Searching For Fashion Elements In National Costumes Mongolian Embroidery Art

Mongolian

The name is Mongolia robe, mainly including robe, belt, boots, jewelry and so on.

But there are different patterns in different regions.

The Mongol nationality was influenced by Manchu people, wearing more robes with wide straight tube to heel, with both sides opening, necklines and cuffs full of coloured flowers. The Mongolian people in Xilin Gol Grassland wore large robes with narrow sleeves and no split ends; the women of Mongolia wore tunic robes; the Ordos women's robes were divided into three parts, the first one was the body clothing, the sleeves were to the wrist, second were the outer garments, the sleeves were long to the elbows, third were no collar skirts, the nails were lined with flashing buttons, while the Mongolian gowns in Qinghai were similar to the Tibetan gowns. Take the women's gowns as an example, Horqin and kalqin regions.

Apart from Qinghai, there is little difference in men's clothing.

In spring and autumn, they wear gowns, wear single robes in summer, wear cotton gowns or fur robes in winter.

Mongolian people usually like to wear cloth and dress, and usually wear silk brocade with brocade at festivals or festivals.

Men's wear is mostly blue and brown, and women wear red, pink, green and sky blue.

The belt is an important part of Mongolian costume. It is made of satin or cotton cloth with a length of four meters.

Men wear belts, knives, flickers, snuff boxes and other accessories.

Mongolian boots are divided into two kinds: leather boots and cloth boots. Mongolia boots have fine workmanship, and boots and other places have exquisite patterns.

Wearing jewelry and wearing cap is the custom of Mongolians.

Regional hats also have local characteristics.

In Inner Mongolia and Qinghai, the hats of the Mongol nationality are high and flat, with white blankets made of leather, decorated with leather outside, or dyed purple green with felt, which is thick in summer and thin in summer.

The top of the hat is decorated with tassels, and the hat band is silk. Both men and women can wear it.

Baltit, Mongolia, Hulun Buir, with men's capes and women's caps.

Agate, jadeite, coral, pearl, silver and other precious materials make Mongolian jewelry rich and luxurious.

Men's colors are mostly blue, dark brown, and some are wrapped around silk.

Women often use red and blue headbands to wrap their heads and wear conical hats as men do in winter.

Mongolian men wear gowns and waist. Embroidered lace patterns on women's sleeves and high collar on their sleeves are similar to ethnic groups.

Women like to wear three different length of clothes, the first is a body suit, sleeves to wrist, second coat, sleeves to elbow, third no collar waist shoulder, nail straight row of flashing buttons, especially eye-catching.

Mongolian costume has a strong prairie style.

Because the Mongolian people live in the grassland of the northern part of the country for a long time.

Most of the winter clothing in pastoral area is light plate leather, and also satin and cotton cloth.

Summer clothing is more than cloth.

The robe is large, with long sleeves, red, yellow and dark blue.

Men's robes and hem are not slit.

Red and green satin as a waistband.

Men wear belts, knives, flickers, snuff boxes and other accessories.

He likes to wear soft tube boots and reach his knees.

Farmers wear more clothes, slit gowns and cotton padded clothes. In winter, many felt boots, wal boots and high boots are rare.

Men wear blue and black brown caps, and some use silk to wrap their heads.

Women often use red and blue headbands to wrap their heads and wear conical hats as men do in winter.

The unmarried woman separated her hair from the middle of the front, and tied two hair roots, with two large balls on the roots, slightly drooping, and decorated with agate, coral and Jasper.

There are more distinctive Mongolian Mongolian wrestling suits.

Mongolian wrestling costume is a Mongolian costume technology.

Wrestling costumes include shoulder pads, trousers, trousers and colored ribbons.

The shoulders are bare of the chest.

Trousers are wide.

The pattern on the trousers is rich, usually in cloud pattern, plant pattern, longevity pattern and so on.

The pattern is rough and powerful, and the color contrast is strong.

The underwear is hypertrophy, made of 10 metre cloth.

It is good for heat dissipation and avoid sweat and wet sticking on the body surface. It also adapts to the characteristics of wrestling and wrestling, and makes it difficult for the opponent to use his legs to twist his legs.

The trousers are sewn with tough and tough cloth or flannelette.

The knee joint is stitched and stitched with all kinds of cloth blocks. The pattern is generous and solemn, indicating auspiciousness.

All parts of clothing are properly integrated and have a brave national character.

The origin of Mongolian costume can be traced back to distant prehistoric times.

As far back as the Paleolithic age, humans began to modify themselves with foliage of plants, and later used hunting skins to make clothes.

