2009 Crazy Creativity Of Spring And Summer High Heeled Shoes

2009 after the spring and summer series was released, the highest message came from the show: Women's desire for leaving the ground is more and more intense, and the design of their heels is more and more beyond human imagination. At this moment, the history of high-heeled shoes will soon enter another era of subversion.

If we are excited when we see Louis Vuttion's Cup ears and heels, we will go crazy when we see Beckham, who dares to crush all the fashionable idols in Vitoria, wearing pants and heels with his husband.

Marc Jacobs's reverse heel, aLexander McQueen's double shoe, baLenciaga's needle shoe heel...

Heels begin to challenge women's unbridled receptivity. Women's heels have already stepped into the space age without warning.

(2009) in the early spring fashion conference, high heeled shoes finally went to the extreme hysteria.

A lot of brand designers, like things like good deeds, have the same strength to play their artistic talents in the design of heels: Marc Jacobs has turned a leg of a chair into a shoe heel, and the fine support has created an unprecedented fine era. In addition, he has created the modern visual effect of inverted reflection with an inverted pair of heels on his heels. Basso&brooke is unwilling to lag behind, turning the heel into a Chinese flower and bird root carving; in sculpture, there is also John gaLLiano, an African female worship totem wood carving has been trampled underfoot by the city girl.

Even Loewe, who walked elegantly and nostalgic, installed a light bulb on his heels.

No matter from which point of view, the high-heeled shoes in the early spring show show a rich and fantastic post modern art exhibition.

But only in the field of art can't satisfy the designers who are ambitious and energetic.

The deconstruction of aMinaka wiLMont first tied a woman's neck to a black belt, with a black leather strap with 15 cm high heel and no forehand.

When people are lamenting that the fashion design circles are too commercial to reproduce Hussein chaLayan characters, aMinaka wiLMont once again shows "existence and nothingness" with high-heeled shoes.

We should get some comfort from this. Even in the era of fast consumption, we need a flag to shake the soul.

AMinaka and wiLMont echoed another high-heeled shoe heel idea from Antonio Berardi. His heel design tested the nihility of heels of high heels. In another sense, his heel was a breakthrough experiment of "resisting the attraction of the earth's core". It was a complete release of a high-heeled shoe for four hundred years to find a balance support point.

The surrealistic shoe heel not only lies in its unrestrained imagination, but more importantly, most of its heels go to a certain level to support the increasingly large body of shoes, which is the most surreal part of this season's heels.

For a long time, the classic revival of a quarter of the season seems to have exhausted our infinite expectation of creativity. This time, we finally see the dawn of shoe innovation and focus on the infinite possibilities of shoe heels.

In the 2008, chaneL electric shoes and heels are amazing. The combination of post-modernism technology and luxury makes us fully understand what is the most beautiful and perfect style.

Then, even the elegant and nostalgic line of Loewe also installed a light bulb on the shoe root and a spiral helix with device like art. Now, chaneL has come to a pistol high heel shoe in the heart of karL LagerfeLd. No matter from which point of view, the high heels of early spring show in 2009 show us a rich and full of fantastic postmodern art exhibition.

The iron structure is an awkward endorsement. This is also the feeling of MichaeL kors's prone K thick sole. In the 2009 spring of the fine roots, MichaeL kors has unbelievably released the super muffin heel. Do not think that his designer is a bit resistant to the trend. In fact, the unrestricted thickening of the waterproof platform is creating another popular key for this season. CeLine and John gaLLiano have shown us the most distinctive design contribution of this season by using the iron structure. They know that elegance is only in the rear, and for the more amazing elegance, our toe heads should be accompanied by a firm image.

The art of fashion in the interpretation of this season has been clearly developed into our high heels. Designers want to see the heart of the incarnation of artists. Even those who do not look sharp should see something. The special design that has been applied to other fields begins to move to the heels.

As early as 2008 of the show baLenciaga, the heel is full of architectural sense, such as a really concave convex column.

Making shoes and heels a sculpture may be the core concept of many designers this season.

Dior that little chest and belly droop, the shape is concave and convex, although the figure is more than 10 centimeters, but the small person's feet help you to firmly hold the ground; the Basso and Brooke's thick bottom flower decoration, with the more complex carving pattern lets us see dazzled, with more bright colors striking the stage.

Such shoes are naturally "classic images", which not only guarantee the normal wear of heels, but also play elegant demeanor on them. At first glance, they are not so weird and unreasonable. Many designers adjust the heel height to make their heels once a third day. Maybe they secretly expect it to be immortal like ancient Greek architecture.

(Louis Vuitton's shoes design or Marc Jacobs's shoes style of her own brand) the American bad boy Marc Jacobs brings fine heel to the age of refinement.

Marc Jacobs is like a drop of water. It makes us think of the hairpins of the classical maids. It is a little abstract. The bandages and beads on the upper are full of exotic customs.

The common columns of Louis Vuitton's upper and lower uniform streamlines follow the slender and radian, and the popularity of everything has become so logical.

As early as fifteenth Century, muffin shoes were recorded in the trend of fashion history. Looking back at the history of the whole fashion, it is easy to find that in fact, muffin shoes have different forms in different stages of history.

In the spring and summer, the muffin shoes came back again, and the lady who loved them had a moment of screaming again.

The innovative design of the material and color of muffin makes the 2009 spring and summer stay thin and beautiful. It brings us even a high degree of comfortable and comfortable wearing experience.

The thick and thin heels are back to the tide. This time, they occupy the second stage again and end the rough revolution.

There is something new about it, which is the beginning of a new round of marriage with thick bottom, that is, the combination of thick bottom and high heel - the front part of the shoe is hidden by a thick bottom, and the latter half is supported by ultra-high fine heels.

The thick front and the back slender have a strong contrast effect, elegant and sexy.

There is no shortage of designers in the 2009 show. The designers of yVes Saint Laurent's hollowed out architectural structure shoes and Scherer gonzaLes's "flower girl" super high heel crystal shoes (the thick waterproofing platform is also rich in real flowers, and there are several bouquet of flowers on the upper bound). Whether it is real flowers or netted line layout, the brand new mode of thinking makes 2009 shoes design full of aesthetic feeling of installation art, so that our high heeled shoes can deduce new artistic forms that show individual or group rich spiritual culture implication.

In the 2009 spring and summer conference, aMinaka wiLMont once again used high heels to hold the banner of "existence and nothingness".

At the same time, when anotnio Berardi abandoned her heels, the aMinaka wiLMont, who loves the strange shoes, came to give up the forelegs once in a while. "Air front" is like a prosthetic limb tied to the ankle. If the heel becomes like no, it seems difficult to cater for our usual recognition of shoes. But such pcendence is the same. Whether it is graceful enough is not important, no better or worse, but in fact, it is only more subversive.

In the face of human surreal imagination, all nothingness is necessary.

Yang Jing: editor in charge