Designer Wu Haiyan: Designing Clothes With The Attitude Of Designing Life

What do you mean by yourself?

Look up the eyes, understand the words, act in every move, show the colors, and be all right.

China

Ms. Wu Haiyan, the designer of the Golden Summit Award, began to talk about Oriental design. She was full of desire for expression. "I am from Hangzhou, The China Academy of Art, Wu Haiyan."

The answer was crisp.

The joy of communication lies in whether or not the other side can understand it. It can answer the question and extend the meaning.

There is such a person, even if looking at the moon side by side, silence is tacit understanding and mobility.

The material you perceive in the world can be seen as patterned.

The design is an expression of art. It never stops. It forms almost everything: rings, sea, DNA, stars, clouds, petals, amber, ceramics, fans, wheat fields and peach seeds.

We, them, and their patterns are made up and exist in different forms in the world, and these subtle things make her feel very much.

"We look at it arbitrarily, the carved patterns on the building.

There are many patterns of printing and dyeing on the vessels, which are depicted or embossed. There are even designs on our pastry. These are Chinese dialogues with nature in the land of China. For a long time, the craft and wisdom of hand harvesting have been found in subtle drops.

Nothing is more important than existence itself, and nothing is more powerful than existence itself.

Most of the time, language is not important. It is more important for us to treat each other and ourselves. "

I am looking for myself.

The teacher is worried that in the past thirty years, many Chinese lifestyles have been subverted by the Western way of life.

China is an open country. It can accommodate the Western technology and civilization.

"But we have problems, and everything is going along with the West. It's hard for us to produce something surprising in design.

Can we talk to nature in the land of China, and break through some of the things we discovered before using advanced technology? "

Not for power, not for glory, not for ambition, not for pleasure, to live in this world, we seek ourselves.

On the long journey, Chinese people should feel the real existence of themselves and feel the continuity that history gives us.

It is really fast enough to set up the illusion of anaesthesia with plagiarism and imitation of western style.

"Good design requires forward-looking thinking, innovative concepts, tightly around people's lives."

The teacher's feelings about the independent creation of Oriental culture, as if connected by karma, is her most sincere hope as a professor at The China Academy of Art.

Why is it that we come to this life eventually? It's worth thinking about, but why is she particularly eccentric in oriental culture?

Miss Wu's concern seems to be that a ferry left the pier and something was wrong in its growth. It was wrong that it would never return at the moment of awakening.

Accept yourself and let nature take its course.

"In 1993, I understood something.

How to create something that makes the world feel different from land resources, I participated in the China International Youth designer fashion competition, using our Chinese silk and bamboo. At that time, Chinese and foreign judges were disputed after the competition. The judges in Britain and Japan felt that Chinese people wanted to be Chinese people. If we could deepen the material and technology of the land resources again and again, it would be unique in the world; not that the world was making geometric designs, and you could follow the wind to make geometric designs, so you must be no more than others.

We can not live against the nature of life, just like some flowers follow the sun, accept themselves and let nature take its course.

People should learn wisdom rather than knowledge and concepts.

"The desire and purchase of Chinese people over the past thirty years have surprised the world.

No matter which country they are going to buy, what they produce there, but why do they not buy Chinese things? It is very sad, which shows that innovation is not enough.

"Quite a few of us.

There are also problems with values.

They go abroad to buy Fabrics, but do not pay attention to the world's recognized Chinese silk, there are more than ten thousand years of history of Ma.

Our land has so many treasures waiting for designers to develop. The important thing is how to correct the mind and attitude from the development and manufacture of materials, the innovation of patterns, and the design of defects in our lives, so as to build a green, sustainable, new source of life related to our planet.

Be summoned by the State Council

Good designers, good clothes designed to make people who wear it live.

Hidden behind consumers, we know that consumers find their own style, smile and nod.

Clothes speak for themselves, not for designers.

The style and expression of the designer's intention is to create a kind of person, not a designer.

One night in 1998, Wu Haiyan was rushed to Diaoyutai State Guest House by the State Council departments concerned, asking her to design a dress for Mrs. Kim Dae-jung, a Chinese president.

Mrs. Kim Dae-jung was wearing a loose Nightgown, which made it difficult for Wu Haiyan to tailor it.

She chose the precious silk and meticulously sewed a scarlet brocade cheongsam with Chinese national characteristics in 24 hours.

It was a morning when Mrs. Kim Dae-jung wore it and drew applause.

It's the salt of our fashion. Beauty is the "wings" that grow out of our chest and ribs.

"When I was a child, I was naughty and went out to play every time. When I came back, my pockets were not filled with stones, leaves, and various kinds of sugar paper.

What I remember most was that after the colorful candy paper was immersed in the water, the grandmother would always put it on the window, and after that, it would be very smooth and nice.

It can be said that when I was young, I knew how to collect materials and pay attention to the characteristics of the material itself.

Wu Haiyan likes to pick up all kinds of leaves. He likes to smell the different flavors of the quilt after sun, spring, summer, autumn and winter.

As a child, these things of nature gave her many inspirations, so that she could be good at discovering the little details in life.

"One of the students I graduated this year was dyed with safflower. She planted and focused on studying plant dyes, and then used big data to crack them.

This should be our contemporary.

What you need to do is: you pick the most common thing, have a clear idea of how to make good use of your resources, and constantly create your own unlimited pursuit and belief.

Not in it, self indulgence.

A man should not only believe what his eyes see, but also believe in things that his eyes can not see but his heart is trying to reach.

"Our traditional Chinese furniture is not a nail. How can we carry forward our craftsman spirit in the future and use the eyes of contemporary people to re-examine the incomparable quality, travel through time and space, live in the present, and activate the present."

The year before last, there was a Buddhist temple in Beijing. During the cultural revolution, everything was destroyed. Only one murals of Ming Dynasty were not destroyed.

At that time they asked

The teacher went to make an extension design. "I was surprised when I saw it, so I made a scarf, and after the design of the scarf was finished, I made a deep design to extend it to the clothes, and on the porcelain, in every aspect of life, there were also backpacks and cushions.

It is a process of activation to create the present group of contemporary life based on the traditional origin.

The real life is to be conscientious in every part of the day, and not to ask for an irrelevant fashion prospect.

No delusion, no self indulgence, no performance, no confidence in other people's performance.

"When you concentrate, the heart of the past and the future is not visible, and the heart of the moment has disappeared."

"We are always going to grow old, and the new generation will emerge.

People's growth, following the entry, entering, entering, entering, and adhering to your work, will eventually form their own style. This is the process of constant reflection.

My studio has invited many elementary school students and junior high school students to watch them. When they come in, they run around and feel that many things are beautiful and interesting. They are interested in Chinese culture instead.

As many people as 7080, they have heard and seen, but they do not want to go deep into it. "

The national spirit of China

In what way do you exist and choose which way to live.

Far away, infinite and limited landmarks always exist.

In my heart, how big is the heart and how far the road is.

Most people are losing ground, and few people face up.

No fear, this is the basic.

"I wish China

Starting from the development of materials, starting from the organizational structure of materials, combining materials with the market, combining materials with high technology, we have a new expression of all things. "

"As a forerunner and practitioner of Chinese culture, I have been designing oriental country for nine years.

I advocate cultural confidence. When we first talked about the Chinese national spirit, everyone laughed at me for being very old-fashioned.

After the Chinese have no spirit, everything will not be confident, you must have the spirit, because you have some respect for the Chinese national spirit.