Understanding The Close Relationship Between Costume Design And Human Body

< p > clothing design belongs to the category of Arts and crafts. It is an art form combining practicality with artistry.

It is an interdisciplinary subject that covers a wide range of fields, and is closely related to social sciences and natural sciences such as literature, art, history, philosophy, religion, aesthetics, psychology, physiology and ergonomics.

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< p > < strong > 1. The characteristics of dress design < /strong > < /p >

< p > < strong > A, the relationship between costume design and human body < /strong > /p >

< p > clothing is formed on the basis of human body. It is usually referred to as "the second layer skin of human beings".

Clothing design depends on the human body to wear and display, and at the same time, the design is subject to the restriction of human body structure. Therefore, the starting point of clothing design should be human beings, and the end point is still human beings.

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< p > clothing design should be closely integrated with the characteristics of the human body on the basis of satisfying the practical functions. It should emphasize the graceful shape of the human body by using the exterior design and the internal structure design, and give full play to the advantages and disadvantages, fully embody the beauty of the human body, and show the overall charm of the perfect combination of clothing and human body.

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< p > even though a href= "http://www.91se91.com/news/index_c.asp" > dress style < /a > ever-changing, but ultimately will be subject to the limitations of the human body.

Different regions, ages, and different people's body bones are not the same. Clothing in the state of human movement and static state is also different. Therefore, only by observing, analyzing and understanding the structure of the human body and the characteristics of the human body in exercise can we make full use of all kinds of Art and technology.

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< p > < strong > B, the relationship between costume design and politics and economy < /strong > /p >

< p > social and political changes and the degree of social and economic development directly affect people's dressing psychology and style during this period, and often form the dressing characteristics of an era.

The developed economy and open politics have attracted people's attention to the fine and varied styles of costumes.

In the long history of ancient China, the Tang Dynasty once reached its heyday in politics and economy. During that period, women's dress materials were exquisite, decorated many, and their shapes were open.

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< p > on the one hand, the development of the economy has stimulated people's desire for consumption and purchasing power, so that the demand market for clothing has been expanding day by day, which has led to the emergence of new fashion designs and the emergence of new designs.

On the other hand, the demand of clothing market has also promoted the development of production level and technology level. The industry has made use of the achievements of artistic creation to become a channel for spreading culture. The development of new clothing materials and the development of production technology have greatly enhanced the vitality of costume design.

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< p > < strong > C, the relationship between dress design and culture and art < /strong > /p >

< p > under different cultural backgrounds, people have formed their unique social mentality. This mentality has huge and omnipresent influence on clothing.

We can simply compare the dress styles of the East and the west, and see that there are sharp differences in dressing under the influence of different historical cultures and customs.

Generally speaking, Eastern clothing is more conservative, implicit, rigorous and elegant, while Western clothing is more innovative, bold, bold and casual.

Clothing design should be targeted design, according to people's different cultural background in clothing modeling, color and other choices to take corresponding changes.

At the same time, with the increasing cultural exchanges between countries and regions, clothing design should also absorb the essence of its country and form its own unique style of dress.

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< p > in addition, all kinds of art trends will also have a huge impact on clothing.

For example, since the early twentieth Century, the abstract School of constructivism, the Cubism of the avant-garde 90s, or the art schools and art trends of returning to nature and restoring the ancients have obviously or not influenced the change of clothing and formed a popular trend.

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< p > < strong > two, the precondition of dress design -- T.P.O. principle < /strong > /p >

The practical function and aesthetic function requirement of < p > a href= "http://www.91se91.com/news/index_c.asp" > dress < /a > requires that the designer first make clear the purpose of the design, and make creative imagination according to the basic conditions of the object, environment, occasion, time and so on, so as to find a high degree of harmony between people, environment and clothing.

This is what we usually say is the prerequisite for clothing design -- the T.P.O. principle.

