How To Apply Stereoscopic Thinking To Clothing 2

In the teaching of clothing structure design, we should not only make students have the relationship between the number and shape of the garment structure, but also the ability to decompose the structural drawings, and integrate the basic elements of the three-dimensional configuration. We should use the fabric to compounded the fabric directly on the human body or the human body. Then we will practice the way of handling the wrinkles, drapes, bumps, curves, waves and complex lines through the form of dart, plucking and segmentation. It can also be used as a supporting frame for some stereo scaffolds or some metal, wood or other materials. The shape of the support can be inclined to be abstract, or it can be biased to concrete. Some materials, such as plastic or paper, which can be used as clothing materials, such as plastics or paper, can be made in various forms such as padding, wrapping, tie up and connection. The combination of drape, elegance, gravity, twisting, and relief affects students' creative thinking. The spatial relationship between scaffolds and materials is an effect that can not be achieved in the plane decomposition of garments. This practical teaching with three dimensional factors can help students establish a more complete concept of clothing space combination in the mind, and enhance students' perception and intuitive understanding of the sense of clothing volume, so that the structural process can be expressed in the fashion design.
　　

That is, the contrast of the style design, "material guided, art based innovation" structural design method. First, select suitable materials for different materials and be inspired by different materials for structural modeling. The method of plane pattern deployment is used to form the state of the curved surface for comparison, and the selected fabric samples are made locally in three dimensions. For example, the design of the overlapping collar can be stereoscopic with different fabrics, and the best plan is determined after comparison. Each garment's local details can be applied to solid samples. This kind of training is guided by the material characteristics as a structural design. It is practical and maneuverable to use the scientific and artistic perspective to analyze and feel the characteristics of materials and carry out the style decomposition and modeling training. Afrank Ferre, a fashion designer in Italy, once said, "according to my experience, designing clothing works, on the one hand, should study the dynamics of human body, on the other hand, it is necessary to pay attention to the art of fabrics and the stereoscopic state that can be formed, because fabrics can exert great weight on people's feelings. Therefore, during my design and creation, I pay special attention to whether fabrics are new or outdated, and their basic state, and then draw their own ideas into design drawings, which will quickly produce work, and always think that the human body is moving, and the clothing designed to give people a sense of feeling, which should be emphasized by designers." Ferre's design experience tells us that the structural design with material as the guide and art as the innovation is a modern mode of thinking. In particular, it should be sensitive to new textile fabrics, and should be selected and applied accurately. At the same time, it should be consistent with the styling style while maintaining the fabric style, so as to make the garment modeling perfect.


Garment structure modeling training is a process of artistic recreation based on scientific and rational analysis of style design. This practice method can be divided into two aspects: abstract modeling and figurative modeling. Abstract form decomposition exercises generally have two main points: first, use simple abstract geometric forms and various irregular abstract forms to coordinate and match the different colors, textures and forms of clothing materials, and to feel and observe the changes of aesthetic form in visual form, pay attention to the combination of body and image, and pursue the unified contrast effect of universality and individuality. Two, we should focus on deepening design thinking, enriching the means of expression, making various artistic shapes such as wrapping, folding, draping, wave and folding to the stereoscopic parts of the style, so that the styles show new impressions and personalities. This exercise can embody different local aesthetic characteristics. The concrete form decomposition practice should simulate the actual effect of design, take the combination relationship of detail combination and the whole and part as the starting point, try to simulate the actual effect of clothing, use various kinds of clothing materials, pay attention to the coordination of color, texture, form and proportion, and then understand the relationship between clothing structure and human body surface, and use three-dimensional thinking method to focus on the shape of the provincial road, the layout of the provincial seam and the arrangement of comfortable quantity, and emphasize the space consciousness and three-dimensional dress effect. At the same time, a series of combinations can be designed according to the same material.

The sculpting process of three-dimensional design is the process of combining the thinking of structure design with practice. It can deepen the style design, emphasize the overall consciousness of fashion design, and improve the expression of style design style. In a sense, the three-dimensional thinking and modeling of garment structure design is the guarantee for the success of style design.