Review Paris To Mumbai Chanel In 2012

When the bell rings, wear silver Embroidery lace The models of white soft cloth long coat, white trousers and flat boots painted with Indian patterns walked in the Curve Gallery of Paris Grand Palace, which was arranged as a "long table feast". India's distinctive regional characteristics and national spirit can be seen at a glance. You can't help thinking: Why didn't you do an advanced handicraft show about "India" earlier? The traditional costumes in this country are so bright, clear and dazzling, and full of handicraft elements. The theme of Chanel Advanced Handicraft Workshop series is like a match made in heaven.

For a long time, Chanel has always spared no effort to preserve and inherit the exquisite skills of its many French traditional handicraft workshops (Metiers d'Art): Desrues Clothing and Jewelry Workshop, Lemarie Feather Shop, Lesage Embroidery Workshop and Montex Embroidery Workshop, Massaro Shoes Workshop, Michel Hat Workshop, Goossens Gold and Silver Decoration Workshop and Guillet Flower Decoration Workshop. Since 2002, Chanel has launched an independent series of advanced handicraft workshops every year, which not only highlights the traditional exquisite handicrafts, but also pays tribute to a city closely linked with the brand history and heritage.

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Karl Lagerfeld launched the 10th season of advanced handicraft workshop series with the theme of "Paris Mumbai". The Galerie Courbe in the Grand Palace of Paris is decorated as the magnificent palace of the Indian monarch. Guests sit around the extremely luxurious long table, surrounded by a faint scent of jasmine flowers, accompanied by good wine and snacks, and watch fine clothes put on stage.

"This is an imagination of India, Chanel's India, and an imaginary India interpreted by Paris," Karl Lagerfeld said. In the soft light set off by the gorgeous crystal chandelier, the "Paris Mumbai" advanced handicraft workshop series shows a new kind of female elegance. The enchanting Indian style, luxurious and precious exquisite fabrics, magic gems of all colors and Chanel's classic pearl necklace are mixed layer by layer to match each other. The classic black and white contrast colors, as well as the twill soft cloth jacket with knotted and rolled edges, and other diversified shapes, ranging from round and soft shoulder lines, flared piece skirts, to sleeved gold thread embroidered twill soft cloth dresses, or flower pattern dresses with light lace and tulle layered decoration. The Indian traditional sari adds new design inspiration to the silhouette, making the whole series have unparalleled charm. Gorgeous pleats are colorful, and the round shouldered jacket with beaded embroidery highlights the femininity.

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This series is inspired by the dress style of the Indian royal family, and also presents a modern sense of hardness and softness. For example, the design of the Nehru style stand collar brocade coat is self-contained: an embroidered gold coat decorated with pearl braiding and piping, and the pocket of the white coat is embroidered with distinctive lenses; The coat stand collar is studded with baroque pearls. The flat bottomed boots made of jewel button ornaments, jewel eyebrow decoration, bright pink, and rattan pattern leather complement the luxurious fabrics such as silk, silk, brocade, and crepe. The classic tweed coat is plated with ruby like luster, which reflects the cross neckline woven with metal color beads. The final piece of the "Paris Mumbai" series is ivory White silk crepe The full embroidered gown took a curtain call. Under Karl Lagerfeld's pen, the sensual and charming Indian sari finally stepped out of the king's palace and joined the modern metropolis. In fact, the delicacy and complexity of the show, especially the complicated but not cumbersome style and the ingenious on-site layout, can not be described completely in words, and can only be deeply understood in person.

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