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    The Charm Of Fashion Wrinkles In Spring And Summer 2012

    2012/4/5 11:52:00 24

    2012FashionWrinkle

    In 1993, he held the underground exhibition hall in Le Louvre Museum, Paris.

    clothing

    Xiu, William Forsythe Dance Troupe dancers wearing his wrinkle costumes to show a sculptural form of movement, so that the scene of three thousand people almost excited tears.

    This exhibition is a record of the 69 poster works for Penn from 1987 to 1999, the large projection of 149 photographic works, and the sketches he made for Lssey Miyake Lssey Miyake.



     

    Cami, once lived in sojourn

    Paris

    To learn the management of luxury goods.

    Living in Shanghai





    Fashionable Shanghai


    Perhaps the essence of fashion design inheritance lies in how to get inspiration and experience in the design of the past, and to give it more modern meaning based on the current era background, and finally become the latest fashion and fashion.


    In the spring and summer of 2012, fashion was once again plucked. Every brand produced new ideas in the classic folds. Whether it was a large area of wrinkle decorations, or even the small folds of skirt skirts, or even the size of bags in accessories, it was really a season that could not be overlooked easily.

    Not long ago, the trip to Tokyo, Japan, coincided with the folds of Issey Miyake Lssey Miyake, which was different from the elegant pleats of French Madeleine Vionnet and Madame Gr s. The Oriental designer upgraded the traditional costumes of folds to the heavyweight role of making clothes, and made the most radical revolution in visual effects. Therefore, no matter how many masters, Lssey Miyake's folds must be recognized at first glance.


    At present, the fashion designer Lssey Miyake and fashion photographer Irving Penn in Tokyo's 21_21 Design Sight culture center can see some design drawings, images and posters displayed in the Pleats Please series launched by Miyake in 1989. Clothing can stretch freely with the body's activities such as standing, walking, sitting, jumping, lying and so on, and completely get rid of the situation that the body has long been subject to the outline of the garment. As an important wrinkle for the interpretation of clothing, Miyake can stretch greatly along the human activities, and it is also very simple in washing and receiving.

    In 1993, he held a fashion show at the underground exhibition hall of the Le Louvre Museum in Paris. The dancers of the William Forsythe dance group displayed their sculptural movements in his pleated costumes, making the three thousand people almost burst into tears.

    By 1997, the series had sold 680 thousand coats. In the year, a slogan was ridiculed: with Lssey Miyake folds, what do we need to do?


    Among the many photographers, the relationship between Lssey Miyake and Irving Penn is somewhat special. From the first time Penn was invited to take a series of Lssey Miyake fashion for the American version of Vogue, then the reason why Miyake kept looking for Penn was: "Penn helped me find myself again, like a sentence he said to me," go back to your work. "Without him, I could not continue to do my career like this. I am grateful for his unique perspective and made me learn many things. He is my teacher.

    This exhibition is a record of the 69 poster works for Penn from 1987 to 1999, the large projection of 149 photographic works, and the sketches he made for Lssey Miyake Lssey Miyake.

    In the past 13 years, Penn has been using his lens to capture the spirit of Lssey Miyake, showing how he redefined the basic principles of Japanese aesthetics and changed the fashion of the 80s to 90s of last century.

    "The design of Lssey Miyake is not very fashionable, but it makes the women with taste taste more delicious."

    Irving Peen said so.


    And the significance of any classic design retrospective exhibition can always make people sigh.

    fashion

    Beyond the cycle, it is also clear how the younger generation of designers "sparks different sparks from predecessors" on the basis of their predecessors' design. Perhaps the essence of fashion design inheritance lies in how to get inspiration and experience in the design of the past, and to give it more modern meaning based on the current era background, and finally become the latest fashion and fashion.


    In the spring and summer 2012 wrinkle design, Chlo, Lanvin, Missoni, Ports 1961, Alexander McQueen and other brands have played their own distinctive new patterns on the folds.

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