Introduction To Designer Issey Miyake

Issey Miyake files

? born in Hiroshima in April 22, 1938.

In 1964, the design department of Tama Art University graduated from Japan and went to Paris for further education after graduation.

In 1965, he entered the advanced fashion training school in Paris and studied hard and humbly.

In 1966, he entered the design school of the Paris senior women's wear Federation and became an assistant to the famous fashion designer, Ji laro.

In 1968, he became an assistant to Givenchy, the equally famous designer.

In 1970, he ended his study in the West and returned to Japan and opened the "Three House Fashion Design Institute" in Tokyo.

In 1969, he went to New York to become a fashion designer for fashion designer Geoffrey.

Famous footprints

In 70s, large scale fashion shows were held continuously, and the costumes for performances and performances were permeated with the Japanese national spirit.

In 1971, his "potato bag" was moved to New York to perform.

In 1973, his design went to Paris again.

In 1976, the fashion show entitled "Lssey Miyake and twelve black girls" was launched in Tokyo and Osaka. It was a great success, with an audience of over ten thousand people in six days.

Later, he showed in Tokyo and Kyoto a new series of costumes flying with Lssey Miyake. The audience was twenty-two thousand, and the Japanese compatriots wanted to see the masterpiece of their fashion designer.

In 1983, the three costumes displayed in Paris were stunned by the selection of chicken feather woven fabrics for the Paris fashion stage.

Design style

His fashion has been designed in an unstructured way, breaking away from the western traditional modeling mode and carrying out creativity with deep counter thinking.

Breaking apart, rubbing and combining, forming an amazing structure, and at the same time, it has a broad and graceful connotation.

This is an innovative pattern based on Oriental clothing, reflecting the Japanese philosophy of natural and gentle life.

Lssey Miyake's works seem invisible but scattered.

It is the expression of this mysterious oriental culture that endows the work with magic power.

His greatest success is in "innovation". Dasdland J, curator of the Paris Museum of decorative arts, praised it as "the greatest fashion designer in our time".

The key to his innovation lies in the impact and breakthrough of the whole western design concept.

The tradition of European costume design has always emphasized the stimulation of sensuous senses, the pursuit of exaggerated lines of human body, the waist and the buttocks of breast, and the functional nature of clothing. But Lssey Miyake has found another way to find the source of the vitality of fashion, and to explore the beauty of fashion, decoration and form from the perspective of Oriental dress culture and philosophy.

And designed an unprecedented new concept of clothing, that is, despise traditional, comfortable and elegant, respect the wearer's personality, so that the body has the greatest freedom of clothing.

His originality is far beyond the boundaries of the times and fashions, showing his extraordinary understanding of the times.

In modeling, he created the deconstruction style of fashion design.

Drawing on the Oriental garment technology and the three-dimensional cutting technology of wrapping and winding, the spirit of creativity and passion can be released freely from the reins in the structure.

In the use of clothing materials, Lssey Miyake has also changed the pattern of high fashion and ready-made garments that have always been smooth and smooth, and created various skin effects with various materials, such as Japanese Xuan paper, white cotton cloth, knitted cotton cloth and flax.

For him, there are no taboos on clothing.

He uses any material that is impossible and impossible to weave cloth. He is an adventurer of a garment and constantly improves his avant-garde and bold design image.

The design of Lssey Miyake extends directly to the field of fabric design. Since the ancient times, small traditional fabrics have been applied. Modern technology has been combined with his personal philosophy to create unique and incredible fabrics and costumes. It is called "100 magicians". His requirements for cloth are almost harsh, and it is commonplace for cloth manufacturers and even themselves to do hundreds of processing and improvement.

So the cloth he designs is always unexpected and has a magical effect.

Black, gray, dark tones and Indian's holes are dyed.

The obscure hue he uses is full of Oriental sentiment.

He likes to change the shape effect by using the spliced fabric of big color blocks.

In addition, Lssey Miyake brand has always maintained its own position in fashion design, and has made great progress in the perfume industry.

In 1994, Lssey Miyake launched its classic work, "L'Eau D'Issey".

The water of its lifetime is famous for its unique bottle design. The three prism is simple and simple, but full of strength. The glass bottle is equipped with a frosted silver cover, and a silver ball round its top, like pearls, glittered with a glossy aura, noble and eternal.

The clear fragrance of this spring is a faithful reflection of Lssey Miyake's creativity and unique style.

The simplicity of the three prism reflects not only the light and shadow of sunlight passing through the water, but also the master's view of beauty, freedom and survival and the style of true self.

The water of flowers and musk and costum is the most beautiful and fresh water, which is composed of water lily, rose and primrose. The middle tone is full of elegant and elegant peony and Lily. The tone is filled with the breath of the forest, quiet and tranquil, and the confused musk will capture all the remaining fragrance and give off the last romance.

Such a bottle of water, which brings together the fragrance of life in the world, integrates the tenderness of women with the purity of water. It seems to reflect the deep meaning of "cloud in the sky".

Awards

She won the Japanese Fashion Editor Club Award in 1974.

In 1977, he won the MAINICHI design prize in 1976. The award was first presented to fashion designers.

In Tokyo, "a piece of cloth" was released in Tokyo and released with Lssey Miyake.

In 1980, he participated in the Japanese style fashion show held in Vitoria and Albert Museum, and won the Black college award in New York.

In 1984, he won the American Fashion Designers Guild Award and the MAINICHI Design Award in 1985. He won the fashion Oscar prize in Paris, and once again exhibited in Vitoria and Albert Museum.

In 1990, the exhibition was held in Amsterdam, and the "I want to fold" exhibition was held in Tokyo.

In 1992, he received the Asahi award.

The Sunday times is rated as one of the 1000 people who created the twentieth Century.

In 1994, "Lssey Miyake I want to fold" won the Japanese Creation Award in 1996, and issued the "Lssey Miyake I want to fold" the guest artist Series 1, and won the MAINICHI design award.

In 1997, it released Series 2, and won the Purple Ribbon Award issued by the Japanese government.