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    How To Apply Stereoscopic Thinking To Clothing 1

    2011/8/15 14:52:00 57



    The specific implementation of clothing style design has the characteristics of plane modeling and dynamic change modeling. The three-dimensional consciousness and style of clothing are transformed from plane to three-dimensional modeling practice, which is the basic principle of clothing structure design teaching. It is the basic characteristic of curriculum teaching to reveal the shape of the details of clothing, the relationship between different parts, and the combination of the whole and local parts. Clothing modeling combines human form to suit people's activities. For the high fashion, evening dress and art performance fashion, which are called soft sculpture, they are beautiful in shape and difficult to cut. However, it is often difficult to achieve the desired result only by using the flat surface modeling method. When designing and making such a garment, the effect of three-dimensional cutting and structural design is better. Clothing is known as "mobile sculpture" and sculpture is likened to solidified music. Structural designers should use stereoscopic thinking as creations of sculptor artists, that is, directly sculpt and tailor plate making on body or human body, and create a rich and colorful fashion model with the combination of vertical cutting and playing skills.

    The modern clothing structure design uses three-dimensional thinking to examine the effect diagram and analyze the appearance of the styling, deeply understand the stereoscopic configuration relationship of the style, carefully study the artistic style of the costume that the styling gives, and deeply understand the relationship between the clothing structure and the human body surface. It is generally divided into two parts: artistic modeling and technical modeling. The former uses clothing three-dimensional space concept and formal beauty rules and modeling methods to add, cut, repeat, omit, exaggerate, and transform the style design, making its perspective structure through three-dimensional imagination, and ultimately accords with the requirements of style design in modeling. The latter is through structural expansion and special technology process, according to the needs of fashion design, similar to one side operation, one side modification, so that the concave convex, wrinkle, curve, wave potential and complex lines in the plane effect are more difficult to handle in the structural design.

    This is often the case in fashion design, but the costumes are quite different from the idea. The main reason for this is that the designer lacks the three-dimensional consciousness and the training experience from the plane to the three-dimensional. In the structural design, he does not lead his mind to the aesthetic characteristics of the space displayed by the costume, which binds the design imagination. People and clothing are multi-dimensional space entities. Good spatial awareness training is essential. It should be said that the beauty of space and the beauty of movement are the basis of structural design. The plane and three-dimensional modeling of clothing belong to "spatial modeling", but their constituent elements and combination principles are different. People's observation of their composition methods and feelings are different. The cutting of plane shape mainly depends on the outline of the garment. A definite outline shows a positive plane posture, while a three-dimensional form has no fixed outline. For example, a circle on a plane, its three-dimensional shape is a sphere, but a cylinder, or a semicircle, or a gyro shape. Obviously, the creation of three-dimensional shape depends not only on the outline, but also on the quantity of the entity. For plane shape, no matter from which angle to observe, we can only see the plane, in addition to the changes in perspective, there is no fundamental change. The stereoscopic form is not the same. According to the change of the observer's position, it can present completely different shapes. For the structural designer, this three-dimensional feeling needs to be cultivated regularly.

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