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    The Influence Of Fisherman Painting Art On Clothing Elements

    2012/7/19 10:40:00 174

    Costume ElementsFishermen'S PaintingsArt


    The scope of clothing includes clothing and decoration, including clothing, bags, accessories, etc. Clothing has the duality of practicality and decoration. With the development of fashion design today, many designers have realized that they can't please customers only by popular colors or novel styles. It is necessary to integrate with the traditional cultural connotation of our own nation, so as to design clothes that conform to the characteristics of the times and have humanistic factors.


    For example; For example, the graffiti art in the United States originates from the streets, and the creators are mainly young people, unemployed people and the poor in the lower society. They are full of subversive artistic forms of expression of traditional ideas and mainstream consciousness and are popular all over the world. In recent years, this art form has frequently appeared in fashion products, and even luxury brands have stepped down from the altar to cooperate with graffiti artists.


    2001 designer Convinced LV executives to abandon the 150 year old brand's inherent patterns and use graffiti artists' patterns as handbags. Finally, the series brought the company 300 million dollars in sales. This example strongly demonstrates that folk art can not only be recognized by the public, but also bring extraordinary economic benefits if properly used.


    1. Drawing on color


    Color plays an important role in clothing. Clothes are visible before their colors. The color of fishermen's paintings is neither the ink color of Chinese paintings nor the color system of western painting theory. The colors of fishermen's paintings are highly subjective, and under the control of subjective consciousness, colors are regarded as the expression of emotional catharsis. Color matching has a strong sense of decoration. The combination of this style and popular language into the art of clothing is of great significance to improve the cultural value of clothing, meet consumer needs, and open up the international market.


    2. Use of patterns


    Fishermen's paintings do not follow the perspective theory of western art, but adopt a flat and multi angle observation method. In the process of painting, they create works with different shapes and planes based on their own understanding of things. These works have strong local characteristic design language, which can quickly attract people's attention and meet the fashion requirements of clothing.


    For example, Lu Xiurong's "Squid Couple" shows the story of anthropomorphic squid, who are united in water and grass. The squid in the work does not use an objective image of squid, but depicts the shape of squid in a childish way, with rhythmic white space and crisscross visual lines, highlighting the beauty of the pattern. These graphic languages can be used in the front of the chest, sleeves and other places without deletion. It not only conforms to the popular elements of this year's printing, but also brings unique visual beauty to the clothing.


    3. Multi material product development


    The combination of Zhoushan fisherman painting art and modern fashion design makes the artistic elements with strong ocean flavor become a new creative point and enlightenment point of modern design, so as to design products with unique style and charm.


    For example, in the "Stone House by the Sea" painted by the fisherman, the shape of the house is drawn in a way similar to texture, and the characteristics of the buildings by the sea and the feelings of islanders who love life and love the sea are expressed in bright and gorgeous colors.


    We can borrow this method from the pattern of black sweater, select the most colorful piece in the picture, and replace the grid shaped color blocks with bright fabrics or beads, which can not only fully express the creative style of the picture in clothing, but also create different aesthetic feelings.



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