The Homespun Life In The Alley Looks For The Traditional Textile Culture.

On the first day of the Mid Autumn Festival holiday, our experience of non heritage projects continues.

This time, the protagonist is the intangible cultural heritage of Zhejiang, the technology of homespun weaving.

15 groups of friends and artists came to the lower reaches of the city "three lane" homespun life experience Museum.

Not long ago, the "green Elf" Tupu dress, which was unveiled at the Youth Olympic Games, has a one hundred or two hundred year old old loom and spinning wheel, and Zheng Fenlan's collection of woven shuttles.

Touch, click and sigh.

In this experience, the old scene of "haw haw haw" revived in memory, while the children understood the traditional skills in novelty.

The homespun, which once played an important role in life, sticks to the essence of traditional culture in its inheritance and innovation, and opens up brilliant flowers at the moment.

The old loom went across the sea to perform.

Before the activity began, the readers were attracted by the loom, and they took out their cell phones and cameras to take pictures.

Mother Zheng Xiaohua, the second generation inheritor of the cloth technology of the earth cloth, sits on the loom.

The sound of "clatter click" brings people into a long time.

As early as more than seven thousand years ago in the Neolithic age, the Chinese created the spinning machine used for spinning, the original waist machine used for weaving.

In the late Song and early Yuan Dynasty, Huang Daopo was honored as the ancestor of cloth industry.

In the middle of the Ming Dynasty, clothes made of cotton cloth were generally used. Until now, cotton is still the main raw material for Chinese people to make clothes.

"Thirteen can be woven, fourteen learn.

"

Hand weaving technology was once a woman's essential skill in a family.

Now, people who know a complete set of skills are few and far between.

Ten years ago, Zheng Fenlan left his hometown in Panan and went to Hangzhou to go to university.

Before that, she always wore mother's homespun clothes.

In 2004, she traveled to Yunnan and Guizhou, and saw the beautiful hand woven fabric. When she thought of her mother's hand knitted family when she got married, a dream was triggered.

In 2005, she founded the "Lane three search" brand, presenting her homespun works to the Anime Festival of the year, and she was called "modern Weaver Girl".

In 2006, she pported the loom to the China International Fashion Fair.

There are two old looms in the museum. One is Zheng Xiaohua's grandmother. One of them is sent by a neighbor from Panan. It has gone through five generations.

The two looms are at least more than 100 years old.

In the ten years, Zheng Xiaohua and Zheng Fenlan's mother and daughter went to many countries and regions with looms. They not only brought the new homespun cloth, but also demonstrated the textile skills on the spot.

When crossing the sea, the old weaving machine was torn down and sealed with wooden boxes, so it was repaired many times.

One shuttle, one world, behind each shuttle there is a moving story.

In the background of Zheng Xiaohua's weaving, shop manager Mu Qiaoyu explained to you.

Literary and artistic friends are basically family based, and adults and children listen with relish.

Mu Qiaoyu told the little boy that the thread was spun out of cotton, and the cloth was made of thread. The children felt miraculous and shook it in front of the spinning wheel.

The homespun experience in the museum shows people an eye opener.

Shuttle is an important tool for weaving. It is precisely through its back and forth shuttle, cotton thread was pulled up, eventually condensed into cloth.

Nearly 2000 shuttles, each with numbering, has a moving story behind each.

It is said that the 9 shuttle displayed on the wall is "treasure in the shuttle".

They have distinctive local imprints, such as the southern part of the Yangtze River, and the shuttle of Xi'an and other places are dumplings. The shuttle of Tibet is the horn and ox horn.

All the shuttles were collected by Zheng Fenlan for 13 years from all over the world.

The staff said she was a madman, for she had been in Tibet 4 times and returned 65 shuttles from the remote Tibetan countryside.

The husband said she was "shabby", because she moved all kinds of traditional things home as babies, not only the collection of shuttle, but also more than 40 looms.

In the heart of Zheng Finland, the collection of shuttles is a traditional local memory and a revival of the rustic cloth complex.

There is innovation in the inheritance, and homespun can also ascend the elegant hall.

There are many good things in the museum.

For example, old wooden boxes, with lotus cloth made of homespun cloth, and the pattern on the quilt is made from traditional tie dyeing techniques.

These ancient objects resonate with the writers and artists. One parent said, "my father is still covered with homespun.

