Wuhan Textile University: Let The Chinese Excellent Hand Spinning Hand Woven Art Torch Relay.

"We should jointly explore the path of protection and development of traditional cotton and linen textile technology, so that Chinese excellent hand woven art will be handed down." On the morning of October 22nd, the Wuhan Textile University held a symposium on the protection and development path of traditional cotton textile technology in the Museum of Gong Wang Fu at the Museum of Gong Wang Fu. In the evening, at the temple of Longevity Palace in Jingshan Hill Park in Beijing, the "new weaving dress - Wuhan Textile University's non costumes show" was held.

Experts in the Academic Forum on revitalizing traditional crafts are discussed vigorously.

Nearly 100 experts from all over the country took part in the revitalization of traditional technology academic forum. The experts discussed the current situation and difficulties of traditional cotton textile technology inheritance, the ideas and Countermeasures of cloth cloth inheritance and protection, and the design and development of local cloth products.

"With the development of textile industrialization and technology, various new types of fabrics are emerging. Modern textiles instead of hand woven fabrics have caused a great impact on the inheritance of traditional hand weaving techniques, and traditional cloth is difficult to integrate into modern fashion life." Huang Yunping, standing committee member and vice president of Wuhan Textile University, pointed out that excellent traditional cotton and linen textile technology and textile culture are precious intangible cultural heritage in China and must be protected and inherited.

Sun Dongning is the executive director of the National Exhibition Center for intangible cultural heritage. In his view, the traditional cotton and linen textile technology is the composition of Chinese civilization. The ancient Silk Road is an important channel for China to communicate through textiles. In today's highly industrialized society, how to make traditional handicrafts into modern fashion life, so that the intangible cultural heritage can be renewed is the responsibility of our vast number of non heritage workers. Our exploration is to make Chinese traditional culture more confident.

Feng Zemin, Professor of clothing College of Wuhan Textile University, has been engaged in the research on protection and development of traditional cotton and linen textile technology for a long time. He believes that "the place of Jingchu, which is mainly located in Hubei, is one of the birthplaces of textile culture. Traditional textile, dyeing, weaving and embroidery techniques are rich and varied. Millennial Chu dress culture is an important part of traditional textile and clothing culture, fully excavating the connotation of traditional textile and clothing culture and integrating modern fashion design, so that non heritage can bloom new vitality."

Cui Rongrong, a professor at Jiangnan University, who has long been engaged in the study of textile costume culture heritage, thinks: "on the one hand, we should strengthen the protection of traditional handicrafts and preserve the Chinese excellent heritage culture; on the other hand, we must innovate on the basis of inheritance so that intangible cultural heritage can enter modern life and approach ordinary people."

Liu Dayou, chairman of Hubei Bai Po Tong and Jujube coarse cloth inheritor, said: "the development and revitalization of intangible cultural heritage should adapt to the market and meet the needs of modern people for a better life on the basis of traditional inheritance. As a cultural entrepreneur, we must have feelings and be willing to shoulder the responsibility of revitalizing traditional culture.

The new weave is on the scene.

The scene of the new weaving dress, the Wuhan Textile University's intangible heritage show, is ablaze with lights, light and shadow, and a warm atmosphere. The audience applauded constantly and took out the mobile phones from time to time to take these wonderful moments.

Liu Ge, deputy director of the Propaganda Department of Wuhan Textile University, introduced the "new weaving dress" with the background of Jingchu regional culture, and sought inspiration from the textile relics in the spring and Autumn period and the Warring States period unearthed in Jingzhou, Hubei. With the change of the clothing of Chu folk dress to the Wang Hou aristocracy as the axis, the traditional hand woven cloth woven cloth was used as the main material, and the pattern of folk embroidery was reproduced.

There are 37 sets of new weave series of garments, including 26 women's wear, 1 men's wear and 10 children's garments, all designed by the team of Wuhan Textile University's non Heritage Center. Zhao Jinlong, deputy director of the Wuhan Textile University's non heritage research center, said: "the designer has shown the thickness and the natural texture of the handwoven cloth through the cutting and splicing of the new fashion style through the bold and innovative cutting and splicing. It has improved the aesthetic value of the traditional handwoven cloth and has evolved into a series of garments that blend in the contemporary fashion life."

Ye Hongguang, team leader of the Wuhan Textile University's non Heritage Center, introduced the series of costumes and roots in traditional textile techniques, and thoroughly explored the essence of the textile and clothing culture in Hubei, integrating into the traditional textile techniques of Jujube's coarse cloth, the traditional cotton textile technology of Ezhou Huarong, the traditional textile techniques of Hong'an's traditional cloth, the traditional cotton textile technology of Hebei Weixian County, the weaving technology of the native cloth of the Zanhuang village, and the 7 state-level and provincial non heritage items, such as Hubei and cross stitch, and Miao Miao cross stitch, which provide the development ideas for the inheritance and protection of the traditional textile intangible cultural heritage, so that the intangible cultural heritage can enter the beautiful life of the people.

Wang Biying is a student of fashion show at Wuhan Textile University. She said: "wearing hand woven knitted garments, you can feel the temperature of the inheritors, the fashion design of the homespun, and the feeling of wearing a big name. We are proud of our heritage as an excellent traditional Chinese culture."

"This performance has been a feast for the eyes. I have learned from this experience the elegance of contemporary Chinese ink painting and the ingenious and subtle movement of traditional Chinese buttons. But more importantly, by integrating the representative projects of non heritage into clothing and clothing, we will show our current life, guide more people to pay attention to intangible cultural heritage, and participate in the protection, inheritance and innovation of intangible cultural heritage. Beijing citizen Wang said.

Ms. song, a member of the Beijing municipal government, said that the new weave Chu told the story of non heritage in modern design language, overturning her understanding of the earthen cloth. She believes that folk skills such as homespun and cross stitching have been renewed, and hand weaving has gradually become a new trend of the times.

It is reported that "new weaving dress" is the first time in the "Splendid China" series of activities, the traditional hand woven cloth woven cloth as the theme of the non heritage costumes show. Qi Chunying, deputy director of the Organizing Committee of "Splendid China - China Intangible Cultural Heritage show" series of activities, believes that the "new weave" dress show is a combination of clothing and costumes. It will combine the understanding of Chinese culture with the aesthetic judgement, fully displaying the positive spirit and the praise and yearning for a better life.