Schg: Keeping The Historical Imprint On The Innovation Of Traditional Embroidery

Schg embroidered Mongolia robe for Hongkong children

1950 was born in a traditional Mongolian embroidery family in the AR Horqin banner.

She is an inheritor of the intangible cultural heritage of the AR Horqin banner and is engaged in the Mongols.

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He has been making embroidery for 61 years, and is currently a member of the the Inner Mongolia Autonomous Region Folk Artists Association.

In 2003, he won the gold medal of the first Mongolian costume exhibition in China.

In 2005, he won the silver award of the first Inner Mongolia folk arts and crafts fair.

Now, for 61 years, Schg, who has embroidered her age, has fallen into the waist with a prominent waist and eyes, but is still obsessed with embroidery. She embroiders it for four or five hours every day. She said, "it will not stop embroidery until the needle is lifted."

At the end of March this year, he participated in the Mongolian embroidery training class at Inner Mongolia Agricultural University and exchanged embroidery skills with 59 other Mongolian embroidery inheritors from all over the country in late March.

During the break, the reporter saw Schg in the lounge of Inner Mongolia Agricultural University. Her eyes were bright and bright. She was sitting on the bed with pins and fingers, and her fingers were flying up and down flexibly. The butterfly embroidered on the embroidered cloth seemed to fly at once.

Innovation of traditional embroidery

In 1950, she was born in a traditional Mongolian embroidery family in the Aerqin Horqin banner. Her grandmother, mother and aunt were all well known embroidery masters. When she was 6 years old, she picked up her sewing thread and began to make some simple sewing, socks, shoes and boots.

In her spare time, she likes drawing. In the time when the material was relatively scarce, there was no special book for her to paint. She looked for the cigarette box that her father had smoked, copying the beautiful patterns on the back of the cigarette box, and copying the vivid fish on the washbasin.

When she was 10 years old, she began to learn embroidery with her mother. For Schg, who was good at painting, embroidery was not difficult at all.

Sage is a restless person, her home embroidery work has been completed, she helped the neighbors embroidered for free, and for a time, she came to ask her to help embroidery people in an endless stream, her work more and more, she was like a clockwork, immersed in her embroidery world, her neighbor came to visit her, she did not find out until others ridicule her: "are you alcoholism?"

Her skill in embroidery became more and more proficient, and prompted her to ponder over the composition and color scheme of her embroidery.

"People generally don't dare to mix red and green together. Instead, I deliberately mix these two colors together. I think it's gorgeous."

Schg said.

There is no need for people to be willing to work hard. Soon, people in the tens of miles round are not able to catch up with her embroidery, embroidery, embroidery, and embroidery.

At the age of 16, he began to brew a major event: Innovation in traditional embroidery style and content.

She was no longer satisfied with embroidering the patterns and patterns that had been painted on the paper. She wanted to embroider the living things. She began to observe the look of butterflies, mountain grass and wild flowers, silently remembering them, embroidering them on their cloth and sewing them into 20 sets of Mongolia robes with special style of the shagge. The local herdsmen praised her as a brave rider.

Schg's efforts, mother saw in the eyes, joy in mind, she gave her daughter the greatest affirmation and support, which cultivate Schg's innovative character, until now, Schg still likes to break through the traditional way of embroidery.

"After embroidering all the features of a flower, I will never embroider it again. I will look for new embroidery methods and styles."

Schg said.

Send a deep feeling by stitch

In July 1, 1997, Hongkong returned.

In his own way, he expressed his joy: she sewed two sets of exquisite Mongolia robes for children's clothing and sent them to Hongkong through the post office.

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Schg told reporters: "others celebrate the return of Hongkong, some sing, some dance, some write poetry, others paint, none of them. I do needlework.

So we specially made two sets of Mongolia robes and sent them to Hongkong children to express my congratulations on Hongkong's return.

She carefully picked up the cloth at the store, one of which was lake blue, the other one was big red, blue represented peace, while red represented joy and warmth.

Ingenious Schg used all his "absolute work" in these two sets of Mongolia robes, Phnom Penh and silver thread. Although Schg is nearly half of this time, she is meticulous and unambiguous. If she normally makes two sets of ordinary Mongolia robes, she only needs 3 days, but this time she meticulously sewed for more than a month.

She invited two small models from the Mongolian primary school in Chifeng to take pictures of Mongolia robes and sent the Mongolia robes together with the white hada to Hongkong children.

She showed the photo to reporters. She said that children represent the future and she hopes the future of Hongkong will be better.

It was in June 18th that he remembered clearly.

On that day, she went to the post office with a light rain to send her robe, and when she got home, she caught a cold and coughed ceaselessly.

Arous, the son of scige, told reporters that on the day of the return of Hongkong, their families were sitting on the camel carpet and watching the live broadcast. They were more than once talking about it. They didn't know that the children of Hongkong had received the robe. Arous understood the mood of the mother and comforted her: "the postal industry in Hongkong is so developed that the children will definitely receive the robe of Mongolia."

Retain the mark of history

Some Mongolian families in the AR Horqin banner have a tradition: before they get married, they should learn embroidery skills. As an inheritor of the intangible cultural heritage of the AR Horqin banner, Shi gidan will bear the responsibility of inheriting Mongolian embroidery.

For every bride to be, his character is not only a teacher who gives away the money, but also a bag that he eats.

Whether one week or half a month, no matter who comes, Schg, one of the "tough" ones, promises to teach skills without hesitation, and invites the bride to live with her and learn skills at any time.

In her view, it is her duty and obligation to teach more people to learn Mongolian embroidery.

One day in 2008, Schg saw her children reading poetry anthology. She thought that those beautiful sentences could be handed down through a collection of poems. Why can't the Mongolian costume be?

A bold dream was born in the mind of his mind - the Mongolian costume became a collection of poems.

She loves Mongolian fine costumes, hoping to brimming the colors in her heart, keeping the imprint of history, closing the threads to protect the Mongolian embroidery.

So, he began collecting and producing the most popular Mongolian jewellery and costumes in the 60, 70 and 80s of the last century. Among them, some of his family's elders used to go through and used them. There were also some old goods that SCI had gone to Hebei, Shanxi and Shaanxi.

She used the savings saved from 2001 to 2005 and almost ran around the provinces and cities nearby.

One of the farthest walks of which was taken by him was to go to a village in Shaanxi by train in 2013. She heard that the woman in a nearby village kept the cloth she needed, ran two times in a row, but failed.

It took her half a month to complete the trip.

Most of them are empty handed, but she is not discouraged. Recently, she plans to go to other provinces and autonomous regions such as Yunnan and Guizhou to collect Mongolian costumes and traditional embroidery techniques.

At present, there are more than 500 Mongolian jewelry and costumes collected and produced by Schg. These traditional costumes, together with Schg's embroidered hand drawn manuscripts, have become the treasure of Schg's bottom of the box. She looks forward to the day when the time is ripe for an exhibition of her "poetry collection" and a book for her hand drawn manuscript.

"I'm satisfied with all this," said Mr. Sharp's eyes.

This year, Schg submitted an application for Chifeng's intangible cultural heritage successor, and named it after the name of his hometown, and created his own craft brand.

Embroidery has become one of the most fashionable elements nowadays. The traditional Mongolian embroidery has also renewed vitality. It is not only the mark of history but also the basic skill of fashion trend.