Scenery Clippings (Map)

The Sahara Desert goes deep into North Africa

Into North Africa, into North Africa, and then into North Africa...

from

In 1970s, the famous African series began, and North Africa became the sacred place for designers.

As a landmark of North Africa, the Sahara desert has been appearing in designers' clippings year after year, and this year is no exception.

1961 of the designers did not collect the scenery of the Sahara desert from the postcards. She set foot on the land in person and created the spring and summer series in 2011.

Perhaps it was in the desert that she looked at the starry sky, and she thought of using the "deluge" technology to make the desert's gradual light and shadow appear at sunset.

Up.

As for

Romantic aesthetics

The hem does not look like moving dunes.

The series, which is basically completed in monochrome, is actually simulating the wonderful features of the desert, which seem to be lifeless and actually contain thousands of changes.

In addition to the main color of a mica and the ground color, the linen jacket is coated to simulate the visual effect of the desert sand.

Pure

It's like a mysterious treasure hidden in the desert.

Don't think that when it comes to African style, there will be a lot of coloring and wild style accessories.

In this series, there is hardly a shadow of accessories.

You can catch a hint of African costumes in loosely loosening up the lines of a casual dress.

and

1961 the difference between the Sahara series of implicit poetry.

Simply move the magnificent landscape of the desert onto the T platform.

The master's customary T Tai Tai screen background is playing Sahara landscape images.

You needn't worry about his consistent elite suit, gorgeous dress style, and how to connect with the deserts and deserts.

Spring and summer 2011

The collection is only a collection of elements from the traditional costumes of the nomad people in the desert.

In the design of black and dark blue, the old man matched the model with a model of the scarlet man, which made the models look a little dusty.

In the early morning, in the Sahara roaming, in the evening to the center of New York to eat, the design of the old man seems to be suitable for such a modern urbanite.

Pastoral feelings of pampas grassland in South America

Act as

The outgoing work,

stay

Sure enough, I returned to the equestrian theme.

Looking for design inspiration from foreign nationalities, this is

Good at things.

However, if the cowboy of the west is moved to the T platform of Herms, even if the theme on horseback is fastened, the cultural atmosphere is obviously worse.

So the designer put his eyes on the Pampas grassland in South America, and found another ancient nomadic people, Gao Chu herdsman, who has been dying away.

In fact, the figure of Gao Chu herdsman was already in the autumn and winter of 2010.

It has been used to popularize background knowledge in advance.

Jean Paul Gaultier, from Gao Chu's shepherd, has borrowed a large cloak that never leaves her body and a hat of South American style.

The female riding masters.

At the curtain call, the model Farida Khelfa also picked up a spot of roses, like a Argentina dancer dressed in a men's suit tango.

Besides cloaks, small caps and roses, the new series actually goes on the aristocratic horse riding route.

With suede pants and skinny waistcoat, if the female models dressed like this can really appear on the Pampas grassland surrounded by mountains, it will become a more romantic and wonderful sight in what is known as the most beautiful and fantastic horizon in the world.

Chinatown and Chinatown welcome foreign tourists.

Designers with Oriental themes often bring a strange feeling to the real Chinese, which is hardly surprising.

After all, as tourists, they can see what their eyes can catch up with, similar to those seen in Chinatown and Chinatown overseas.

In the spring and summer of 2011, there were Alberta Ferretti and Louis Vuitton Marc Jacobs designed for Chinese elements.

The former not only covered the floor of its showroom with Chinese style prints, but also made the models wear cheongsam, dragon robes and even Huian women's big hat.

As for Marc Jacobs, although the use of color is slightly more subtle than that of Alberta Ferretti, the same kind of new cheongsam, with a small fringe of Tassels and an increasingly exaggerated national treasure panda print, makes people feel like shouting, "Chinatown" is coming, designers please lift the camera.

Compared with the designers with Chinese elements, the Italian Marras Antonio of Kenzo is much more reliable.

In the series of tribute to the Japanese founder of the brand, Japanese elements and Italian style color printing are more natural and full of design sense.

In the last stage of the show, Antonio Marras arranged 40 models to go on stage in Kabuki dress. At that time, there was no Zhang Ziyi style Japanese wind. Instead, they used the design method to blend the characteristics of different regions.

Perhaps, compared with China, Japanese designers have done enough knowledge courses for Western designers, and the sense of strangeness is much less.