The Chinese Palace Art Exhibition And The National Forum On Intangible Cultural Heritage Were Successfully Held At The China Embroidery Art Museum.

On the morning of March 16, 2019, the Chinese palace art exhibition and the national intangible cultural heritage forum were held at the Suzhou embroidery art museum in China on March 16, 2019. The event was hosted by the China Cultural Information Association, and hosted by the Art Museum of the National Museum of treasures. The Chinese embroidery art museum, the Yao Jianping embroidery art museum, the Suzhou embroidery Town, the leaders of the high tech Zone and the Zhen Hu Street, and the leaders and experts of the museum organization attended the event.

At the event, leaders and experts gave high praise to the event.

　　從左到右依次為：蘇州蘇繡小鎮(zhèn)發(fā)展有限公司副總經(jīng)理李若愚，故宮博物院原宮廷部主任、研究員苑洪琪，鎮(zhèn)湖街道黨工委副書記馮燕芳，中國藝術(shù)研究院美術(shù)研究所副所長鄭工，蘇州高新區(qū)文化體育和旅游局副局長夏劍華，蘇州西部生態(tài)旅游度假區(qū)黨工委副書記、管委會(huì)副主任、鎮(zhèn)湖街道黨工委副書記、辦事處主任邵亮，中國工藝美術(shù)大師、國家級(jí)非物質(zhì)文化遺產(chǎn)代表傳承人、全國文聯(lián)委員姚建萍，蘇州高新區(qū)宣傳部副部長徐群，中國文化信息協(xié)會(huì)會(huì)長、中國收藏家協(xié)會(huì)原副會(huì)長黃河浪，中國民族文化藝術(shù)基金會(huì)名譽(yù)理事長、原中國歷史博物館黨委書記、恭王府管理中心主任兼黨委書記谷長江，文化部非遺司原司長馬文輝，國家博物館原副館長馬英民，首都博物館原黨委書記、常務(wù)副館長、現(xiàn)任北京博物館學(xué)會(huì)常務(wù)副會(huì)長、秘書長崔學(xué)諳，中國工藝美術(shù)大師

The representative of the national intangible cultural heritage, the director of the National Museum of Jun porcelain, Ren Xing Hang, Xu Liheng, the director of the Art Museum of the National Museum of treasures, and Chi Xiaorong, deputy editor in chief of the world intellectual pictorial society.

On the day of the event, all the Royal Arts of the highest level of traditional Chinese art, such as Suzhou embroidery, Jun porcelain, cloisonne, enamel and jade carvings, are gathered at the Chinese embroidery art gallery. 70 fine works of art are exhibited on the spot. The exhibition, which lasted from March 16th to May 4th, is not only a cultural feast for the people of Suzhou, but also a positive attempt to protect, communicate and live heritage.

At the opening ceremony, deputy secretary of the Party Working Committee of the ecotourism resort in Western Suzhou, deputy director of the CMC, Mr. Shao Liang, deputy director of the municipal Party committee, and the director of the office, took the lead in the speech. He said: Suzhou embroidery town should focus on the production of Suzhou embroidery industry and focus on production, life and ecology in the future development.

Relying on culture as the soul, industry as the root, and better inheriting Suzhou embroidery.

"The exhibition is a great attempt," said the Yellow River Lang, President of the China Association for cultural information and former vice president of the Chinese collectors association. The exhibition of the intangible cultural heritage is aimed at learning. Under the leadership of the heritage artists, we are confident that we will strengthen the protection and inheritance of intangible cultural heritage.

Ma Wenhui, the former director of the Ministry of culture of the Ministry of culture, said that Suzhou embroidery is the most representative form of embroidery today. Suzhou embroidery contains a unique cultural form of the Chinese nation. Embroidery should be combined with the trend of the times and people's life in the future development.

Yao Jianping believes that the art of Suzhou embroidery is the treasure of the Chinese nation. The protection and inheritance of Suzhou embroidery is the responsibility and obligation of all the embroidery artists. Adhering to innovation and pformation, we must make Su embroidery art the most brilliant star in the art hall.

In order to better inherit the art of embroidery and display the development and innovation of contemporary Suzhou embroidery, the Chinese embroidery Museum held a grand collection ceremony. The collection of three representative works of "the ladies' Cuju diagram", "Magnolia fragrance" and "harmonious prosperity" were designed by Yao Jianping.

The original work of the collection of ladies and gentlemen is the national ceremony which was delivered by the president when he was invited to visit the International Olympic Committee in 2017. The work was permanently displayed on Olympic Museum in IOC Headquarters.

The works are taken from the masterpiece of duer, the painter of Ming Dynasty. Master Yao Jianping uses needlework technique, with needle as pen, thread as ink, silk to Baise, and ink embroidery thousand needles. It vividly recreates the beautiful picture of Chinese women in the garden in Ming Dynasty. The details are vivid and vivid, and the figure is graceful and graceful.

The collection of works "Magnolia fragrance" is another work created by Yao Jianping for the first China International Import fair in 2018. The large works of the same theme are displayed in the reception hall of the Shanghai entry Expo. It is reported by many media and is amazing. The work takes Shanghai Magnolia as the theme of creation, pigeon, Taihu stone and peony as the elements, embroidering the embroidery works with the theme of "Yulan fragrance and welcoming the world".

The expression of this work has retained the graceful posture of magnolia flower and white pigeon, and depicted the original painting "brandy pigeon" from a brand-new angle.

The collection of works "harmony hundred years Olympic Games" is a tribute to Yao Jianping's Beijing Olympic Games. His works include traditional Chinese painting, oil painting, photography and other artistic elements. The extreme sense of distance, sense of space and perspective of representative landscapes such as Athens Acropolis, Beijing Tiantan, the Great Wall and Mount Qomolangma are all depicted.

An auspicious bird that only spreads its wings can be embroidered vividly from smart eyes to vivid and realistic feathers.

The techniques of layer by layer color enhancement and gradual deepening are used to depict the beauty of Tiantan's gold top, blue tile red pillar and Athens Acropolis.

The composition of the work is very flexible. In terms of color processing, bold pursuit of color contrast and color complementarity and strong and colorful color effects are shown. In the conversion of light and shade, the realistic part is made up of needlework embroidered, and the hazy part is pformed by needlework embroidery, making the work of virtual reality match and complement each other; in the combination of acupuncture and silk, painting and embroidery, the stitches of stitches and threads are intricately overlapped and refracted through the light, showing different three-dimensional sense of distance and space.

In addition, a forum of "intangible cultural heritage heritage forum" was held at the event site. The guests showed their views on the inheritance and protection of intangible cultural heritage, and pointed out the direction for the inheritance and exchange of intangible cultural heritage.

Yao Jianping, known as the contemporary "Suzhou embroidery Queen", is a representative figure of contemporary Su embroidery. Her works have been selected as the gift of heads of state for many times, and have made important contributions to China's diplomatic career. Her works can be of great significance by the collection of the Chinese embroidery art Museum, not only for the inheritance of non heritage skills, but also to promote the learning of intangible cultural heritage and promote the experience exchange of intangible cultural heritage protection.