the two sessions.

This year's "government work report" put forward "comprehensively improving the quality level."

We should extensively carry out quality improvement actions, strengthen total quality management, and improve the quality competition mechanism of survival of the fittest.

The soul of quality lies in ingenuity.

We should vigorously promote the spirit of craftsmen, cultivate craftsmen culture, adhere to professional ethics, uphold excellence, cultivate many "Chinese craftsmen", create more world-renowned "Chinese brands", and promote China's economic development into quality era.

Not a few

Representatives of the Congress were concerned about quality, brand and cultural development, and brought some relevant suggestions, which echoed the main thrust of the report.

Zhao Feng, director of the National People's Congress and curator of China Silk Museum, has been paying close attention to the promotion and development of silk culture and the inheritance and innovation of craftsman spirit in recent years.

In February 26th, shortly before the opening of the two sessions, the Chinese Silk Museum ushered in the 25th anniversary anniversary.

He said that the Chinese Silk Museum ranks first in the professional museums. After renovation and expansion, the collection of cultural relics has been vigorously pursued, and the collation of collections and related cultural relics in the country has been launched.

A lot of work has been done in increasing the strength of analysis and testing, strengthening the research of traditional silk crafts, extracting and arranging design elements, inheriting traditional techniques such as silkworm breeding and tie dyeing, developing related creative products, and making useful explorations in the field of silk cultural heritage inheritance and development.

Over the past two years, Zhao Feng has continued to pay attention to the development of the "cultural and creative industries along the belt", and recently put forward the interpretation of "one belt and one road" from a cultural perspective.

On the afternoon of the afternoon of March 6th, he said in the speech of the delegation of Zhejiang, "the construction of" one belt and one road "should start with culture, and silk should not be absent.

And the silk story on the silk road will help consolidate the public opinion base of "one belt and one road" and connect people's hearts.

As early as June 22, 2014, UNESCO Member States approved the Silk Road as a world heritage site.

He suggested that in May this year, the "one belt and one way" International Cooperation Summit Forum was set up in June 22nd as the "International Silk Road day" of the "Silk Road", integrating resources, so that "one belt and one road" strategy and action can be reflected in the cross cultural exchanges and innovation, carry forward the craftsman spirit in traditional culture and enhance the status of silk culture and industry in China.

Speaking of brand and cultural self-confidence, Qiu Xinhai, chairman of the National People's Congress and chairman of Jiangxi's Polytron Technologies Inc, is very emotional.

He said, "the number of textile products exported every year is the highest in the world, but there is not a Chinese national brand that can affect the world.

In recent years, the state has strongly supported the development of the cultural industry, and has also contributed to the development of Chinese clothing culture.

The brand has appeared one after another, but the Chinese style brand which is accepted by the public is still counting the number.

For this reason, Qiu Xinhai has brought the proposal on supporting the development of Hanfu culture this year, calling for related issues.

We encourage the establishment of Hanfu studio and the cooperation of large courtyard enterprises, encourage people in the industry to increase international exhibition and exchange activities, and hold Hanfang design special issue. In addition, we should give support to talent introduction, set up window for introducing talents, and promote the development of national brand clothing.

Qiu Xinhai said that it is gratifying that many local designers began to launch their fashion show on the international stage. This is not only a manifestation of China's cultural confidence, but also a demonstration of China's economic strength and the improvement of the international status of China's cultural and creative industries.

Our country is shifting from cheap "made in China" to more valuable "Chinese design" and "Chinese creativity".

Among them, the application and innovation of traditional dress culture is the foundation for China's textile and clothing to create brilliant future.

Wu Haiyan, chairman of the CPPCC National Committee and professor and professor of design and Art Institute of The China Academy of Art, talked about cultural excellence and cultural confidence.

Design is the pmission of a culture.

If China's cultural products go to the world, it is necessary to enrich the connotation of Chinese culture and to tell the story of China well.

Wu Haiyan confessed that as a teacher, she was worried that young people in China were too much influenced by Western lifestyles.

For designers, designers are accustomed to following the trend of western fashion.

"We need to reshape the confidence of Chinese culture.

Cultural quality must be supported by spirit. "

She said, for example, the competition for the costume design competition of Hangzhou G20 summit was fierce. Many brands adopted non local designers.

As a result, in the first round of evaluation, her design was won by the beauty of Zhejiang and the confidence of national culture.

She suggested that we should creatively use the international popular language method to tell Chinese stories and convey the values of Chinese traditional culture in a way that resonates.

Wu Haiyan also stressed that in the process of training design talents, as a professional teacher, we should be good at integrating traditional Chinese culture into contemporary life as the concept and pursuit of design education.

Our country has been educating and training professional designers for nearly 30 years, and the whole society should have confidence in Chinese education.

Now, apart from domestic designers and young designers returning from abroad, diversified development has provided broad space for designers to grow and develop.

At present, the domestic art environment has not yet fully formed. Once there are enough conditions in the fields of spirit, art, consumption and business mode, the future development must have a very high aesthetic value, and she is full of confidence.

Expansion: notes of the two sessions

On the morning of March 12th, the Third Plenary Session of the fifth session of the twelve National People's Congress heard the report of Zhou Qiang, President of the Supreme People's Court on the work of the Supreme People's court, and the report of Cao Jianming, procurator general of the Supreme People's Procuratorate on the work of the Supreme People's Procuratorate.

Which words are closely related to the textile industry in the "two high" work report?

More interesting reports, please pay attention.

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