Analysis: Dress Culture In Qipao And Hanfu

Although the history of clothing in China is long, it is because of all the past dynasties that they are concerned about "changing the orthodox way, easy to dress". Therefore, from the beginning of Qin and Han Dynasties to the end of the Qing Dynasty, there was not a set of strict standards in the three thousand Dynasties' dynastic change. clothing Reason. Some people say that clothing is a kind of memory, and also a language. Its changes record social, political, economic and cultural changes in a non textual way. Change.

　　 Hanfu lies in dignity.

Wang Letian, an electric worker in Zhengzhou, Henan, took to the streets in Hanfu in 2003. He was honored to be the first Chinese modern man to wear a Han costume to expose the crowd in the media. Immediately, Beijing, Shanghai, Shenzhen, Guangzhou, Chengdu and other places all showed varying degrees of responders. A Chinese dress wind began to blow. It is noteworthy that many college students took part in it, and even shouted slogans such as "Hanfu revival, children's Robe", "China's revival, clothes first". For these young people, they seem to prefer to call it Hanfu sports.

These Han costume lovers have formed some small circles to carry out their activities. Their spirit can be summarized as: the revival of traditional etiquette culture and custom civilization, and the inheritance and reconstruction of the national spirit of self esteem, self-confidence, self-improvement, heritage of civilization and courage to create, and unparalleled creativity in the world.

In fact, the so-called "revival of China" is only the language of literature. We can shout "China's Renaissance, Chinese medicine first", "China's Renaissance, Peking Opera first." However, we must not forget what it means to be Chinese. Throughout the history of China, Zhu Yuanzhang ordered the imperial edict to be like Tang Dynasty after the appointment of Nanjing. Later Jin entered the Central Plains and still had the idea of dressing up. So clothing is never a trivial matter for us.

Chen Hongdi is a designer. When she read the news about Hanfu activities in Chengdu and Chongqing from the newspaper, it was said that she started to search a lot of web pages about Han clothing as if she had been shocked. Then, for the first time, she took part in the "adult ceremony" activity of Hanfu revival organization, and Chen Hongdi joined the ceremony of adults. Next, her passion for Hanfu was like a volcano. At present, Chen Hongdi and nearly 400 people who share her love for Hanfu constitute a cultural society.

This club usually carries out activities such as Dragon Boat Festival, cold food and Tanabata Festival, such as Dragon Boat Festival, cold food and Tanabata Festival. It is said that some of the "Super Fans" will also practice activities that popularize Hanfu to life, such as wearing Hanfu clothes, shopping and living. But the latter often leads passers-by, or thinks their Japanese people think they are making movies.

But the so-called "bustling around the world is all for the benefit". The huge business opportunities behind Hanfu culture are probably the biggest driving force of Chen Hongdi's "elf ghosts" to promote Hanfu and Han culture. As early as 2006, Chen Hong Di joined the Hanfu Society for third months, and worked with several activists to become a Hanfu culture company. In the beginning, they simply sold the "uniform" to Hanjiang's new "uniform", which is Hanfu. Then gradually developed to organize a variety of Chinese cultural activities, through these activities to achieve their own company's income.

Among them, the classic wedding ceremony is Chinese style. As we all know, at present, most of our wedding ceremonies are basically the stage for the wedding host to open "individual concert". This kind of Chinese wedding is not luxurious, noisy or playful, but is treated with a respectful and solemn heart. The scene was decorated with antique, simulated Han Dynasty screen, several cases, bowls and chopsticks, wine bottles, kneeling pad and so on. The whole wedding is solemn and dignified, "to eat together, to drink together, to hold hands, and to grow old." it really makes people yearn for a wedding like this.

In addition, in May 2010, Chen held a so-called "adult ceremony" activity at a school. At that time, 616 young students dressed in Hanfu, in the chime drum music, in accordance with the national flag, clothing, respecting teachers, respecting parents, adults swear oath and other agendas, singing the title song, quite old style. Through this activity, Chen Hongdi sold nearly 700 sets of Hanfu and the price was high, and he made a lot of profits. At the same time, it has further enhanced its popularity through media coverage. In fact, journalists despise this kind of "nonsense" which is compulsory by the school. One, even if these students can reverse the Analects, do they understand the meaning? Two, how many Chinese teachers do these students know about Chinese classics and read thread bound books? Our school has prepared an idiom for the school to do these activities, which is called "Monkey King".

But no matter how we look at it, Hanfu The current situation. In terms of traditional culture, it is still a controversial matter from the aspect of clothing management and the industrial chain behind Hanfu. We can also be benevolent and benevolent.

Cheongsam is sexy.

In Mao Dun's novel midnight, there is a plot that a rural landlord came to Shanghai to see the bare thigh under the cheongsam, and almost fainted.

Cheongsam is one of the female costumes, originated from Manchu women. Traditional clothing 。 In the first half of the twentieth Century, the Han women in the Republic of China were improved. The government of the Republic of China was one of the national dresses in 1929. In theory, cheongsam was not an attribute of Hanfu system. Because of the social transformation and transition period, the history of cheongsam is quite funny. We can see a little hint only from the change of the fork on both sides. In the Qing Dynasty, the flag was not slashed, and the cheongsam quietly lowered the sleeves on the left side during the period of the Republic of China. Later, the gap increased and the knees increased to the thigh. Because of objection, the paw was once below the knee. However, when the pressure of public opinion was reduced, the tunic quickly increased, and the cheongsam was finally popular.