On the rock paintings of northern nomadic people, it has been seen that ancient human beings on the Mongolia plateau are surrounded by a short skinned skirt on their waist, with long feathers on their heads, and some buttocks and tail ornaments.

At that time, there were a lot of rough stone rings, bone ornaments and other articles, indicating that the nomadic people of northern China had aesthetic intentions and aesthetic pursuits long ago.

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According to archaeological data, Mongolian costumes are identical with the costumes of ancient nomadic people in northern China.

According to the biography of Han Shu Hun Nu, the headwear of Xiongnu women who eat "animal meat" and "skin felt fur" are very similar to the headwear of Chahar women, while the Hun dress culture has been passed to nomadic people such as Xianbei, ROEN, Turk, and so on.

A common feature of these ethnic costumes is to adapt to the plateau climate.

Mongolians live on the plateau of Mongolia. The climate is cold and nomadic, and the activities are relatively long. Therefore, their clothing must have a strong cold protection function and easy to ride. Robes, shawl and leather boots are naturally their first choice.

Mongolian clothing has its own aesthetic characteristics. The Mongolian people prefer bright and bright colors. These colors make people feel bright and cheerful.

The Mongolian people also advocate the pure and bright colors of white and sky blue.

Blue sky and white clouds, green grass red, a natural harmony.

In addition, from the style of Mongolia's ethnic costumes, it can embody the curvilinear beauty of the human body and reflect the generous and magnanimous character of Mongolia herdsmen.

Mongolia national costume is an inseparable part of Mongolia's traditional culture.

From ancient times to the Khanate of Mongolia, from yuan, Ming and Qing Dynasties to the present, with the development of history, Mongolia people in the past dynasties have played their ingenuity and wisdom in the long life and production practice, and constantly absorbed the essence of the brotherly national dress. They gradually improved and enriched their traditional costume styles, styles, fabrics, and sewing techniques, and created many beautiful costumes, which added splendid splendor to the Chinese costumes culture.

Inner Mongolia has a vast territory, and its natural environment, economic conditions and habits are different.

Such as balhu, Bugli Art, Horqin, Wu Zhu Mu Qin, Su nite, Chahar, Ordos, Wu Erte, turyte, and so on dozens of clothing.

They are consistent in their general style and have their own characteristics.

The basic shape is the robe, the sides of the hem or the middle are slit, and the sleeve ends are horseshoe sleeves.

Married women's gowns are also equipped with long, short and different styles of shoulder.

The biggest difference among the tribal costumes in Mongolia is women's headwear, such as the balhu tribe Mongolian Mongol women's head ornaments are plate horns, and Cole's tribal Mongolian women's headwear is a combination of hairpin and hairpin. The hezo tribal Mongolian headwear is a simple and simple double bead hair set. The most prominent feature of the Mongolia tribal women's headdress in the Ordos is the big stick on both sides and the pendant of beads with beads of agate and jade, making Ordos headwear the best among all the departments in Mongolia.

Mongolian costume is mainly made of gowns, which is convenient for riding on pommel horse and has rich national characteristics of grassland.

Mongolian costumes, with their unique style and exquisite workmanship, are enduring in the forest of our country and even the world.

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Embroidery art

Mongolian costume embroidery art has a long history as well as Mongolian costume.

The charm of Mongolian costumes is Mongolian embroidery.

Embroidery, Mongolian called "Ta TA Ma La".

Mongolian embroidery, like many traditional handicrafts, has left a deep mark on the memory of the Chinese nation.

Speaking of embroidery, people will immediately think that it is the patties of Jiangnan beautiful women.

In fact, the Mongolian women on the steppe are strong and plump. They can not only shepherd sheep, but also all of them are embroidery masters.

Mongolian folk have a "Lotus bag song" sung like this:

The eight year old girl embroidered and embroidered to the age of sixteen, like the purse of the Panchen Lama who helped the monks.

The nine year old girl embroidered and embroidered until she was eighteen years old.

Nine golden dragons turn their eyes into purse strings.

Teenage girls embroidered and embroidered until twenty.

Ten peacock's purse.

Since ancient times, the prairie girls have studied embroidery art since they were young.

Mainly from mother, embroidery will accompany her life.

According to the literature of Mongolia customs, before the Yuan Dynasty, ancient Mongolians paid much attention to embroidery art in their lives, and they were widely applied.

The ingenious Mongolian women only embroidered a variety of costumes and daily necessities with a thread of silk and a few pieces of silk and embroidered a collection of life philosophies, including human sentiment.

If we come to the vast grassy Inner Mongolia prairie, we will find that Mongolian herdsmen live in a colorful world of embroidery.

In their long nomadic life, they used their ingenuity and industrious hands to create Mongolian embroidery with rough patterns, sharp lines, strong colors, and northern nomadic style.

