Home >

Singing, Dancing And Banquet Witness The Luxury Of The Palace.

2011/6/21 8:38:00 102

??? 日本語 Fran?ais English 中文

In the glass showcase of the central exhibition hall of the Xuzhou Museum, there are a group of 18 music and dance figurines composed of "music and Dance Troupe", 4 people to play the moss, 4 people to chime chimes, 2 people to play, all arranged according to the arrangement of music and dance performances at that time, 8 dancers, two people in a group, wearing a deep dress around the waist, swinging their sleeves up with arms, making the body "S" shape, dancing in a soft and gentle manner, and being light and elegant, such as flowing cursive script, ink painting of Chinese painting and Allegro Jinghu.

This is a group of music and dance for more than 2100 years.

The dancers are about 50 centimeters tall and 20 centimeters wide, with different costumes and different facial expressions. These unearthed pottery figurines unearthed from Chu Wang tomb in the tubashan mountain of Xuzhou represent a close-up of the song and dance banquet in the Chu Han Palace in the Western Han Dynasty, reflecting the luxurious life of the upper nobles in the Han Dynasty.

Xuzhou is the birthplace of the Han Dynasty. Surrounded by more than 10 tombs of the Western Han Dynasty, there are a large number of pottery figurines in the tombs.

The music and dance Figurine unearthed from the tubashan mountain is a masterpiece that the Han figurines should not mention.

The terracotta warriors include percussion figurines and playing figurines; the dancing figures include single sleeved lifting figures and double sleeved lifting figures, which are graceful and reserved, and the latter dance is vigorous and bold, reflecting the artistical artistical beauty and artistic skills of the Han Dynasty.

There are only 2 pieces of dancing figures on the single sleeves unearthed in the tombs of tombs at the tubashan mountain.

robe

The upper body leaning forward, the left arm hanging on the side of the body, the right arm raised high, the long sleeves falling like a waterfall, and the slight flexion of the legs, which is like a salute movement after the dance.

On the double sleeve, the figurine is wearing a deep garment around the neck, and the hair is bended in the back of the head. The eyebrows are beautiful and delicate, and the body shows a "S" shape along with the changes of dance steps. The arms are lifted up, and the long sleeves float down from the air.

Her elbows were inscribed with "Five" characters, and the strokes were filled with red color. The scholar concluded that this is the abbreviation of the word "dance".

The terracotta terracotta terracotta figures unearthed from the tomb of the king of Chu are all moulded, which usually separate the head from the body and then stick it, and then apply color painting.

The head, body and curved arm of the dancing pottery figurine are molded and bonded again.

These pottery figurines looked very similar before they were painted, but artisans skillfully painted them gave them vivid images and became individuals with different facial expressions and clothes.

The most typical example is all kinds of painted pottery figurine unearthed in the small niche on the two sides of the tomb of the king Chu tomb in the North cave. Most of them are complete, with colorful and colorful costumes. They are red, white, black, green, blue, purple, and red, with harmonious coloring and smooth lines.

The facial expression of pottery figurine is vivid and meticulous. Its eyebrows and beards are fine and varied. Even the single and double eyelids are clearly discernible, giving people thousands of faces.

Chu Han conflicting, Liu Bang destroyed Chu, but in the early years of Western Han Dynasty, Chu culture was popular, and Chu and Chu dance prevailed in court and folk.

Mrs. Liu Bang, the favorite of Han Gao Zu, loved Chu songs and Chu dance very much.

"Xijing miscellaneous notes" records Liu Bang's favorite wife Qi Qi: "good drum to attack and build..."

It is good to dance with sleeves.

Shiji left Hou family is recorded. When Liu Bang was stopped by Zhang Liang, the son of Zhao Qi, who was the prince of the city, he let Mrs. Qi "dance for me, I am a Chu song".

Records of the history show that Yang Yunqi, both of Hong Nong and Tang Ji, dance well with the dance of "anti sleeve dance", "low sleeves", "dancing on foot" and "connecting arms to the ground".

Wang Hou is so popular that folk songs and dances are prevalent.

The pottery figurine is wearing a circular figure.

Deep clothing

With her arms up and sleeves up, her sleeves can be lowered to a circular arc.

Watching her long sleeves flying and dancing, she can imagine that she is jumping to the climax of a dance. Her stretched sleeves are like her stretched life, dancing with the passion of youth.

In the past archaeologists found only one dance figure with one hand swinging sleeves, while two other pottery figurines were still undiscovered in other parts of China.

From clothing

Clothes & Accessories

As seen above, the brow, whiskers, colorful costumes, different scabbard patterns and jade sword with different forms of Han figurines in Xuzhou are different from those of silk, murals, figurines and costumes that have been discovered in the past. They greatly enriched the early costumes of the Han Dynasty, and were also important material materials for understanding the early Western Han Dynasty dance styles.

It is worth mentioning that in the pottery figurine unearthed from the tomb of Chu king in Xuzhou, there were Terracotta Army in the early Chu king and tombs in the tomb. In the middle and later dynasties, most of the tombs of Chu kings were mostly terracotta figurines and dance terracotta figurines. This has its unique historical background.

Liu Bang reduced Han Xin from Chu king to Hou Hou of Huaiyin, and took his brother Liu Jiaofeng as king of Chu. Liu Jiao followed Liu Bang everywhere.

The king of Chu not only has his own official system, but also a powerful army. Terracotta Army is reflecting this historical reality.

In the years of Emperor Han Jing, Wu Chu's "seven nation rebellion" proved that the kingdom was too powerful and threatened the central government.

Emperor Wu of the Han Dynasty accepted the suggestion of "father's mercy". Since then, the Kingdom has become weaker and weaker, and the political space of the king of Chu has been shrinking. It has become a common choice for the dragon and dragon sons who failed to ascend to the throne. It has not only reflected the luxurious song and dance banquet life in the Chu palace of the Western Han Dynasty, but also played a special role in studying the evolution of the political power structure in the Han Dynasty.

{page_break}

Expert comments:

There were 12 Chu kings in Xuzhou in the Han Dynasty, and one of them and his queen were buried on the baskets mountain.

Their tombs include front hall, back room, side room, toilet and shower room. They are magnificent and decorated.

The utensils excavated from the Han Dynasty tombs are mostly made of all kinds of pottery figurine, Tao Jinbing and all kinds of metal components.

Pottery figurine is divided into three categories: male officials figurines, female figurines and servants figurines.

In particular, the women's dancing figures are rich in diversity and graceful in appearance.

The music and dance figurines displayed in the exhibition represent the scene of Royal singing, dancing and banquets, and are the permanent fixation of colorful dance art in the Han Dynasty.