Carry Forward The National Costume Culture Dunhuang Dress Art Exhibition Will Be Opened Soon.

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< p > the sixth Plenary Session of the 17th CPC Central Committee, the party put forward the strategy of cultural prosperity and development and cultural power.

In order to further carry forward the national a target= "_blank" href= "http://www.91se91.com/" > dress < /a > culture, promote modern art design, and give play to the inheritance and innovation role of university culture, in early 2012, Beijing a target= "_blank" href= "http://www.91se91.com/" > clothing < < > > the Institute and Dunhuang Research Institute, and Dunhuang grotto protection research foundation of China launched the "Dunhuang art into colleges and universities" thematic activities.

In October 22, 2013, the "Dunhuang dress art exhibition" is about to open for 20 days in the exhibition hall of the art teaching building of Beijing Institute Of Fashion Technology.

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< p > Dunhuang Mogao Grottoes is the largest Buddhist temple site in China. It was built in sixteen countries during the pre Qin period. It was built in sixteen countries, Northern Dynasties, Sui, Tang, Five Dynasties, Western Xia, yuan and other dynasties. It is the longest history, the most intact, richest and finest Buddhist art remains in the world.

Therefore, some people call Mogao Grottoes "the library painted on the wall".

The image data of costumes in Dunhuang Grottoes reflect the continuing culture of clothing from the late sixteen countries to the Yuan Dynasty.

The costumes of all ethnic groups in ancient China, as well as the exchange and integration of the East and west ethnic groups, can be found in the frescoes and sculptures, which can be described as the "Daquan of costume materials" in the middle ancient times.

The multicultural and worldwide value of Dunhuang clothing culture makes it a part of the world culture that pcends the national boundaries and attracts the world's attention with its unique cultural charm.

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< p > > "Dunhuang dress art exhibition" is the first time to show Dunhuang art in a special form.

Because Dunhuang grottoes are immovable cultural relics, copying and duplicating the most representative works in Dunhuang grottoes and displaying them at home and abroad have become the most effective measures to publicize Dunhuang art.

But it is the first time to hold a special exhibition.

It is the first to hold a fashion art exhibition in Colleges and universities.

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< p > by selecting the most representative and classic Grottoes painted in Dunhuang and frescoes in the mural, the exhibition shows the essence of Dunhuang's art and culture that has been maintained over thousand years in Dunhuang's grottoes.

The exhibition also combines the exhibition of fine works with academic forums. Dunhuang experts' copying works are combined with creative works of teachers and students. Static works echo with dynamic works. The charm and value of Dunhuang's dress art are reproduced in a multi-dimensional form, which inspires and promotes the inheritance and innovation of modern art design.

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< p > this exhibition makes full use of the radiation effect of "basing on Beijing and affecting the whole country". The three parties aim at giving full play to their respective advantages. Combined with the characteristics of running colleges and universities, highlighting their professionalism and academic nature, we thoroughly demonstrate our country's dress culture tradition as "the kingdom of clothing", popularize the excellent traditional culture knowledge of the Chinese nation among the college students, cultivate the awareness of the young people consciously protecting the cultural heritage and inheriting the excellent culture of the Chinese nation, which is of great significance for enhancing the soft power of Chinese culture and building "beautiful China".

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< p > exhibition is mainly composed of the following parts: < /p >

< p > "Dunhuang copy mural costumes culture theme exhibition" < /p >

< p > the exhibition includes fresco copy and works copied by modern digital technology.

The works of the Dunhuang murals are selected from the thirty-two authentic works of Chang Shuhong, Li Chengxian, Duan Wenjie, Ouyang Lin, Huo Xiliang, Shi Weixiang, Li Qiqiong, and WAN Gong Yu, the famous Dunhuang scholars who are Collectible by the Dunhuang Research Institute.

At the same time, we selected more than 70 local works of the Dunhuang special caverns copied by the Dunhuang Research Institute Exhibition Center. They were duplicated by HD digital photography and Xuan paper, and restored the Dunhuang frescoes.

Through the two clues of the times and the nation, we can demonstrate the development and changes of Dunhuang's clothing culture and art.

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< p > "Dunhuang historical decoration design exhibition" < /p >

< p > this exhibition is one of the more than one hundred decorative designs of Dunhuang by Professor Chang Sha Na (Mr. Chang Shuhong's daughter) and her student's copying Professor, Professor of Beijing Institute Of Fashion Technology.

The works include the caves, flat chess, herringbone drapes, Buddha's backlights, canopy, niche lintel, side ornaments, accessories, carpets, tiles and so on in Dunhuang grottoes.

