Legend Of "Silk" And "Peony" Poetry, Freehand Brushwork, Advanced Customization

At the end of November, NE TIGER opened the seventh China International Fashion Week at the Golden Hall of Beijing Hotel.

The most touching scene at the NE TIGER2009 TIGER2009 Conference on Chinese clothing is the curtain of curtain call: Zhang Zhifeng, chief designer of NE TIGER, joined hands with two old smiling people. One was Wang Jialiang, who was the fifth generation of the Silk family.

According to reporters, according to the reporter's understanding, it was in these two "national treasure figures" personally leading the production of the 2009NE TIGER Chinese clothing series that is the most colorful silk processing part.

In addition, the pattern design of the 2009 high-end custom made Chinese clothing introduced by NE TIGER also shows a gorgeous touch.

Peony has always been a symbol of national flower. The design of this season's Chinese clothing fully displays realistic peony, freehand peony and abstract peony patterns. Each set of fine clothes and meticulous works embodies the symbol of the wealth and honor of Chinese civilization.

The legendary silk is rare, because it is not known in deep palace people.

As royal royal treasures, the existing collection of silk products is mainly preserved in the the Imperial Palace Museum.

In the history of Chinese textile civilization, silk has been in the history of over 4000 years, but few works have been handed down to the world. Even today, the silk industry is very few and deserves to be listed in the world's list of intangible cultural heritage.

The name of "silk" has always been different.

The ancient Chinese word book "Yu Pian" explains "Wei, also weaving weft".

In the Song Dynasty, Chuang Chuo's "chicken ribs" and Ming Dynasty Zhang Yingwen's "secret secret", Cao Zhao's "Ge Gu Yu Yao" and Gao Lian's "obey eight notes, Yan, Qing Qing appreciation" were all written in "the silk". In the late Song and early Yuan Dynasty, the "Qi Dong Yu Yu" and Tao Zongyi's "drop out farming record" were written in the late Yuan Dynasty and early Ming Dynasty.

In the Qing Dynasty Royal records of palace painting and calligraphy were written in Shiqu Bao Ji and "Dian Dian Zhu Lin".

The four characters of "Qi", "carved", "Ke" and "Ke" are identical.

Hu Yunyu, a modern scholar, believed that the word should be "Shi". It was discovered that when weft knitted was woven with small woven weft, the yarn was interrupted several times according to the pattern, and the finished product only showed no silk.

In the dazzling Chinese civilization, silk is known as "carved silk" because of its unique craft. It is known as "the saint in weaving" and is the hereditary monopoly of the Royal dynasties of China.

In fact, the ancient Chinese silk fabrics, which are vivid, are not really carved with knives. They are made of silk with raw silk and colored silk as weft threads. They are woven with the skill of "cutting through the weft". They have the effect of carving and carving, and are rich in two-sided and three-dimensional sense. Therefore, they won the eternal praise of "carved silk" and are praised as "the saint of weaving" because of their exquisite workmanship.

Craftsmanship is extremely exquisite. Only one of the top quality works of a towel can contain thousands of progressive colors, requiring advanced technicians to take months to complete.

In the Tang Dynasty, the technology of silk has reached its peak. A superior court silk has been able to make use of pure precious gold thread, pure silver thread, peacock feather and other precious materials to mix and weave.

In the Ming and Qing Dynasties, the two generation was used by emperors and monopolized by the royal family.

It can be said that weaving skills have reached the pinnacle in embroidery and brocade crafts, and there is little room for technology to go beyond. The real luxury is nothing more than that.

The silk is more rare in contemporary China, so it is limited to the level of rescue and protection.

And the use of NE TIGER high customization of Chinese clothing has made modern people closer to the Chinese clothing culture that has lasted for thousands of years and is still breathing.

Peony poetry and peony have been honored as the national flower of China since the Tang Dynasty.

In China, peony and peony have been used for over one thousand and six hundred years.

The peony is beautiful, charming and elegant, and the beauty of the three colors is color, fragrance and rhyme.

Long history and widely planted peony flowers have developed a long history of peony culture.

Peony has written records first seen in the book of war in the Warring States period and the Qin and Han Dynasties.

The peony poetry in Tang Dynasty is the most abundant. Only in the whole Tang poetry there are more than 100 poems on peony.

Liu Yuxi once praised highly that "only the peony is really smoked and the flowers are moving in the capital."

Although peony is native to China.

However, peony also has great dissemination power and extensive world influence.

In the book "the origin of species", Darwin discussed Chinese peony.

Around eighth Century, peony was introduced into Japan, and was introduced to England in eighteenth Century; in nineteenth Century, the United States obtained Paeonia suffruticosa from China.

Now, there are thousands of peony varieties in the world, and the blood of Chinese peony is flowing in the body of these peony.

Because of this, the international horticultural industry called peony as "Heaven God flower" and "Chinese flower".

It can be said that peony is not only the Chinese nation, but also a pearl in the splendid culture of the world.

Peony is a beautiful symbol of Chinese flourishing age.

2009 the high level custom made Chinese clothing will fully display the artistic conception of "national beauty and fragrance". Every set of 80 sets of Seiko meticulous costumes, each of which is like a peony flower with bright flowers, is fragrant and luxuriant, elegant and luxurious.

The designer overlaps all kinds of magnificent colors and uses many kinds of ingenious tailoring to show the pure brilliant culture and modern costumes.

"National color" is not only the praise of peony, but also the five major colors of NE, TIGER, which are black, red, blue, green and yellow.

"National beauty" can summarize the design concept, color and connotation of NE TIGER2009 high quality clothing series.

Peony is the theme of the NE TIGER2009 senior suit series.

The reason why peony is chosen in many elements that carry the history of Chinese civilization is because peony runs through both ancient and modern times.

Zhang Zhifeng believes that the design of NE TIGER advanced customization is inspired by the peony ornamentation of past dynasties and the peony pattern of the 56 nationalities. The works released here not only absorb the essence from it, but also integrate them in the whole Chinese clothing series.

He said, I have been thinking about a question, what can represent the Chinese civilization and what can represent the national costume?

Last year's fashion week launched the 2008 senior Chinese clothing series. We discovered many ancient decorative patterns and symbols in Chinese traditional culture, such as Mawangdui culture and Jinsha culture.

Drawing on the costume elements of more than 50 nationalities, such as Han, Tibetan, Miao, Dai, Yi and Naxi, the Chinese style cloud shoulder collar, moon dress, pleated dry skirt and the form of Chinese fan, palace lantern, Ruyi and armor have been combined to achieve great success.

This year, we extract the essence from the peony ornamentation of the past dynasties and the peony pattern of the 56 nationalities, and integrate it into the whole Chinese clothing series.

At the same time, we import the western modern stereotactic technology into the design, and outline the Lingdong Oriental posture with the unique advanced customization technology of NE TIGER.

A Chinese dress, carrying the twists and turns of years of twists and turns, the lost skills of the silk and the grace and grace of the national flower and peony, have made the NE TIGER high quality clothing once again become the legend of Chinese costume culture.

As Li Zhengfeng, a poet of the Tang Dynasty, wrote, "the wine of the country is sweet, and the day is fragrant and the night is dyed."

Dan Jing is drunk, "Mingyue asked."

Editor in charge: Yang Jing