Tibet "Shoe King" Strong Ba Zhu Zhu: Only For That Time Can Not Wipe Out The Wonderful.

In Tibet, Tibetan boots have an irreplaceable important position since ancient times. Tibetan compatriots, both men and women, usually wear boots. Making Tibetan boots is also a traditional skill of local people.

These bright colored hidden boots are exquisite in technology, colorful, cold and warm, strong and durable, with special patterns and no difference. They contain deep Tibetan culture and have strong national characteristics.

The Lhasa Choi Quan welfare national handicraft industry Co., Ltd., relying on the favorable situation of industrial operation, has made this ancient art form continue to continue to bring forth new ideas and win the favor of consumers. In 2013, it won the title of the intangible cultural heritage of the autonomous region.

First sight

This school is widely known in Tibet, not only because of the school's charitable deeds, but also because of the school run enterprise Lhasa Choi Quan welfare National Handicraft Co., Ltd., through its own efforts, many traditional handicrafts in Tibet have been developed and provided material guarantee for the students' life in school.

In the rectangular courtyard, there are two light colored buildings with Tibetan lace on both sides.

Coming into the yard, the children's laughter came on the face. Several thirteen and four year old children were playing and playing on the grass - here, leisurely and tranquil.

And the tall man in front of us was filled with a smile that makes people feel reliable and warm. The Tibetan old people who can only express themselves in a little Chinese are strong and obeying the Pearl.

He was hiding his boots in his hand. He smiled and told us in Tibetan how different this boot was from other boots.

Qiang Ba Zun Zhu, a native high mountain iron Han, has passed the year of flowering.

Nowadays, there are many titles on his business card, the chairman of Lhasa color spring welfare National Handicraft Co., and the president of Lhasa color spring welfare special school.

However, in the eyes of many traders in the eight street of Lhasa, he is a real "shoe king" in Tibet, because a large part of the tourist souvenir products in Lhasa market comes from the hands of strong Pakistan.

Turning the factory into a welfare enterprise can not only solve the problem of disabled people's enrollment and work, but also inherit the craft.

Born in 1948, he was a native of Lhasa.

"The plateau is the actor of Lhasa City North District Song and dance team, regarded as a literary and art worker."

Jiang Ba Zhu told reporters laughing.

In February 1960, the performance team was disbanded.

Faced with the need to find a way to make a living again, he was in a daze.

"At this time, the North District of the city organized a shoe cooperative, with our current master, Benbatonju, the father of Chi Li tat, and Uchin Zasicini, a full-time shoemaker from Darai's Lama plateau. There are also a few well skilled old workers, a total of 8 people. It can be said that the best people who made shoes in Lhasa were all gathered together, some of them were members of the old society shoemaker Union, and some had made shoes for the head of the PLA.

Each of them paid 50 yuan to buy shares and produced their own tools to form a mutual aid group.

The leader thought I was a little bit of a culture and had nothing to do for the time being.

Since then, Qiang Ba Zun Zhu has never left the line of Tibetan boots.

At the very beginning, Jiang Ba Zun Zhu studied apprenticeship, followed by the masters to learn how to make boots.

"At that time, the teachers were very strict with everyone.

Because the technology is not yet proficient, when you pinch a tiny needle through thick leather, you often break your hand. "

Recalling the original art scene, is still fresh.

But all of this, strong Pakistan obeys the bead to bite the tooth to come over, and because of his ingenuity, began to become accountant since 1965, and became a member of the factory management committee in 1970.

"Yes, at that time, our mutual aid group has been dissolved and a new shoe factory in Chengguan District has been set up.

By 1985, I had been the deputy director of the shoe factory, and I have been director of the factory since 1990.

The strong bar follows Zhu to add.

And all of this made his burden heavier.

What worries me is that although there are several skilled craftsmen in the factory, the young people in the new factory do not want to learn to make shoes. They feel that they have no face and no sense of accomplishment and feel that they can not afford to start in front of others. The traditional shoe making technology is facing the danger of being lost.

At the same time, in other places, I see many Handicapped Youth and handicapped children facing difficulties in entering schools and finding jobs.

I think if we can turn the factory into a welfare enterprise, we can not only solve the problem of disabled people's enrollment and work, but also inherit this craft.

After several years of efforts, the Lhasa Choi Quan welfare national handicraft factory was finally completed.

Along the way, the strong bar obeys the bead to be filled with emotion.

"Their hands are not like a pair of boots, but they are works of art, and are actually works related to Tibetans' life."

The strong and strong chin Zhu Zhuo took us to visit the showroom of the factory, and told us about a pair of hidden shoes produced by ourselves.

He picked up a pair of high yellow hide hides with yellow satin, and said, "this shoe is called" Qing Qing ". It is the meaning of Chinese rainbow. There are 4 categories of green green. It is more particular than the material. The boots made of red fabrics are used exclusively by the top political leaders at that time.

A little lower than this one, like this yellow one, because of religious significance, great monks like to wear such boots. One of its characteristics is that the nose is warped up. It is said that running is not going to fall.

In addition, if a green official is dressed by a general official, there are two kinds of them, the shape is not the same, one is flat bottom, the other is the tip of the shoe, and these shoes can be worn by more than four officials.

