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Aristocratic Costume Culture Of Chu Kingdom

2011/6/4 13:26:00 307

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　　 Lady of Chu

The pure wives and embroidery patterns of the ladies of Chu state (unearthed from the tomb of Chu Ma, Jiangling, Hubei). In the middle of the Warring States period, there were more than ten kinds of garments, such as silk, Luo, brocade, gauze and tapetre, which are the earliest objects in the Warring States period. In real terms, the style of the robe and Zen suit is basically the same, that is, the front, back and double sleeves are all one piece, and the width of each piece is equal to the amplitude of the material itself. Right, cross, straight. The clothes, sleeves and hem are all straight. The collar, sleeves, buttons and rims all have a border edge, and the ends of the sleeves are rather peculiar. They are usually painted in two colors.

　　 The song of a man in Chu

An aristocratic man wearing a high crown and a long robe (Hunan's Changsha bullet house excavated from the tomb of Chu). The picture is painted with a bearded man, standing sideways and holding the reins in his hands to make dragons. The dragon pattern is painted in a boat shaped, covered with a cover and under a swimming fish, indicating that the dragon is racing in the water. The Dragon man is in the center position, with a calm air and a dignified air. Although the content of the picture is mythical, the treatment of the costumes is closer to reality: the head wears Emei crown, the crown belt is under the jaw, wearing a big sleeved gown, and the skirt is bent down, forming a curved curtain, which is a typical deep garment style. In the same period, the same figures can be seen in wooden figurines and bronze men. Clothes & Accessories 。 It can be seen that men wear this period. Deep clothing It has become a common phenomenon. {page_break}

　　 Chu's man's song and his clothes two

The men who wear the curling, winding, and colorful embroidered clothes (painted wooden figurines) have been handed down in real life. They are now hidden in the orchid Museum and the Metropolitan Museum of art.

A Warring States man wearing a winding dress and a deep garment around the neck (the unearthed wooden figurines unearthed in Changsha, Hunan). The right picture wears a servant with big sleeves and a deep garment (Hebei's Ping Shan three excavated bronze lantern). Compared with other garments, Qu Yuan's clothes are also different from those of their jackets. "Yi" is the skirt. "Continued" is to lengthen the skirt. "Hook edge" is the style of the coat. It changed the way of cutting the clothes in the past, and stitched the front and back sides of the left side of the garment, lengthened the back of the garment, and formed the triangle after lengthening.

　　 Women's songs in Chu

Women wearing gowns and hanging ornaments. The sleeves of the gowns are hung with Hu style. This sleeve style is often used later, mainly for making elbow and wrist movements convenient. Clothing for the top of the coat, clothing overlapped to cover behind, waist lace with jade before. This wooden figurine is a group of figurines unearthed from Chu tomb in the Warring States period. Full dress All jade, so-called gentleman for no reason, jade not to go. (lacquer painted wooden Figurine unearthed at tomb 1 of Changtai Guan, Xinyang, Henan).

　　 Chu's women's songs and clothes two The women of Chu in deep clothing (according to the painted wooden figurines unearthed from Chu tomb in Changsha, Hunan). Most of the pottery figurine unearthed from Chu tomb are wearing straight robes. Only the pottery figurine in this picture wears a tunic. The robe dragged the land, the short and the ankle, and the robes were lined with brocade edges. The tattoo of a robe is a thunder pattern and a heavy rhombus, and the heavy rhombus is also called "cup pattern", because it resembles the two ears cup or the "long life pattern", and takes the meaning of longevity and auspicious.

Chu's women's Tunic and deep clothes, Chu's women in three gowns (the silk paintings unearthed from Chu's tomb at Chen Jia Da Shan, Changsha, Hunan). This silk painting is one of the earliest works of silk painting in China and occupies an important position in the history of Chinese art. Embroidered silk embroidered women, both hands together to pray, it seems to be the master image in the tomb. In the picture, the woman wears a wide sleeved tight robe and draws a curly pattern. This kind of clothing is usually made of light and soft material, and a thick brocade edge at the main parts such as collar and sleeve, so as to lay the skeleton of the garment. The edge of the sleeve is more distinctive, mostly made of striped brocade with deep and shallow stripes, and has strong decorative effect. {page_break}

　 Four of women's clothing in Warring States Period

The Warring States women's curling show of the deep dress and the robe and the robe of the Warring States. Compared with other garments, Qu Yuan's clothes are also different from those of their jackets. "Yi" is the skirt. "Continued" is to lengthen the skirt. "Hook edge" is the style of the coat. It changed the way of cutting the clothes in the past, and stitched the front and back sides of the left side of the garment, lengthened the back of the garment, and formed the triangle after lengthening.

Five of women's clothing in Warring States Period

During the Warring States period, women dressed in Zhongshan, women in short skirts and long skirts (Hebei, Pingshan three, unearthed Zhongshan jade people), and narrow sleeves and short sleeves, and checked skirts were displayed on display (according to the restoration of unearthed jade clothes). The state of Zhongshan was a minority princes state established in the Central Plains of the Warring States period. The jade costume displayed in this picture is wearing a tight narrow sleeved garment and wearing a checked skirt, which is representative at that time. The curly hair ornaments on the head of the figure, resembling ox horn, may be a popular ornament in Central Plains.