Luxury Big Show To Replace Designer Farce

< p > < strong > < a > href= > http://www.91se91.com/news/index_c.asp > Louis Vuitton > /a > igniting luxury goods.

< p > the relationship between the brand and the designer is as subtle and unfathomable as the boss and the staff. The former is the top tea party with two ears who do not hear the window, and only pay attention to the stock price limit.

The seemingly innocent relationship is characterized by the effect of the backstepping effect. After all, the objects that are clearly priced are priced out of the designers under these eaves.

Therefore, in the ups and down of the ideal and reality, the brand of every brand turns out to be the designer of "iron brand and flowing water", which is a never-ending farce.

< /p >

< p > not long ago, not long ago, the world's largest communication group WPP PLC's market research firm Millward Brown Huatong slightly released the world-famous brand 2014 value research report, pointing out that Louis Vuitton 2014 a href= "http://www.91se91.com/news/index_c.asp" > brand value < /a > reached 25 billion 900 million US dollars, up 14% over 2013, for nine consecutive years to dominate the global luxury industry.

These shuffling sheets, such as shuffling, and the data report that people do not understand, decide the future trend of the brand. As the leader of the trend, the fate of the designer has also come into being in an uncontrollable way.

< /p >

< p > sentence: "I want to concentrate more on my own brand name", which has become the last song of the curtain call.

Thus, 2014 autumn and winter new series, Louis Vuitton ushered in another dawn designer Nicolas Ghesqui re re, as the leader of the departure prelude, Nicolas Ghesqui re re finished the design of Balenciaga2013 spring and summer, and left with no sleeves.

< /p >

< p > comparing the design of the two handsome a href= "http://www.91se91.com/news/index_c.asp" > the designer < /a >, it is easy to find that the outgoing people's air and sky meet the challenge of modern aesthetics in the late twentieth Century, and the idea of uneasy convergence caters to the psychological needs of the people at that time.

2013 the spring and summer gorgeous chessboard and the escalator of shopping arcade, implying a challenge and expectation for the traditional retail industry, 2012 hollowing out the three-dimensional decoration and paper-cut effect of spring and summer, and completely put the sweet innocence dream on the merry go round in the center of the show.

< /p >

< p > < strong > Louis Vuitton two generation designers Fengyun PK < /strong > /p >

< p > compared with the big play visual Department of the little horse, the current designer Nicolas Ghesqui re re locked her eyes on the clothes itself, and the autumn and winter 60s's Retro A structure, so that even the eyes overlooked the essence of the design, and mixed the leather skillfully and knitted together, and recalled the exclusive memory of the leather based brand. Exquisite workmanship could not withstand the test of the magnifying glass, but completely different from the design of others.

< /p >

< p > May 2014, Louis Vuitton launched a grand and grand 15 early spring show. This is the first time that Louis Vuitton has performed for the early spring, so it can not be known to the new designer Nicolas Ghesqui re re's lateness.

Compared with the earlier design, irregular coral stripes and retro flower prints are everywhere in the holiday series.

The selection of the show in Monaco is another sign of the brand's eagerness to spread and rebuild its new starting point.

All kinds of painstakingly making efforts will still depend on the sales volume that will surge in the future. In the final analysis, nothing can be done without a word.

< /p >

< p > < strong > GUCCI Tom Ford trace can never be wiped out < /strong > /p >

Printing and color, indeed, in the 13 spring and summer men's and women's clothing, it also proved the design strength of overturning candy boxes. However, throughout GUCCI's nearly ten years of ready-made clothes series, the basic style continues to be in the rules of Tom Ford, or perhaps uncle's impression is too deep. 90 years joined GUCCI and 94 years as the design director, and 96-97 years launched the landmark retro theme series, which successfully saved the precarious brand situation. Tom Ford left the essence of wisdom to the last brand left. Boldness and playful trend also made GUCCI known as sexy new. When p took office 05 years ago, Frida expressed his true love.

In the face of such a strong predecessor, Frida simply stole laziness, and even fur is basically copied, and printing among them is a mark of few differences.

< /p >

"P > has tried in various styles, and has never been a mastermind and nondescript. It has become the required endurance for every show. It is no wonder that critics have always said that Frida is an emotional designer, because she is always at a loss to give you a heavy blow, full of surprises when she is depressed.

If the schizophrenia of postpartum depression appears, it seems that these ten years are not depressed. If this continues, the false falsehood will come true.

By that time, the famous GUCCI fashion director could only own the title of housewife.

< /p >