Developing National Characteristics Of Clothing With Kimono
< p > here the world is < a href= "http://www.91se91.com/" target= "_blank" > dress < /a > a href= "http://www.91se91.com/" target= "http://www.91se91.com/".
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< p > in Japan, the kimono which is the same as "national costume" is much higher in daily life. It is very common not only to go shopping, to watch fireworks, to soak in hot springs or to organize various activities, but also to wear kimono.
Kimono style mixed with people dressed in various fashions and suits, even those of UNIQLO casual wear, not only did they have no sense of violation, but also attracted the praise of foreigners because of their exquisite production and national characteristics.
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< p > although there are more than one Japanese country in the traditional ethnic costumes, Japan is the only developed country. Apart from some special ceremonies, Tudor era "a" href= "http://www.91se91.com/" target= "_blank" is not seen in London. The dress of Paris is not seen in Berlin, nor can German dress be seen in Berlin.
Moreover, the Japanese kimono seems to have a very good aesthetic effect. Many people are very envious of it, and think that this is the advantage of having traditional ethnic costumes. But kimono has a special historical background although it is good.
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< p > as an isolated island country, Japan's historical development has never led to the collapse of foreign invasion. It is very important that all changes in Japan are interpreted by the theory of Don NIMBY, which is the spontaneous change of the nation after the challenge, rather than forced change by external force.
This is also true from clothing.
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< p > traditional clothes are not equivalent to picking out a set of "a href=" http://www.91se91.com/ "target=" _blank "clothes" /a from ancient times.
The history of Greece, in addition to the familiar classical times, has also experienced the Byzantine era and the times of Turkey, as is Egypt, India, and Iran.
Even if we don't wear a suit, we must face the difference between modern and ancient costumes.
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< p > in Japan, Nara is dressed in Tang style clothing, including chest dress, Tang style hat and so on.
The evolution of the latter period has changed from the peace era to the Warring States period and to the Tokchon era.
The kimono is built on the basis of this millennial evolution and is not what modern people choose to choose in ancient times.
Because Japanese history has not been interrupted, today's kimono is not so great compared with the ancient costumes, and there is no need to deliberately and compulsive factors to promote the acceptance of the public.
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< p > secondly, the style of Japanese kimono is more from the style of Wu Jia (warrior class).
The ancient Japanese society was a two yuan Society for a long time. The mainstream was divided into Wu family and the royal family.
Compared to the Royal aristocratic costumes, Wu's clothing style takes into account more factors of war, and the action is more convenient.
And that gorgeous and unusual public costume (the representative is the famous "Twelve single") is basically a special ceremonial costume.
Those who wear public clothes to the streets in Japan will also be surrounded by people.
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< p > even for women, the samurai's wife has to undertake heavy housework, so though kimono is not as flexible as the western style or modern dress, the kimono still has some flexibility.
At the same time, the contemporary kimono also takes full account of different environmental factors. For example, summer bathrobes are lightweight and easy to cool.
In winter, in 1970s, kimono was developed for wool, and it also kept warm for women in matching sweaters and fur covers.
All these increase the comfort of wearing kimono.
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By contrast, many Hanfu suits chosen by Han dress advocates refer to the dress of P, scholar bureaucrats and noble women. They are clumsy and complex, and the summer robes are too hot, which has increased their difficulty in promotion.
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< p > in fact, kimono can be integrated into modern Japanese society, or because it has been fully improved in the process of evolution to adapt to contemporary life.
According to different environments and occasions, different kimono were prepared, for example, the clergymen had their own costumes, and the Royal aristocrats wore public clothes at the ceremony. The female college students wore "graduation clothes" at the graduation ceremony. They had a great style, though they had obvious kimono style, but riding on their boots at the foot represented the trend of the western world and the vitality of the students.
In short, the kimono is not isolated, but a product of Japan's millennia of history, including the history and inheritance of the Meiji Restoration.
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< p > finally, < a href= "http://www.91se91.com/news/index_f.asp" > kimono /a > has a very systematic industry, and it exists as a luxury.
A formal kimono may be equivalent to a civil servant's income for one year.
At such a high price, we must also try our best to make perfect use of materials and designs.
The Japanese manufacture itself is outstanding with aesthetic excellence and exquisite design, and the refined kimono, which naturally gives the outsiders a very high aesthetic enjoyment.
A set of hundreds of Yuan Han clothing often appears to be ineffective. The reasons are multifaceted. The reason is that the difference between the level and price of clothes and the kimono is too large.
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< p > how to fit in with the needs of contemporary life, and to choose which style of dress and how to improve it is all the difficulties faced by those who hope to revive Hanfu. This is far from a forgotten condemnation of tradition.
Because of such complexity and various opportunities, Japan is lucky enough to have this special landscape in the contemporary world.
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