At the Youth Olympic Games, Yang Jingchuan, the pianist of the American pianist, was also seen in the museum.

The soft black skirt has a stunning green, both fashionable and oriental classical beauty.

The dress straps are made of 328 Bright Drills, hand-made and interlaced.

Zheng Fenlan asked the child: what can you think of? 9 year old Tong Luo Yao replied, "beautiful, like the piano I learned."

Yes, the shoulder design uses the imitation and variety of piano black and white keys, allowing performers to integrate with the piano.

The black fabric used to make a dress is called "Yun bu". It is also called "silk cotton". It is made of cotton yarn as warp thread and silk as weft.

"Yun bu" is the pinnacle of textile technology in the Ming Dynasty. According to historical records, Zheng Fenlan and his mother visited the masters of literature and history and master Gong Mei, and repeatedly tested them before they succeeded in weaving fabrics of close texture, fine color, half silk and half cotton, light and comfortable.

The green coating on the chest is the result of tie dyeing of the white cloud cloth. The abstract water ripples on the pattern, such as the butterflies flying in the air, is simply a work of art.

In August 29th, Mrs. Bach, chairman of the International Olympic Committee, visited the "mother's Art Exhibition" in Nanjing. She saw the Hangzhou's homespun crafts at the exhibition, and commended: "China's homespun is very beautiful. I like it very much!"

Zheng Fenlan said that traditional skills are internationally recognized and are very happy and proud.

But there was a voice in her heart saying, "the best homespun is in Japan now, and the skills of the Tang Dynasty have been spread to Japan.

Another voice in Zheng Fenlan's heart said, "I will try to restore the memory of the earth cloth to the Tang Dynasty."

This dream grew in her heart.

In the experience, I hope more people will stick to traditional culture.

After listening to the explanation, I visited the craft of making homespun, and began the highlight of the day: experience.

The children used the leftover materials of the homespun, and began to paste cloth art paintings manually. One is more serious than one, and one is more imaginative than one.

Adults began to "machine" weaving.

"Seven acres of land, eight acres wide, in the middle of a woman official.

One foot, one hand, twelve rings.

This ballad is about weaving.

It sounds easier to do.

The night before, the three lane Experience Hall of the alley held a mid autumn festival. The pianist Yang Jing appeared in the "green Elf" dress. He tried to sit on the loom and found that "weaving is much more difficult than playing the piano."

Under the guidance of Zheng Xiaohua, the reporter tried to operate, his right foot stepped on the right-hand pedals, and the right hand held the shuttle to the left side of the cloth axis. The force was too heavy, and the shuttle flew out of the line. Zheng Xiaohua rushed forward to remedy it with great pain and carefully lifted the shuttle out of the thread. Then he pointed me to pull the button forward and tighten the cloth.

After several rounds of attempts, the shuttle was not always so obedient.

Zhang Bin, a literary and art group, also sat on the loom. He concluded that weaving needs coordination, like exercising.

Zhang Bin said, this experience is very meaningful, teaching children to know the production of cloth, cloth practice, children have the understanding of tradition.

Zheng Fenlan hopes that through the experience hall, more people will be able to pay attention to traditional skills and stick to traditional culture, hoping that more young people can participate in it.

On the way to traditional culture, she also goes further and further. From October 31st to November 3rd, the Ninth International ribbon dyeing and weaving seminar will be held in Hangzhou. The Chinese silk museum is the sponsor, while the co organizers are the three lane alleys.

I know that.

Lane three search

Homespun life experience Museum

Located in the East District of Xiacheng Road, it is a window to understand the textile technology of the earth cloth, an experience of non heritage.

There are two looms in the museum, and a silk loom made by Japanese counterparts.

Nearly 2000 different kinds of shuttle are the most meaningful and highlights.

These shuttles were collected by the owner Zheng Fenlan after 13 years from all over the world, and each shuttle belonged to his unique story.

The museum has three characteristics: life aesthetics, Chinese fashion and creative experience. At present, apart from the earth life experience Museum in Xiacheng District, there are two sister houses in the alley three: the knowledge school, the handwoven cloth Experience Hall, and the Xianghu well Mountain Ecological Culture Park.

In addition, West Lake Cultural Plaza also has a handcraft school. There is also a handicraft living exhibition hall in Qiaoxi historical and cultural district.