"Customizing" The "Fashion Architecture" Built By Lord Buddha
< p > when people are fussy about the design of these traditional classic brands, they start to focus on other brands when they are boring and start focusing on other brands through strong design concepts and near perfect production teams. Suzy Menkes, the new Kangtai Nash news editor, commented that the design of Armani Priv is perfect enough to be dull, and can not be divorced from the seriousness of red and black and white. Although the design of Donatella Versace is not able to cater for everyone, it is also self-contained. When deciding to enter the advanced customization circle, there must be a clear positioning for their customers. They are the beautiful people who are tired of embroidery and lace. They are the group of people who know what they want now, such as Lady Gaga. In the 50s, such feminism was developed to the extreme, which is why Versace has designed a new series of inspiration. A tight waist waist skirt or a super long coat is more suitable because it matches a trousers that only covers one leg, or other parts. Such a design can only be displayed on the custom-made stage, and only Versace guests will like it. Just like miss Donatella said to herself, "I am Versace, I must tell the world". < /p >
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The emergence of "P > Dior creative director Raf Simons has greatly promoted the development of advanced customization. First, apply all kinds of innovative materials to the advanced customization. From then on, advanced customization is no longer the world of embroidery Chiffon yarn, and nylon has a place. Nylon is no longer the material for new designers. In other words, it has finally become a beautiful bearer. Secondly, the customization of advanced customization is no longer a slogan. Simons integrates advanced customization into everyday life. In the 2014 autumn and winter advanced show, Simons once again showed his ability to "return to the future". This time he divided the fashion show into eight different chapters, including: the outline of the gauze was replaced by the eighteenth Century traditional pucker; the pilot suit made of reconstituted waist, embroidery, zipper and taffeta; the 1910s profile of Edward VII's overcoat; the combination of the ruffled stereoscopic jacket and the corset; the traditional waist suit and the tight vest of traditional men's clothing in eighteenth Century; the style of the comfortable low waist straight skirt in 1920s was reproduced with embroidery. Of course, there is also the representative of Dior, the classic profile of the 50s of last century. The traditional workmanship in the advanced custom workshop has been improved. For the first time, new techniques have been used to adjust and alter decoration, accessories and profile. For example, embroidery used in court costumes in eighteenth Century showed a new image on sweaters. "I began to think of modernity, and I began to think of a completely new language, a completely different way of interpreting Dior from my original understanding. This is a confrontation with the commonly understood modern aesthetics. My modern form comes from exploring and examining the depths of history, not just the style that has been popular in the past ten years. The challenge is to integrate reality into deep history and dramatize instead of plain. In this season, attitude decides everything. " Raf Simons said so. < /p >
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< p > "this is not customized advanced customization". So, Lord Buddha describes this season's Chanel custom series. In addition to design, Karl Lagerfeld is also good at playing word games. He refers to this season's inspiration from the word "Concrete", which can be interpreted as fixed and cement. Of course, even for cement, Chanel is also used for reference to French legendary architectural design, Le Corbusier, mosaic with artistic sense. Fashion is like cement, the decoration on it is like mosaic, and it can become a moving artwork. The cement made of fixed beads and silicone lace, conceptually subverts the question that Chanel always lives in the past. The latest trendy is in fact only through the use of new fabrics and the breakthrough of all taboos: the Largerfeld's overcoats or jackets and short skirts are worn on shorts, which are no longer the sports shoes that everyone clapped last year but the bandages sandals and shorts. No wonder the decoration of this show is a huge stove, and the mosaic digital pattern is the heat. Just like in the summer, a good suit is claimed as "7 days and 24 hours in an air-conditioned environment". At the end of the show, a group of models dressed in white dress and long skirts came out with the embroidery of the world's top craftsmen, and Largerfeld led the New Zealand model Ashleigh Good, who was pregnant for 7 months, to come to the curtain. "I like pregnant women. They look so elegant and noble. < /p >
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