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    "Hanfu", The Concept Industry Of Fashion Industry

    2010/7/20 9:42:00 59

    Hanfu Fashion Tang Suit

    The fashion industry is good at creating concepts. "Hanfu" is a typical example. The appearance of Hanfu is actually a gift from the Internet. Some people put on Hanfu and send photos to the Internet, because they feel fresh and naturally spread quickly, so they form a virtuous circle. The more people try, the more they want to wear.


    In fact, the world is big, what clothes to wear and what concepts to put forward are understandable. The rise of Hanfu basically stays at the civilian level. It seems that it has not entered the official law. Is this really normal?


    China's "Hua" is clothing. Ancient China has the reputation of the kingdom of clothing. Of course, these are the glory of history. The dust of history is always shaking with the heavy foundation of a great and civilized ancient country. But after all, clothing is the externalization and characterization of civilization. The rise of Hanfu highlights the mutual view of agricultural civilization and industrial civilization, and is the intersection of tradition and modernity.

    Of course, there are such questions.


    One is the entanglement of the concept of Hanfu and Tang suit.


    When it comes to China's national costume, people will first think of those gorgeous costumes of ethnic minorities, but for most Han people, national costumes are always embarrassing.

    The hot clothing of the Tang Dynasty reminds us that this improved garment can represent the traditional costumes of the Han nationality. If so, is it not embarrassing for the existence of Hanfu? However, no matter whether the official, academic circles or the folk, the logical relationship between the two has not been smooth. There was once a machine called for a clear definition of China's national costume and the establishment of the national service day.

    It is probably the Chinese clothing culture that is still in deep water, and the national costume is standing.


    Next is the modern meaning of Chinese traditional clothing.


    Traditional if it can not be used for reality, it will probably be the only way to become antiques. In recent years, the strength of the powerful clothing enterprises to build the so-called Museum of clothing can be seen one after another. I am afraid it is stimulated by the use of Chinese elements by famous teachers in the world. However, in the name of brand, the traditional Chinese clothing enterprises are always disappointing.

    Is there any modernity in Chinese traditional clothes? People can only find some comfort from the funny retro ceremony of Hanfu fans and the wide sleeves of children in the Imperial College.


    However, the protection and fascination of traditional costumes in China's neighbours, South Korea and Japan, are very surprising. From the perspective of the Chinese character culture circle, some people will say that "weak water three thousand takes only one drink". Their traditional costumes are partly inherited from the great Chinese mantle, and the rise of Hanfu fever is presumably also stimulated by this contrast.

    Granary is enough to know etiquette, traditional clothing is the carrier of etiquette. The promotion of China's national strength, looking for the lost tradition of Hanfu and so on, is also an instinctive reflection of self esteem under the background of economic development for a long time. This is normal. However, for a long time, silk tea and porcelain Trinity make China occupy the position of the world fashion center. This is an undeniable history of pride.

    If we look at it again, is it not the Han clothes, the good things of the ancestors are not lost in the minority. The struggle between change and invariance perplexed every Chinese. The problem of the methodology of civilization inheritance is time to seriously solve.


    Fashion is a byproduct of strength. China's modern clothing is imported as a whole. China's modern clothing culture is also a disadvantaged culture. In terms of dress culture, it is inevitable to take advantage of strength instead of weakness.


    For Han clothes, some people want to wear, some people want to say that this is his freedom, but never rise to populism, and don't rise to great heights.

    If you want to think again, Hanfu or Tang suit is actually a false concept that can not withstand scrutiny. One thousand people have one thousand Hamlett. Who will set a standard for them? Even traditional clothes are in the trend of historical development. When asked about the improvement of Zhao's costume through Hu Fu's riding and shooting, what's the surname "Hu" or "Han"? Similarly, the suit that leads the modern fashion trend is also refined in the process of saying goodbye to the old one.

    For those who simply applaud for the Hanfu, it is suggested that Lu Xun's "bring ism" should be read again, and he will know the new in the past.


    "Although the dress is worn on my body, my heart is still Chinese heart".

    It doesn't matter what to wear. The important thing is whether the "Chinese heart" has been lost.

    The preservation and abolition of Hanfu and Tang costume contains a heavy core topic: how to revive Chinese fashion? What to stay and how to stay? It is the right way to set a timetable and roadmap to regain the right to speak fashion.


     

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