Weaving Dreams And Desires Into Clothing
In the history of human civilization over thousands of years, the story of costumes is especially lively. Whether designers or wearers, or admirers, weave the dreams and desires of beauty into those little words that can be spoken.
The story of clothing is mostly related to sexual attraction.
Women wear beautiful clothes, in addition to satisfying vanity, mainly to attract men's attention.
This process is a pit station for men to enjoy visual and sensory stimuli.
Men like to design and dress women according to their preferences and understanding. From this perspective, it is not surprising that most of the most successful fashion designers in the world are men.
In the cultural chain composed of "men, clothing, women", men are both the original producers and the last judges.
The story surrounding clothing is mostly related to the attraction between the sexes.
In the Gothic period, women were considered to be the inducements of sin and lust. Therefore, their costumes were severely restricted. This sexual repression reached its apex in the Vitoria era. As long as women could create the effect of slender waist, they would be willing to bear the consequences of bleeding from tights. The Rococo style luxurious evening dress had a large number of chiffon decorations and low neckband necklines, which could be called an elegant pornographic art everywhere.
If we follow the fashion history of 800 years, the British designer Joan Aa goes back to the history of the evolution of clothing, it is not difficult to find that women's clothing has been born out of men's clothing for a long time. For example, after the two World War, the design of women's clothing has obviously doped many elements of men's military uniform. In turn, women dressed in military uniform have awakened the desire of men to conquer. The cheongsam, which can best draw out the exquisite curves of Chinese women, was also a variety of gowns worn out by Qing rulers.
Known as the "bikini" bathing suit, the biggest invention of the clothing industry in twentieth Century, the costumes and briefs of the laces tied behind are obviously more prestige than the same naming islands that exploded the atomic bomb.
Its popularity has led to the challenge of women's costumes such as mini miniskirts, brassiere and so on.
Since then, women's clothing has relatively independent development space, thus showing a variety of styles and styles.
Men have been as colorful as peacocks.
Men are also keen to dress up their majestic gender characteristics.
In seventeenth Century, there was a wedge cloth covering the front crotch of the tights, that is, a small cloth bag wrapped in the male genitalia. The men stuffed some stuffed things inside, and some even embroidered and even jewelled on the surface. In Fourteenth Century, the black plague ravaged the lives of nearly half of the Europeans. The unique dress details undoubtedly imply the strong sense of pride that men occupy because of the active position of reproduction.
Men are as colorful as peacock.
As JamesLaver, a fashion historian, said, the functions of men's clothes, such as suits and coats, remain at the social level that shows their social status, status and wealth. But in today's age of male and female, the neutral clothing that combines modern, greedy and desire together in the colorful "fake girl" has greatly overturned people's expectation and judgement on the function of men's clothing.
Since eighteenth Century, unlike the most attractive women's dress, men's clothing has fallen into the awkward awkward style.
It was only when the anti culture people (such as homosexuals, pop stars and hippies) struck the mainstream culture to highlight their unique personalities that they pushed the connotation of men's clothing to another weird aspect.
This year's World Cup, despite Defending champion Italy's early return, however, the football men's models wrapped in local brand D&G suits still attract the attention of female fans around the world.
Those suits and Italy handsome guys are very matched with dark brown skin and uninhibited personality.
This design style of "sexy and rebellious" is most vividly reflected in Italy players.
The power of clothing gives birth to money and power.
In celebrities, the power of clothes is spread to infinity, almost becoming a catalyst for all kinds of desires.
It is said that the number of clothes that the early Hollywood actress had was directly proportional to the number of times they had been photographed. Now the major awards ceremony has almost become a fashion feast.
In an era of eyeball, the elegance and lowness of clothes will undoubtedly determine their star paths to a great extent. Behind them, natural riches and prestige are coming from behind. The investment in clothing is undoubtedly the door to a smooth road with a small knock on the door.
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