In the past, people knew his career and status by looking at boots.

For example, Potala Palace, Lang Jie Zang bin, has a very high status in various temples, and some of them wear such boots.

In some temples, people who dance Qiangmu also wear this.

Some people may ask monk boots only these kinds of, or, for example, there is a kind of "summer pine", which is not what anyone can wear, but only some monks in the monastery wear, the front part is all wrapped in cowhide.

For example, like this, the waist and foreskin are very good, but if the technology is not at home, it gets wet after the rain gets wet, and it will harden, feet will bubble.

And this is also very characteristic... "

stay

In the most interesting explanation, everyone came to the Tibetan shoe processing workshop.

In a small workshop, a dozen of craftsmen sit cross legged in their own positions along the window. They move around with their arms and legs, rhythmically swinging their arms up and down, and having an artistic sense.

Their men, as if they were not a pair of boots, were works of art, and they were actually works of art related to Tibetans' lives.

"All processes of Tibetan boots are manual, and the division of labor is made. The boot is made by the cobbler, the boot is made by a boot maker, and the boot and boot are made by tailors.

The production of a pair of boots is long and the output is limited.

At the special school of Choi Quan welfare, whether it is for daily life or for diving and Tibetan Opera boots, it is custom-made.

He continued to explain to everyone.

"Traditional Tibetan boots are very strict in quality. The sizes should be up to standard, the stitches of the boots should be neat, and the stitches are not uniform.

The needle on the bottom of the boot requires the needle eye less than the hemp rope, and the hemp rope must be tightened tightly and straightened.

There are exquisite stitches on every boot.

It is this kind of strict quality requirement that makes Tibetan boots strong and durable, beautiful and generous, keeping warm and comfortable, and therefore is well received by Tibetan compatriots.

At the age of 21, Ren Ren Deng Zhu, an orphan student in the school, has become the backbone of the business.

"Protecting traditional arts and crafts in Tibet must make it work, and industrial management is conducive to the continuation of this ancient art form."

Talent is the key to the development of factories.

Here, Qiang Ba Zun Zhu tried every possible means to excavate the technical potential of old workers such as Zahi Ciugene, Benbatonju, Chi Li Tat Qing, arrange young backbone to learn from the teacher, and inherit and carry forward the traditional Tibetan shoe making technology.

After many years of arduous efforts, dozens of traditional Tibetan boots such as "Jia Qin", "hot pine", "tie shoes", "Song Ba" and "Carlo" have been produced by the CAI Quan welfare enterprise, making it the best traditional Tibetan footwear manufacturer in Lhasa.

"All we have to do now is to make you understand that these are good things left by our ancestors, and we have the responsibility to inherit and protect them."

Zun Zhuo said.

In recent years, with the improvement of the living standard of the Tibetan farmers and herdsmen and the enhancement of the modern consciousness, the Tibetan clothing culture has also changed. Many young people are becoming more and more unsuited to modern life because of the purchase of cars and motorcycles. They are more and more popular with modern leather shoes, which are simple, light and cheap.

This is not only a commodity, but also a Tibetan folk culture.

"Tibetan boots technology is exquisite, colorful, cold and warm, strong and durable, regardless of the left and right sides, with strong national characteristics.

To build Tibetan boots, we must have good skills and exquisite manufacturing techniques.

Of course, with the development of the times, Qiang Ba Zun Zhu also began to try to integrate innovative elements into Tibetan boots making technology, making use of his flexible mind and rich imagination to produce some Tibetan boots products that older generation had never done before.

He often went to the market to broaden his horizons and find inspiration. As long as he saw the popular hidden boots on the market, he bought them home, studied them carefully, opened them, sewed them on them, and opened them again.

By virtue of this tenacity and perseverance, we finally made all kinds of exquisite new Tibetan boots, and won the first "master of Arts and crafts" in the autonomous region in 2014.

"Used to be used in the field. Now it is replaced with woolen cloth. It becomes light and beautiful.

At the same time, it also added an "internal increase", to meet the desire of modern girls to "grow tall".

Strong Ba Zhu Zhuo picked up a new product that was recently developed just now.

It is understood that these new models have applied for patents to the State Intellectual Property Office. Once they are put into the market, they are favored by the vast number of sellers and sell to the United States, Hongkong and other places.

In addition, when customers order goods, the strong will comply with each other's unique ideas and customize them and inject new popular elements.

He believes that this is also the driving force behind the development of traditional Tibetan boots.

"I deeply feel that the inheritance of traditional arts is not enough, and the traditional culture needs to be developed and innovating.

The protection of traditional handicrafts in Tibet must be done, and industrial management is conducive to the continuation of this ancient art form.

In this regard, the strong bar obeys beads to think.

The interview with Qiang Ba Zun Zhu has always been filled with some kind of emotion.

It is his persistence in the traditional skills of the nation and his spirit of "taking morality as the foundation and giving first priority".

He said that industrial management is an effective way to continue this ancient art form.

It is understood that over the years, he has successively rescued 312 orphans and disabled students from the income of enterprises, and with the increasing expenditure, it has been a bit stretched.

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