All kinds of headwear for Mongolian women

Mongolian embroidery is mainly embroidered with hats, headwear, collar, cuffs, robes, trimming, long and short shoulders, boots, shoes, wrestling clothes, horse racing clothes, purse, and so on. Embroidery patterns contain a kind of potential symbolic meaning, or wealth and wealth, or life multiplication.

For example, a variety of long pattern designs, combined with different patterns such as curly weeds, symbolize auspiciousness and unity.

The stripe represents five animals thriving.

Bat symbolizes longevity and auspiciousness.

The grain is a symbol of strength.

Wen, meaning the rotation of the sun and the four seasons.

Moire has the meaning of good luck.

Fish veins symbolize freedom. Tiger, lion and Eagle symbolize heroes.

Again, apricot blossoms symbolize love, pomegranate, many sons, and butterflies symbolize prolific mothers.

Shou, Xi, Mei represent good wishes.

Since ancient times, the Mongolian culture has been influenced by the Han culture. In Mongolian embroidery art, it has accepted the infiltration of various cultures imperceptibly.

The Mongolian people worship dragon and Phoenix very much. They believe that dragons and Phoenix are sacred objects and do not have the ruling meaning of the Han nationality. Therefore, they adorn with dragon patterns in places such as clothing, purse, architectural murals, silver bowls, and Mongolia knives.

The embroidery patterns of Mongolian costumes include people's desire for a better life. This symbolic method combines with embroidery techniques to form a unique "pictorial intension and intention to be auspicious" pattern.

Embroidery pattern

The Mongolian people live in the beautiful grassland, which forms the difference between the eastern and Western cultures. From clothing to embroidery patterns, we can understand the strong flavor of life of the people of Mongolia.

For example, the Mongol people living in Xilinguole Meng, who lived in Xilinguole Meng, worked hard to create a happy life of six animals and milk, and left a brilliant record in the history of the national costume culture of the Republic of China.

Its robe style is large and colorful. It is famous for its rimmed technology, and its headwear is simple and luxurious.

The patterns of clothing embroidery mostly include traditional patterns such as curly weeds, wrinkles, long lines and moire patterns.

The Horqin Mongol who lived in the ziriu League created lively rap art and peace dance in their long life, robe dress, coat long shoulder shoulder and headwear as hairpin combinations. The embroidery patterns of costumes were decorated with flowers and fish patterns, and their embroidery techniques were exquisitely well known.

Mongolian Mongolian wrestling dress is famous for its distinctive national style and regional characteristics.

At the "Na Da Mu" conference, Mongolia men wore wrestling trousers on the "Bangui le" trousers, embroidering dragon, Phoenix, tiger, elephant, and all kinds of curling patterns of auspicious patterns, powerful and simple.

It has high artistic appreciation value.

The embroidery of Mongolian costume is natural but not artificial, simple and unadorned, and the colorful silk thread always adorns Mongolian costumes without distinction.

Embroidery features

In the embroidery of Mongolian costumes, embroidered wires float on cloth and leather. The needles of different posture form rich and varied tactile texture on the embroidery surface, some are rough and some are exquisite, and appear with the bright patterns, creating a visual effect of relief.

All kinds of stitches and various texture changes are important aesthetic aspects of embroidery art.

Mongolian clothing embroidery, bright and simple and unadorned color, emphasizing color from light to deep color pfer.

The pattern also has strong decoration in form. It reflects the harmony and unity of patterns and colors, and at the same time, the Mongolia people's infinite desire for freedom, harmony and happiness, forming an artistic form of perfect combination of decoration and practicality.

Expression method

The expression methods of Mongolian costumes are: exaggeration, contrast, symbolization, addition and succinct performance. They use colorful silk, cotton thread, camel hair line and cattle tendon to make various fine patterns of embroidery on various kinds of silk and leather according to different uses.

Embroidery technology is generally divided into embroidery, makeup, plate flower, flower picking, and mixed embroidery.

Embroidery is made of refined patterns and decorated at any part of the dress to make the Mongolian costumes and embroidery perfectly integrated into one body.

Significance

The embroidery art of Mongolian costumes shows the exquisite skills of Mongolian women and the endless charm of Mongolian costumes with unique artistic forms, which are full of strong art treasures of Mongolian culture, attracting the posterity to constantly explore and feel the spiritual realm of Mongolian people.

The embroidery art of Mongolian costumes, attached to the local culture, also records the history, beliefs, ideals and aesthetic taste of the Mongolian people. It shows the cultural accomplishment and spiritual outlook of a nation in one era and all walks of life. It is hoped that the embroidery art of the ancient Mongolian costume will be more colorful.