"The Legend Of White Snake" -- A Brilliant Demeanor

Synopsis:

In folk, the story of people's love is often seen.

Evil spirits are often beautiful and loyal, while those who fall in love with them are handsome and devoted.

They have the romantic love that makes the world admire and yearn for, and it is this kind of beautiful emotion that endows the fairies with fairies' appearance and good disposition to make them become more romantic in the eyes of the world.

The content of the film and television works "The Legend Of White Snake" and "green snake" is based on the folklore of the confusing snake essence and the scholar Xu Xian.

Although the two films have the same materials, the images of the characters in the films are quite different.

The White Snake, appearing in the gentle and charming image of The Legend Of White Snake, is an embodiment of perfect women in people's consciousness.

Therefore, her dress style is aesthetically romantic.

In the movie "green snake", the image of snake essence is full of a snake's unique wild nature, bewitching and charming.

This unique way of image formation reflects the concern of the modern society to the original ecology and the personalized way of interpretation.

The title of the play: The Legend Of White Snake.

Main character: Bai Suzhen

Costumes:

The TV drama "The Legend Of White Snake" tells the love story between the scholar Xu Xian and the White Snake Jing Bai Suzhen.

In the story, the white snake becomes the charming woman named Bai Suzhen, who is called the white lady.

This popular love story is rooted in Zuo Si's "Wei Du Fu", "even the eyebrow with the calves" section, and even the eyebrow female is the prototype of the white snake essence.

But its image has not been described too much in the book.

The legend of the Tang Dynasty, "Li Huang" ("Taiping Guang Ji" 458), describes the white snake as a white woman with a "perfect color".

This is the earliest costume image of the white snake essence.

Thus the white dress has become the symbol of its image and has spread to date.

The characters in the TV drama "The Legend Of White Snake" are based on the Ming Dynasty script "the white lady's Yonglei Lei Feng Ta" (Feng Menglong, "the world's most famous tale").

The white lady in the book is a "head dressage head bun", a beautiful woman with a small hairpin, a white silk sweater and a linen skirt under the cloud.

"Filial piety head" is also known as "filial piety", which is a fake bun worn by women during mourning.

Take the hemp rope as the fetus, cover the white cloth and white paper on the top, and use it to cover the top, so that it is different from the black bun of the ordinary woman.

The "hairpin comb" refers to the hairdressing and comb with no pattern and the headwear for mourning in the Ming Dynasty.

So disguised with the book, "the slave is the white three class white Dian straight sister, married to Zhang Guan, unfortunately died."

The description is consistent, and understands the identity of the woman.

It can be seen that her combination with Xu Xian is evil spirits in the eyes of the Ming Dynasty.

But in the period of the Republic of China, the story of white Niang was painted romantically.

She changed from the snake essence that deceived the human to the clinging to love.

Lu Xun once complained about it in "the collapse of Lei Feng Ta".

Mao Zedong also praised her as a woman who fought against feudalism and fought for independence in marriage.

The TV drama "The Legend Of White Snake" emphasizes the white lady's devotion to love and deduces romance between Xu and Xian.

The white lady Angie Chiu plays is even more beautiful.

She was wrapped in white silk gown and waist tied with brocade.

Pearls and hairpins are placed on black bets.

The white gauze on the side of the bun is more charming and charming.

This is the white lady in the TV play. Her dress image is slightly altered on the basis of the Ming Dynasty script, that is, to play down the meaning of "Jie Jie".

Such as changing the "filial head bun" into a black bun, changing the "hairpin comb" into a gorgeous Chai Chai: replacing the "Linen Skirt" with silk lined shirt with colored silk lining, these changes not only show the emotion of the characters, but also beautify the visual effects.

So the white lady has an irresistible gentle beauty.

The most appropriate description of this kind of amorous feelings is Xu Zhimo's "the gentleness of that bow, like the shame of a lotus flower."

The title of the play: green snake.

Main characters: Bai Suzhen, Xiaoqing

Costumes:

The movie "green snake" is adapted from Li Bihua's novel "green snake" in the same name, drawn from the legend of the white snake.

From the perspective of green snake, the movie tells about the emotional entanglement of green snake, white snake, law sea and Xu Xian Zhi.