The golden age of cheongsam should be counted from around 1930. At that time, cheongsam's modelling tended to be perfect and mature. It makes it difficult for the cheongsam to jump out of the profile in the future, and only changes in length, weight, weight and decoration. At that time, Qipao laid an irreplaceable position on the stage of women's wear and became a typical representative of Chinese women's wear.

Speaking of cheongsam, we have to talk about a legendary female Song Meiling in modern Chinese history. As we all know, Song Meiling has been studying in America since his childhood, and his life is said to be very westernized. Remember that from the small to the big movies we saw, Song Meiling used to eat Western food. However, Song Meiling always had a special liking for cheongsam. How many pieces of Song Meiling's cheongsam are there? I'm afraid she can't make herself clear. But it was said that her tailor was working almost all the time, and every two or three days she had to make a cheongsam every day. This shows Song Meiling's fascination with cheongsam.

Song Meiling and cheongsam are the most popular and most popular combination. During the war of resistance against Japan, she visited the United States. In 1943, Song Meiling visited the United States. In February 18th, Song Meiling delivered a very famous speech in the house of Representatives, accompanied by Mrs. Roosevelt. At that time, Song Meiling wore a black cheongsam, and the military emblem of the National Air Force on the chest was sad and resolute. Her speech lasted for 50 minutes, and the audience's attention was unfailing. When it comes to the hardships suffered by Chinese soldiers and civilians, many listeners shed tears. Song Meiling's speech was very successful, and aid materials were also quickly obtained. The US media commented that she had conquered the United States. This is Song Meiling's so-called "conquest journey" which many people relish later on.

In fact, cheongsam is a kind of sentiment that Chinese women can not give up. This feeling should come from its historical precipitation over the past 300 years, especially the elements of modern Chinese women's culture. "Cheongsam is a soft and fragrant, tender and boneless tenderness. I think a woman wearing a cheongsam must be very gentle. She must be very quiet. She must be very woman. Eileen Chang's words may tell every Chinese woman's sense of cheongsam. In the past, an old friend made several sets of Qipao but never wore them. He asked, "some clothes are worn in the heart." So far, I have not understood what it means. Anyway, obscurity is deep, not knowing.

Once, a friend took part in an important entertainment and wore a elegant cheongsam specially. But as soon as I arrived at the restaurant door, I was dumbfounded. The color of her dress is closer to the hostess at the front of the hotel, and the cheongsam worn by the hostess also makes her feel very embarrassed. Therefore, wearing cheongsam can be mistaken for a hotel attendant on some occasions. This is probably one of the reasons why cheongsam is not popular and popular.

It is worth noting that with the rapid development of China's economy, the international influence is constantly improving. Cheongsam, as a unique cultural element in China, has gradually become a trend in the world. At present many brands clothing conference, we can not easily see the figure of cheongsam. In fact, the cheongsam classics once again flashed, not only because it was the crystallization of the Chinese national costume culture, but also meant the awakening and recognition of Chinese cultural elements.

Cheongsam is a product of the combination of tradition and modernity. It has the characteristics of the times, and every woman should have a cheongsam belonging to herself.

Traditional collection hearts

At the moment, what kinds of clothes can be used to represent our traditional clothing culture are controversial in terms of Hanfu or Qipao. Among them, some well-known experts and scholars have thrown their own views.

In fact, the Chinese nation was originally formed by the continuous blending of multiculturalism. In terms of clothing culture, any kind of dress is constantly changing. For example, Hanfu, from the top of the coat to the stitching now, has become a whole. Cheongsam has never opened its fork to open a high fork. All of these are consciously carried out by the broad masses of the people along with the development of society and the change of aesthetic standards. Both Hanfu and cheongsam can represent traditional Chinese culture, but they only behave in different ways.

At present, cheongsam is used in the second wedding dresses of the young bride at the wedding ceremony. In fact, the vast majority of the people themselves inherit our costumes culture very well. Hanfu, after all, is too far away from our age. It is also very good-looking, but Hanfu exquisite is gorgeous, in this era of background, too complex and cumbersome clothing is very difficult to use in practice. Although some designers are making improvements in Hanfu, the charm of Hanfu is so complex and gorgeous that it makes no sense to simplify it.

As we all know, in our vast historical and cultural promenade. All kinds of clothes are numerous. Besides Hanfu, Qipao, and Tang suit and Chinese tunic suit, they are very outstanding representatives. There are so many nationalities and cultures in China that ethnic compatriots wear their own national costumes on major festivals and marriages, and there are too many dynasties in China. Each garment can only represent part of Chinese clothing and can not represent all of them.

In fact, how to promote the spread of Chinese traditional culture through the development of garment industry is the problem that every insight in our textile and garment industry should think about. It is perhaps the best and most effective way to make the traditional clothing culture survive, that we should further explore, collate and perfect our traditional clothing and clothing culture and make it into an industry. There is a long way to go to protect our traditional clothing and clothing culture. This requires the joint efforts of the scientific research institutions in the industry, and how to coordinate the parties so that we can work harder and get twice the result with half the effort.