Designer Brand Must Move Oneself.

I think that as a Chinese designer, it is very puzzled now. Just like a few masters said just now, our Chinese industry has not supported some designers.

Actually I myself.

The brand, I can try to fight abroad, but I do not choose to do so, I still choose to study what kind of products China needs, what design people in what field, what I do is not only design, but also do some TV programs, educate the Chinese people, what is called design, what is fashion.

This circle contains a lot of different cultural things, not just commerce.

Many foreign brands also do something about Chinese elements, which may be to investors and some foreign media that they are starting to pay attention to the Chinese market.

You think China will buy Chanel's clothes, maybe not, it's a formal thing.

I think a lot of Chinese.

Instead, they are going to study what China needs.

It seems to sell well, Hermes ZARA or something.

That's because a lot of people don't have the basic style.

Foreigners do not mean that there is no money. In fact, the United States is richer than the rich in China.

But the Chinese bought it because we did not.

I have lived in different countries. I grew up in a different way than ordinary young girls. In fact, I can speak in the position of the designer, but also in the position of the consumer.

I was wondering what clothes I would like to buy, what clothes I would buy, what clothes I would buy, and I could say that people who would like to buy clothes in ten years would be able to speak for them.

I want to find something unique in China. You can always look at what others do, what they want to do and what I want to do. You really feel from the bottom of your heart. What can represent you and what can move you? Your designer brand must move yourself to move others. I think so.

I know the whole story.

The most important part is I am doing, after I am doing the six central programs, it is the show program, the designer, I have become a judge, help them plan some things.

I see many young designers' problems and advantages.

They are quick thinking, and then they want to make something right away.

Or the way they absorb it is to assimilate what is popular abroad and do not understand their superficial things.

How did foreign countries become the present situation? Because of its history, we actually have many histories in China, because maybe the cultural revolution, or this period of time, has cut a knife to our cultural heritage, and how to find that thing.

Some things you precipitate, why it looks good, this is closely related to every history, culture, every stage, every garment history, I think this is something foreign Chinese young designers have to learn.