Alternative Dress Design With Multiple Cultural Elements

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< p style= "text-align: left > > although the development of" a target= "_blank" href= "http://www.91se91.com/" dress "/a" is still away from the edge of mainstream society and ideology, it is still an integral part of cultural development, and its characteristics of diversification and typology are more and more distinct.

The design of alternative dress constantly draws various elements, and at the same time, the degree of subdivision is getting higher and higher.

In today's changing era of technology and technology, alternative clothing also presents a unique charm in the context of technological civilization.

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< p > 1. The development of alternative dress in the context of scientific and technological civilization. In the late nineteenth Century and early twentieth Century, human civilization entered the era of rapid development of modernity.

After the industrial revolution, the development of technology has also brought the development of art to a revolutionary historical stage.

Modernist art breaks the traditional art's stable structure and grand narrative.

When science and technology and popular culture gradually attacked the humanistic spirit and elegant culture, artists also made different reactions.

Among them, futurism is most fanatical about industrialization and new technology in the industrial revolution.

Machinery, sports, speed, Chu Han culture and costume Chu culture are the ancient and splendid traditions that maintain and develop. With Qu Yuan as his representative, his works constitute a very prominent romantic system of southern culture. In essence, they are the continuation of the worship and dance of primitive Chu, that is, witchcraft culture.

"Han inherited from Qin Dynasty, mostly because of its old", but Han is a form of Qin Chu. In some aspects of ideology, especially in artistic spirit, Han culture inherited the essence of Chu culture.

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< p > on clothing, the Song Dynasty Han Dynasty (206 BC - 23 AD) is popular in the song Ju dress (Figure 1) is its representative.

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< p > clothes are divided into six pieces, each with two points, each with twelve months.

Its characteristics are: the collar is usually crossed, namely the big and the right; the deep garment has two kinds: the curl and the straight; the big sleeves are small; the necklines and cuffs are usually wide, and the clothes are embroidered, the brocade is the edge.

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< p > two, Wei Jin metaphysics and costumes during the Wei, Jin, southern and Northern Dynasties (AD 220-589), a truly speculative and rational "pure" literature emerged; a truly lyrical and sensual "pure" literature emerged.

These two constitute a leap in the history of Chinese thought.

People begin to be attracted and inspired by their inner talents, personalities, personalities, and Fengshen. The inner thinking and spirit state embody themselves, making people and personality increasingly become the center of philosophy and literature and art in this period.

The metaphysics and gradual dissemination of Buddhism in the Wei and Jin Dynasties based on Laozi and Zhuangzi are reflected in the costumes. They are the embodiment of "spirit, style and style" by literati and Confucian scholars.

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< p > because at that time, Wei Jin metaphysics was popular all the time, especially in the way of dress and lifestyle of literati, they were not polite, dressed widely and bare their breasts, so < a target= "_blank" href= "http://www.91se91.com/" > clothes < /a > became wider and wider.

"The size of a sleeve is two and the length of a skirt can be divided into two."

It became a custom and influenced the people of the Southern Dynasties.

For a time, praise and clothing became the common customs of Wei and Jin Dynasties.

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< p > is the best form of artistic expression in futurist artists' eyes.

They sneer at dim colors, symmetrical designs and monotonous style. They think that < a target= "_blank" href= "http://www.91se91.com/" > clothing "/a" should be full of aggressiveness, strength and outstanding geometric figures.

This radical view of dress pcends the mainstream aesthetics at that time. Futurism is influenced by the aesthetics of costumes, which emphasizes rebellion, adventure and modernity.

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The space features of P 1960s are based on the smooth and geometric minimalist structure.

< a target= "_blank" href= "http://www.91se91.com/" > designer < /a > cites synthetic fibers, plastics and metals, and relies on metallic colors, fluorescent dyes and white to achieve futuristic effect.

Although the design of the space scene is generated in the specific era, but because of the spirit of futurism, the new materials and concepts used in dress design are unconventional.

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< p > there are many factors that influence the design of alternative dress, but the scientific design, modernity and foresight of the alternative dress design in the context of science and technology have more distinct characteristics.

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< p > the physical properties of clothing have changed, and its connotation has been explored more advanced.

