Thakoon&Nbsp; Panichgul'S Spirit Is Flying

Spring and summer 2011 is a season full of "immortality", and heavy taste is suspected of being marginalized in this season. Wherever you can see, there are flying skirt corners and interlaced layers of transparent tulle. Fairy and little boy are the design theme of Thakoon this season. Some materials of the fairy theme are light and transparent, and the body contour is always wrapped in three-dimensional folds like petals. The little boy's part took naughty care, such as putting two rows of hooks on the dress from nowhere. The last time I saw a designer use this hook was in 2004. Anna Molinari, the designer of Blumarine, lifted up a leather coat and proudly introduced how she found inspiration from the hook of women's underwear, so she applied them to ready to wear clothes. This is indeed a small detail that brings a contrast effect. It won't feel much from a distance, but it is very suitable for adding a little surprise when wearing and touching.

Thakoon Panichgul, the designer of Thakoon, was nominated for the CFDA Award for New Female Fashion Designer. His style is a bit like the film of Vietnamese director Chen Yingxiong. When it is quiet, there is a little fresh sorrow. When it is strong, it has a solid taste. The fairy themed clothes he designed in the spring and summer of 2011 all have a faint "fairy" flavor, with light colors and light fabrics. The addition of three-dimensional cutting shows that the former editor of Happer's Bazaar has great technological strength. In this series, the hook is regarded as a detail with dual visual significance and particularly important function. When it appears on the coat, it makes the uncollected money, which usually uses invisible hooks, increase some points that cannot be exaggerated. It is more ingenious to use it on the dress, which is both a decoration and a dual-use accessory to fix the pleats.

When we keep talking about the style and technique of designers, we can't forget that, macroscopically speaking, the role of designers in the whole trend is in the process of weakening. The trend of spring and summer also makes people feel that although the faint "immortal" air is really useful, it can not be regarded as creating a new pattern. The sheer tulle and floor length skirt were designed 10 years ago when they were taken apart. Another force is changing the pattern of trends. On websites such as Tumblr, Twitter, Flickr and Facebook, the self portraits and mutual praise of fans and fashion fans often form a powerful influence. They are in the age range and time dimension with which traditional senior fashion designers can hardly resonate. Young designers like Thakoon, who have been popular for a long time, are based on this.

In recent years, many Asian designers have achieved success in the United States. They are good at inclusiveness, but not too detailed. They have a sense of design and are easy to understand. The faint "fairy" spirit in the spring and summer trend can often change into exquisite and feminine fashion in their hands. This "fairy" spirit even spread to brands that did not like to be associated with the mainstream in the past. In Maison Martin Margiela 2012 resort series, there are several floor length skirts, which are matched with wide body off shoulder jackets and motorcycle jackets. For a time, the edges and corners were so soft that it was difficult to adapt.

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