Clothing Design Pboundary "Ink Gage" Reinvigorated "Chinese Wind"

The clothes on the T stage are embellished with unique ink and wash elements, but they do not manifest themselves in concrete objects like the traditional Chinese style.

Yesterday, the new independent designer Liu Shanshan presented her own brand to the first fashion week in Shenzhen. In an interview with reporters, she said she hoped to get rid of Bauhaus's imprisonment of modern culture through the innovative "ink and wash meter" and reintegrate the traditional Chinese culture in fashion design.

"The traditional Chinese style, for example, is like people wearing cheongsam, in line with the old slow adjustment era.

But now people's pace of life is accelerating, and I hope to be able to launch a design with Chinese elements at a fast pace.

Liu Shanshan said that his inspiration came from ink and wash paintings. The so-called "ink and wash meter" is the art of ink painting, which is in itself an innovative art. "It's not a traditional plum blossom dye on the clothes, but a redesign through the art's withdrawal."

In Liu Shanshan's view, Western luxury has deep-rooted artistic factors. For example, Dior itself is a painting merchant. China has excellent cultural context. It can also integrate traditional culture into various designs, including clothing, in the light of Western procedures. "This show is also out of Bauhaus doctrine, which is against the over functioning, over geometry, excessive logic, excessive cold and excessive pollution of modern internationalism in the past hundred years.

We need low carbon quality, and more importantly, spiritual taste. "Ink meter" is pursuing this ideal.

Speaking of why there is such a "crossover" design concept, Liu Shanshan said: "I love Chinese art, and also like western culture, so I want to make Chinese and Western cultures collide and create new characteristics."

Liu Shanshan was born in a family of art. He loved singing and dancing since he was young. He started writing calligraphy and painting at the age of 16, and won the first prize of the national and provincial schools. In 2002, he became the member of the Calligraphers Association at the time. After being educated at China Central Academy of Fine Arts, he was trained by many famous designers and artists. He studied Western Classicism, Baroque, Rococo, neoclassicism, industrial revolution, modern design trends and digital art education ideas. He visited twenty countries in the past. His paintings were publicizing in the United States in the 2002, and he received much attention and praise. In the same year he joined the provincial governor's forum of China and the United States to promote Chinese culture and become an honorary citizen of the state of Utah.

What will happen if we combine Chinese painting with costume design?

Liu Shanshan began to think about this problem and quickly put it into action. In December 2013, she founded the "ISOKE LIU" brand and participated in the fourteenth China (Shenzhen) international brand clothing and fashion fair last year, winning the "star of the future" award of Chinese fashion designer in one fell swoop.

Her design concept has won the recognition of the industry. Shen Yongfang, President of Shenzhen clothing association, praised highly: "Liu Shanshan has made Chinese paintings on clothing and penetrated Chinese culture into clothing. This is the inheritance of Chinese clothing culture.

ISOKE LIU is fully capable of participating in the four international fashion week of Paris, New York, Milan and London. "

Li Xin, a Chinese Fashion Designer Association, a senior fashion designer and Professor, said: "Liu Shanshan has her own unique style. Customers will be more and more. Everyone will follow her design, and China's brand clothes will be more colorful."

The Shenzhen fashion week is the first time that Liu Shanshan's brand has entered the show. She told reporters that when preparing for the show, she basically slept at 6 in the morning and got up at more than two o'clock.

It's hard to be an independent designer, but she thinks it's worth it. "Shenzhen itself is a fashion and creative city. Fashion week attracts excellent fashion designers from all over the world, and many ideas exchange and collide here."

She hopes that there will be more platforms in the future that are not inferior to the "four Fashion Week" in China, so that designers can create a good atmosphere for entrepreneurship and communication.