T.P.O. three letters respectively represent Time (time), Place (occasion, environment), Object (subject, dress).

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< p > strong > 1, time (Time) < /strong > /p >

< p > simply put forward that different climatic conditions have different requirements for the design of clothing. The shape of clothing, choice of fabrics, decorative techniques and artistic atmosphere must be affected and limited by time.

At the same time, some special occasions put forward special requirements for fashion design, such as graduation ceremony, wedding celebration and so on.

The clothing industry is still a constant pursuit of fashion and popularity of the industry, clothing design should have a sense of advance, grasp the trend of fashion, and guide people's consumption tendency.

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< p > strong > 2, occasions, environment (Place) < /strong > /p >

People should always be in different environments and occasions in their daily life. They all need corresponding clothing to suit these different environments. P

Clothing design should take into account the needs and interests of people in different places, as well as the requirements of etiquette and customs in certain occasions.

The design of a tuxedo is different from that of a sportswear.

Evening dress is suitable for gorgeous places of communication. It accords with the etiquette requirements of this environment. Sportswear appears in sports occasions. Its design must be lightweight and fit for sports needs.

An excellent fashion design is the perfect combination of clothing and environment. Clothing makes full use of environmental factors and is more attractive under the background.

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< p > strong > 3, subject, dressing (Object) < /strong > /p >

< p > man is the center of < a href= "http://www.91se91.com/news/index_c.asp > > Dress Design > /a. Before we design, we should analyze and classify all kinds of human factors in order to make people design with pertinence and localization.

Clothing design should be based on statistical analysis of human morphological characteristics of different regions, different sex and age groups, and understand the basic knowledge of human engineering, so as to design scientific and fitting garments.

From the perspective of individual, different cultural background, educational level, personality and culture, artistic taste and economic ability all affect individual's choice of clothing, and the design plan should be determined according to individual characteristics.

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< p > < strong > three, the application of the basic principles and rules of formal beauty in fashion design < /strong > < /p >

< p > the basic principles and rules of formal beauty are the reflection, organization, utilization and morphation of natural beauty.

In essence, it is the coordination of change and unity.

It is the aesthetic rule that all visual arts should follow. It runs through many forms of art, including painting, sculpture, architecture, and so on. It is also the aesthetic rule throughout the costume design.

There are several aspects such as proportion, balance, rhythm, error and emphasis.

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< p > < strong > 1, proportion < /strong > < /p >

< p > ratio is a rule of interrelation, which reflects the ratio of length to area, between parts and parts, between parts and the whole.

For clothing, the ratio is the contrast between the size of each part of the garment.

For example, the relationship between skirt length and overall clothing length; the relationship between the size of the pocket decoration and the size of the whole garment.

The numerical relationship of comparison achieves the unity and coordination of beauty, and is called proportional beauty.

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< p > < --EndFragment-- > strong > 2, balance < /strong > /p >

< p > at a point of intersection, the two sides are different in quantity but different in form, but the state of keeping balance is called balance.

It shows two forms: symmetrical balance and asymmetrical balance.

The symmetrical balance is the opposite balance of the area, size and material of the two sides. This balance relation can be used in clothing, showing a rigorous, dignified and stable style. It is often used in the design of some uniform and uniform.

In order to break the symmetry and seriousness of symmetrical balance and pursue lively and novelty dress appeal, asymmetrical balance is more applied to modern fashion design. This balance relation is based on the principle of losing center of gravity.

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< p > < strong > 3, rhythm, rhythm < /strong > /p >

< p > rhythm and prosody are the terms of music. They refer to the continuity of music, the pitch between the sound and the sound, and the feeling of interval length reflected in the continuous sonata.

In visual arts, points, lines, planes and bodies are arranged regularly according to a certain distance and direction, and rhythms are produced by the movement of continuous repetition.

There are three kinds of repeated changes, regular repetition, irregular repetition and hierarchical repetition.