The movie's outstanding director Tsui Hark's personality style not only fits the public cultural psychology, but also differs from the past style, and interprets the interpretation of traditional culture from different perspectives.

In the movie, Joey Wong played a more sexy and charming role than the white lady played by Angie Chiu.

Designer Zhang Shuping uses the elements of Peking opera costumes to design the costumes of white snake, which is a highlight of the film.

The hair of the hairpin with a hairpin is thick behind the head, and the hair on the front and temples is a charming twist.

A white velveteen trembled from the back of the head to the white satin on the forehead.

The white silk flowers beside the cheeks are gently swaying.

The spun yarn hung on the long coat of the long neck, like a hazy mist, like a dimly lit smoke, added a bit of love and immortality.

Bai Suzhen, dressed like this, sends out a snake's peculiar charm and beauty between the skirts.

Maggie Cheung's green snake and Joey Wong's white snake have different styles.

The green snake electric with white snake has been practicing for five hundred years.

In the Ming Dynasty script, she was seen wearing "green clothes, a pair of horns on her head, two big red heads and two pieces of jewelry."

The "double bun", or "Ya bun", is named for the two bun shape, and it is named for the two corners.

"Head beard" should be the finger line.

The serpents in scripts play a role in expressing their identity.

Xiaoqing in the movie "green snake" is no longer a foil character, and the image is full and delicate.

In the early days of March, Xiao Qing stroll along the lakeside of the two lakes.

The bun is wrapped in dark flowers, and a few threads of hair on the front of the chest float gently with the breeze.

The light of the lake is clear, and the small green eyebrows of the mountains are covered with daisy. The lips are like an orchid, and the air is like orchids, and the road is not all kinds of customs.

Despite the guidance of the White Snake, she could never find the feeling of being human.

When she saw the tender feelings of white snake and Xu Xian in the light gauze account, she longed to feel human's "love".

In the wine shop, Ken snake and the India women dance together in a glamorous dance.

The snake's twisted body was covered with a thin India sari.

The waves of her eyes sent out all kinds of gentle and charming manners, which made the men in the room feel helpless.

Her eyes, like silk, moved gently across the water corridor.

The pale green shirt is more charming and charming among the delicate flowers.

Her lips and notes, every move, vividly put Xu Xian into the gentle countryside.

In the ripples of blue waves, the green snake gently tug at the white scarf of Fa Hai.

Her eyebrows were light and her eyes were streaming, and her lips were red.

The black hair, like the ink, was pasted on the white neck, wet and wet.

The blue clothes in the water outlined her full body.

At that time, the green snake was exuding a charming soul.

The green snake, who has gradually known the taste, has blossomed in the blue clothes.

Conclusion: Although The Legend Of White Snake and green snake are based on the same myths and legends, there are many differences in their dress images. The fundamental reason is that the White Snake created by The Legend Of White Snake is an artistic masterpiece in pursuit of historical and stage beauty.

The implied mass culture also represents the common sense of Hongkong's film and television creation and aesthetics in the 1980s.

The movie "green snake" is characterized by the use of elements of Beijing opera costumes.

For example, the hairstyle of the green and white two snake is comprehensive.

The bionic symbol of dress image is another feature of green snake.

Like the serpentine flower on the bun, the curved hair on the temples.

These dress symbols, which are highly bionic, play a role of prompting identity.

At the same time, the film's desalination of the concept of Dynasty is also very innovative.

In addition, Li Bihua, the author of the novel "green snake", reconstructs the emotion of the White Snake and Xu Xian Zhi and the irony of self reliant people from the perspective of green snake.

It is said that there is love in the world, but what is love? It is ridiculous, even you do not know... "

The irony of traditional love: "those gentle swear words, those wind and snow, those rain and tears, those" love ", because of naive! These anti traditional ideas end up creating the uniqueness of the movie" green snake ".

Its appearance can be regarded as the product of re interpreting the academic trend of traditional culture.

If we say that the snake essence in The Legend Of White Snake is a white sketch drawn by Zhang tenderly and kindly, then the snake essence in the green snake is a freehand and touching person.

The former is exquisite and meaningful, and the latter is very lively.

And behind these different customs, they all hide the same persistent emotions.