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< p > two, scientific and Technological Development and alternative dress design in the context of science and technology, the use of new clothing materials, new forms of expression, and the new ideas expressed are beyond the scope of conventional fashion, reflecting the departure from the traditional, higher than the present three, Buddhism and costume Buddhism Art also affected the Han costume patterns and patterns.

In the early years of Wei and Jin Dynasties, there has been great development. The patterns and themes of brocade are different from those of the Han Dynasty.

But these changes do not stick to the pattern, but are mixed with each other, forming the new aesthetic taste of the Han nationality, such as the heavenly king and the Sheng Wen, composed of lotus, Buddha statues and heavenly kings, belonging to the combination of Buddhist influence and the traditional auspicious inscriptions of the Eastern Han Dynasty. Peacock and pearl are also typical patterns of the combination of Persia, India and Chinese culture.

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< p > besides the pattern, it is said that the popular "goose yellow makeup" of women in the northern and Southern Dynasties (AD 420-589) is also related to the popularity of Buddhism.

At that time, the temples in all parts of the country were very popular. Some women were inspired by the gilded Buddha in the temple and painted their forehead yellow to make their faces more beautiful.

This way of spreading is popular, called "goose yellow".

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< p > four, Neo Confucianism and dress in the Song Dynasty (AD 960 to 1279), Confucianism was revived, and Neo Confucianism founded by Cheng Yi, Cheng Hao and Zhu Xi made Confucianism true philosophy and gradually became the leading thought of the two Song Dynasty.

Cheng Zhu's theory was founded by two brothers (Cheng Yi and Cheng Hao) of the Northern Song Dynasty. After the completion of the Southern Song Dynasty Zhu Xi, he put forward the idea of "three principles and five principles, human righteousness as the foundation" and "putting aside the natural principles to destroy human desires".

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< p > Cheng Zhu's emphasis on the ethics of feudal ethics in his mind has constrained people's thought to a certain extent, which largely affected the aesthetics and ideology at that time. Many artistic forms pursued the artistic conception of emptiness, implicit, natural and insipid.

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< p >, for example, the song porcelain swept the bright Tang Dynasty, and pursued the delicate and smooth and pure color interest; while the landscape paintings in the Song Dynasty used ink and ink to express the intimate feelings and thoughts of human and nature, and the pastoral style and mood. The style of dress was more obvious in the Song Dynasty.

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< p > real and unconventional.

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< p > first, many new clothes and accessories adopt new materials and technologies that are not part of the costume design field as a means of expression.

The alternative design itself is a kind of unconventional behavior, anti traditional and anti reality, and this unexpected material and design techniques have broken through the traditional use of clothing, and to a certain extent presented the connotation of surrealism.

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< p > 2007, Housset Charajan in the autumn and winter series "empty traveler" < /p >.

< p > (Airborne) more than fifteen thousand LED lamps will be used on clothing.

In addition to being a skirt, it itself is luminous and has a psychedelic color.

Of course, the use of technology in alternative fashion design is not limited to the way to increase the visual effect of LED lights on clothing.

As early as in the 2000 spring and summer series "Befor Minus Now", Chara Yang made a simplified white dress using fiberglass materials.

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< p > except for the use of other materials, the skirt also produces a general deformation effect on the garment through remote control.

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< p > the whole costume and performance process is full of cool and rational mechanical movement beauty, and the design and concept of alternative avant-garde is amazing.

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"P", with the support of new technology, Charles Yang further promoted the ideals of early Futurists.

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< p > under the background of modernism's full development and post modern era, the rapid development of science and technology has penetrated into all levels of culture.

In 1930s, a superhero was born in popular culture.

One is the Superman born from the high-tech and civilized world under the condition of more and more earth and outer space, and the other is the super hero who is deeply influenced by high technology and its harm in the context of the rapid development of science and technology.

The iron man, the flash man, and the hulk of Dr. Bennet, who are suffering from gamma radiation pollution, are all heroes who are constantly impacted by technological developments and have powerful supernatural abilities.

These heroes are popular in popular culture.

Behind the superhero, however, it shows a kind of confusion caused by the technological changes made by human beings.

The development of science has brought about a great leap in civilization, but at the same time it is also facing the crisis of mechanization, personification and mechanization.

