Miriam Yeung'S Elegant Pakho Chau Is Beautiful.

At the awards ceremony, many singers were dressed up to make breakthroughs. This year, not all male singers are eager to go out. They are glamorous, playful, cute, and steal the lead of female pop stars. But Miriam Yeung's simple feminine taste is a breath for the actress.

This time, the local designer Lin Shubin (Arthur) is invited to comment on the clothes of the stars. Pakho Chau's "black monster" is the most attractive weapon in the world. The whole body is gray and black, the bat cloak is painted with gold blitters, and the black lipstick is deliberately painted.

Arthur said: "his black lips, plus Mohawk hairstyle, Rock flavor is very heavy, very avant-garde, but if the clothes can exaggerate a little, Rock a bit, that is more perfect."

Jerald, a male assemblage of Swing, was present in the shape of bath light year, and it was obvious that he thought of it. Arthur said, "this type of modeling is lovely and impressive."

And Andy Hui's pink sweater is unforgettable. Arthur said, "Andy Hui's Pink oversize jacket looks like he is not so thin, and has a texture. The color is very bright and very eye-catching."

Among the stars, Arthur praised Miriam Yeung for his progress in dress. He said: "the thousand skirts look very comfortable. No matter what color or style is not so fastidious, mature and elegant, generous and simple, and sporadic, it is very consistent with her wife's identity and sense of the times."

In addition, Joey Yung is equally outstanding. Arthur said, "there is a great appearance of the elder sister, and the image is appropriate. It is very suitable for her to wear a skirt, and it will not exaggerate."

As for Kay Tse, Arthur said skirts make her plump. He said, "her hair and make-up are all OK, but her clothes seem to be fat, and white looks like her waist is too thick to wear so many layers of clothes."

Ivana Wong, who has never seen anything in fashion, is also very bright, with rare exposure and wild high heels and special hairstyles, full of postmodern feeling.