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< p > these three rhythms are different in rhythm and rhythm, and they also have their own characteristics in visual perception.

In the design process, we should combine the clothing style and ingenious application in order to achieve unique rhythmic beauty.

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< p > < strong > 4, visual error < /strong > < /p >.

< p > because of the refraction of light and the reflection of objects, or because of the different perspectives of people, the different directions of distance, and the differences in visual ability of human beings, it will cause visual misjudgement. This phenomenon is called visual error.

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< p > for example, two straight lines are perpendicular to each other, and the vertical line is wrong. It feels longer than the horizontal line.

If you take three rectangles of the same size and divide them as a picture, you will think that the rectangle of many vertical lines is longer than the rectangle of a vertical line.

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< p > the application of visual illusion to dress design can make up or repair overall defects.

For example, the heavier body is concealed by increasing the vertical lines or patterns in clothing.

Visual error plays a very important role in garment design. The comprehensive design of visual error can give full play to the advantages of modeling.

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< p > < strong > 5, emphasizing < /strong > < /p >.

< p > clothing must be emphasized to be vivid and attractive.

The so-called stress factor is the most striking part of the whole. Although it is small in size, it has a "special" effect. It has the powerful advantage of attracting people's vision and has the effect of finishing the finishing touches.

There are many factors that can be emphasized in clothing design, including the emphasis on position and direction, the emphasis on material mechanism, and the emphasis on quantity.

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< p > < strong > 6, coordination of change and unification < /strong > < /p >

< p > change and unification are the most basic and important rules in many laws of formal beauty.

Change refers to the fact that when different elements are combined together, there is a feeling of obvious contrast and difference. Changes have the characteristics of diversity and sense of movement, and differences and changes can be achieved through interrelated, echoing and setting up the coordination of the overall relationship, so that the opposition between them is subordinate to the orderly relationship, thus forming a unified sense of identity and order.

The relationship between change and unity is a unity of opposites and interdependence.

In the design of clothing, we should not only pursue the variety of style and color, but also prevent the lack of unity in all factors.

In the pursuit of a unified style of the aesthetic sense of order, we should also prevent the dull and monotonous feeling of lack of change. Therefore, in order to make the design of clothing perfect, we should seek to change in the unity, to seek unity in the change, and to maintain the moderation of change and unity.

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< p > < strong > four, the basic elements of formal beauty < /strong > /p >

The application of P > point, line, surface and body in clothing design is a three-dimensional structure. Clothing design is the process of forming perfect shape by combining the beauty, form, rule, point, line, surface and body.

Point, line, face and body are both independent factors and interrelated whole.

An excellent fashion design is the application of various factors in clothing, and at the same time, it makes the overall relationship conform to the basic rules of aesthetics.

The ratio of the number to the whole.

For clothing, the ratio is the contrast between the size of each part of the garment.

For example, the relationship between skirt length and overall clothing length; the relationship between the size of the pocket decoration and the size of the whole garment.

The numerical relationship of comparison achieves the unity and coordination of beauty, and is called proportional beauty.

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< p > point plays a role of marking the position in space. It has the characteristics of striking and highlighting the line of vision.

The different locations and shapes of points in space and the change of dispersion will cause different visual feelings.

A, when the point is in the center of the space, it can generate expansion and concentration.

B, when the point is on the side of the space, it can produce an unstable sense of wandering.

C, vertical arrangement of points can produce a sense of slimming in straight direction.

E, a large number of dots with different sizes can be arranged in a gradual arrangement to produce a sense of stereopsis and illusion.

The orderly arrangement of F and different dots can produce rhythmic rhythms.

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< p > the dots and patterns in the clothing to the buttons and fabrics can be regarded as a point that can be perceived. After we understand some of the characteristics of the dots, we can use the function of points properly in the costume design, creatively change the location, quantity, arrangement, color and material characteristics of the dots, and produce a surprising artistic effect.

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