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< p >, therefore, under the impact of postmodern technology civilization and popular culture, the sense effect of cartoon hero has become an important form of expressing the significance of the times.

In the alternative dress design, there is a reshaping of the body.

Many of these alternative designs are related to superheroes and human deformation.

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< p > conclusion the scientific and technological development of fashion design, the fashion of technology development, the pformation of clothing with scientific and technological achievements and the combination of human body and new concept of clothing are the characteristics of alternative dress design in the context of science and technology.

This kind of clothing has gone beyond the traditional version and changing means, and the beauty of the alternative form and the new form of creation have been promoted to an unprecedented stage.

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< p > five, the civic art and Romanticism in the Ming Dynasty (AD 1279-1368) were mainly represented by civic art and represented by novels and operas.

Although the aesthetic effect of this secular literature is far less than that of the scholar bureaucrats, it is a pure elegance of artistic taste, but these works are "extremely different from human nature, and are written for the joys and sorrows of life".

At the same time, while the literature and art of the lower stratum flourish, the orthodox theory of "Wen Bi Qin Han, the poem must flourish Tang" also surges a rebellious ideological trend.

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< p > the style of dress at this time is not only the style of the upper class ruling class, but also the style of the lower common people, both traditional and romantic.

For the sake of elegance and simplicity, Mizuta I, for example, is a garment made of piecemeal pieces of brocade. The form of the rosewood is named after the shape of the cloth, such as the paddy field. The size and shape of the material are different. It looks like patches, resembling the monk's "Patchwork clothes".

The Ming dynasty women's dress style is slender, gentle and graceful, also has the extremely rich clothing pattern.

In the Ming Dynasty, the length of the dress and the decoration of the ladies' skirts only had countless patterns. For example, the women's clothes were only covered by skirts during the Hongzhi period. The clothes gradually increased and the skirts became more and more in the period of the Zheng Dynasty. In the beginning of the Jiajing period, the clothes grew up to below the knees, only five inches to the ground, four cubits wider than the sleeves, and short skirts and short plucks. The sleeves in Longqing and Wanli were narrowed and the length was two or three inches long.

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< p > six, the Qing Dynasty culture and the style of the Qing Dynasty (AD 1644-1911), even in the early prosperity and prosperity, Chinese culture has become increasingly conservative. Philosophical, political, social and even economic roots have contributed to this complex phenomenon: the Qing government and the writers of literature summed up the causes of the Ming Dynasty's death. In order to draw lessons from experience, it was considered that the open and flowing social order in late Ming Dynasty and the moral relaxation were the causes of the Ming Dynasty's extinction.

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< p > the influence of the alternative fashion design trend of art in the context of science and technology on the style of dress. The art and Design Institute of Tianjin Normal University, Liu Yi Nu Northwestern University / Guo Junfang and Wu Hong have found more and more phenomena and connotations of science and technology in today's alternative dress design. They are also exploring the development and application of costume design to a certain extent while presenting the creations of designers.

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< p > Project: Tianjin humanities and social sciences research project: Research on modern alternative dress development < /p >

< p > the styles of architecture, porcelain and sculpture that are more likely to affect the style of dress are increasingly influenced by the aesthetic tastes of the Royal aristocracy, bureaucrats, landlords and businessmen. They focus on skills, pay attention to decorations, and become increasingly colorful and delicate, such as the stone lions in the sculpture, which are clumsy to the Six Dynasties and deep into Tang Zhiyuan. In the Ming and Qing Dynasties, cats and dogs were tame and refined, and there was no Chinese masculine style.

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< p > like the gown worn by women in the Qing Dynasty, the collar, sleeve ends and clothes of the gown are all inlaid with various edges, especially in the cuffs, which are often embroidered with gorgeous embroidered sleeves.

Rolling is an important decorative element of women's clothing. No matter the Manchu Han Dynasty, there are all kinds of lace, and the wind becomes more and more popular. In the later period, there is a saying of "Eighteen sets of rolls".

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< p > what kind of philosophy is there in every era? What kind of art is there in Tianjin? Art and science research and planning project: Modern and non mainstream clothing design, Sino US academic value analysis < /p >