Most of the works were led by Chang Sha Na, a teacher of the central craft Academy of Fine Arts, who went to Mogao Grottoes in Dunhuang. The paintings were featured by Dunhuang decorative patterns. The paintings were representative of Dunhuang's representative decorative patterns.

Through the content, shape, color and composition of the decoration, it truly reflects the creative inheritance and innovation of Chinese artists in the artistic practice of inheritance and development, and highly embodies the times and creativity of the nation.

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< p > "Dunhuang costume and ancient Chinese costume culture forum" < /p >

< p > the forum will be held on 23-24 October. During this session, keynote speeches, such as Sha Na, Sun Ji, Chai Jianhong, Yang Shui, and other famous experts and scholars, will discuss the issues related to Dunhuang studies, Dunhuang costumes and ancient Chinese dress culture, and conduct extensive academic exchanges between the Tang Dynasty gold and silver jewelry (including the relevant contents in Dunhuang documents), the influence of Hu Fu on the Central Plains in Dunhuang murals, the children's clothing in Dunhuang murals, the murals in Dunhuang mural, the pleats in the portrait of the support people in Mogao Grottoes, the "costume demons" and "Contemporary makeup", and the other ancient costumes and other ancient costumes.

This will be a rare academic meeting in the clothing industry.

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< p > "Dunhuang theme fashion show" and "Dunhuang music dance" performance < /p >

< p > the theme fashion show, taking advantage of the professional advantage of northern dress, invites outstanding domestic and foreign clothing "a target=" _blank "href=" http://www.91se91.com/ "designer" /a ", combines the artistic elements of Dunhuang, designs fashion works, and displays new design concepts by means of traditional, technology and fashion diversity.

The dance performance is a platform for the pmission and dissemination center of Chinese national art, which is jointly cultivated by the four schools of Beijing Institute Of Fashion Technology, Beijing Dance Academy, China Conservatory of Music and Academy of Chinese Traditional Opera. The dance of Dunhuang, a famous Dunhuang dance artist He Yanyun, creates a unique and aesthetic value of Dunhuang art with a vivid and three-dimensional representation of Dunhuang dance.

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< p > "Dunhuang fresco dress image restoration Exhibition" < /p >

< p > > the exhibition chooses the typical costumes of the Dunhuang fresco image as the image restoration sample, corresponding to the textual research and the same period unearthed objects, restoring a total of 8 sets of 14 garments.

The category involves krash, men's gowns, women's skirts and so on. The material is traditional Luo, silk and silk, and most of them are dyed with plants.

It involves painting techniques, patchwork, stacking silk, nail embroidery, split stitch embroidery, plain needlework, willow stalk, etc.

Among them, the typical representative works are four sets of ladies' dresses in the 130 walls of the Tang Dynasty.

The restoration exhibition simulates the costumes, props, makeup, bun and posture of the fresco characters, completes the three dimensional reconstruction of the two dimensional images of Dunhuang, and reproduces the representative style of the Tang Dynasty.

By enhancing the practical attempt of culture and technology, we can promote the theoretical research of clothing culture in reverse direction, providing a substantial, sensible and touchable basis for the revival of "traditional dress culture" today.

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< p > "Dunhuang art elements innovative design teacher and student works exhibition" < /p >

< p > design innovation and design practice project teaching is an effective teaching mode. The students of North related majors adopt the way of teaching and practice. Taking the artistic elements of Dunhuang as the theme of the design, refining the elements of Dunhuang art, exploring the possibility of Dunhuang elements in modern design applications, and carrying out innovative design from various forms, materials and techniques.

In the way of contemporary people's understanding and love, they are applied in innovative design works, and all kinds of derivatives of Dunhuang elements are introduced.

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< p > "collection of ancient a target=" _blank "href=" http://www.91se91.com/ "> textile" /a > exhibits "at the National Costume Museum of Beijing Institute Of Fashion Technology. < /p >

< p > the exhibition selected and collated more than thirty collections of Sui and Tang collections from the Museum of Beijing Institute Of Fashion Technology's ancient textiles, mostly for tapestry fabrics and accessories.

These textiles have been excavated in Northwest China, and their patterns have shown strong cultural integration. They are not only the Chinese traditional pattern of Lian Zhu group, the patterns of animals, but also the patterns of Pegasus patterns influenced by foreign cultures.

At the same time, he also exhibited the "Zhang Daqian collection of ancient calligraphy and painting woven fabrics" donated by Mr. Zhang Yiqing of Taiwan practice University, and selected some exquisite fabrics of Sui and Tang style to be exhibited.

In addition to physical exhibitions, photographs will be displayed with macro and microscopic photographs, so as to better understand the relationship between the internal structure and performance of textiles, guide the production and development of modern textiles, and provide valuable evidence for the research and identification of textiles.

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