A Brief Analysis Of The New Style Of Interior Decoration

Indoors Soft decoration The textile adornment, which comprehensively carries the needs of people's world outlook, aesthetics and individuality, presents a diversified design trend. After entering the world textile family, indoor textile ornaments are becoming fashionable fashion products with high turnover rate, so we have to promote the renewal of traditional textile design concepts. Therefore, the concept of modern textile decoration design is quite different from the traditional design concept.

Modern textile decoration design is non planar. Design concept The artist Luo Dan said, "all artists are exploring space." Since 1950s, all kinds of art have been interwoven with each other. The progress of science and technology has made the space of rich material creation become reality. Environmental art and interior decoration have been unprecedentedly developed, and design concepts and aesthetic concepts have changed greatly. But before the reform and opening up, due to the limitations of planned economy and social division of labor, the design sector was commanded by full-time intelligence officers, and designers only painted pictures. As for clothing and decoration, it was a matter of other design industries. This makes the design stay in the two-dimensional plane space, making general pattern arrangement, color matching creation, without conscious or need to consider the three-dimensional space art effect of design. That is to say, the concept of color, shape and material of the whole space is missing, and modern designers require that the effect of three-dimensional space should be considered in the design of two-dimensional plane. For example, a concise, nostalgic dark space decoration keynote: brown floor, weak tea yellow wall, old imitation dark brown furniture and woodcarving window ornaments, ancient celadon vases, antique lights and simple wall lines. The design of software patterns should be consistent with the overall tone of the traditional decorative patterns. The tone should be integrated in the tone of the whole yellow brown. The local hue can adjust the contrast between the cold and the warm, so as to create a atmosphere of Chinese classical environment. In this way, people can enjoy rich spatial associations while appreciating textile ornaments, and create a more flexible, harmonious and integrated three-dimensional space in the relationship of environmental decoration.

Modern textile decoration design is a non monomeric design concept. The traditional textile design often uses a single piece to evaluate the aesthetic requirements. Relatively speaking, it is a more stable, independent and closed door design concept. It has been unable to adapt to the modern and changing aesthetic space, and can not adapt to the needs of indoor textiles in many varieties and categories. The modern textile adornment pattern design should be in the coherent, circulation space function, has the relatively continuous, unified non monolithic whole visual feeling, highlights the environment decoration style. Its design should have the concept of holistic design: that is, the requirements of textile decoration patterns are a series of complementary designs of non monomers. Any unrelated decorative factors can only destroy the overall decorative effect of space. The matching relationship is mainly manifested in the following three aspects.

2.1 the coordination and unity of textile pattern design and decoration style. Different decorative styles must be represented by a specific symbol of will. Therefore, the design of interior textile decorative accessory products requires first to determine the decorative motif corresponding to the overall decorative style (i.e. the basic shape of the pattern). On this basis, simplify or propagate the pattern of group processing so as to make it rich, varied and unified. A main form, backbone structure and main body pattern that can dominate the overall situation.

When this group of decorative patterns in color and form corresponding performance appeared repeatedly in space, then formed a coordinated and unified style of decoration.

2.2 the coordination between textile pattern composition and space decoration. The composition of textile patterns should meet the needs of different indoor space decoration functions and achieve the effect of space decoration. That is to say, after defining the decorative motif of an environment, we can make changes according to the characteristics of space: decoration or arrangement, or dispersion, or vertical and horizontal, or virtual and real, through the gradual diminishing of the shape, increasing gradually decreasing and decreasing gradually, and producing different rhythms of continuous gradations and ups and downs. Potential.

2.3 main colors of textiles Whole The harmony of space and the main tone are the main tendencies of color application in the overall space design. Under the control of dominant colors, based on the needs of styling serialization and decorative area, it can be divided into several series of combinations of similar and contrasting colors, so that all kinds of textile colors can be changed in color, lightness and purity, and products should be formed. Therefore, the design of textile adornment in the environmental space should take into account the mutual relationship between pattern design, composition and main colors in space. It must be a group design and a series of space design based on a basic pattern. The traditional single piece design concept has been unable to adapt to the decoration requirements of the big environment.

Modern textile decoration design is a non static design concept. As interior soft decoration, textile design is not a static and invariable concept. Its design is influenced by many factors, forming a dynamic and changeable design trend. The main reasons for its analysis are: first, influenced by different regional culture, fashion and seasonal fashion.

With the changing social state and endless fashion, people's aesthetic psychology is constantly changing. Therefore, design will be affected by various factors. In order to meet the needs of modern people's rich personality, the products not only satisfy their functions, but also have rich, changeable and fashionable features in visual sense. Although it is human nature to be happy and old, there is a rule of popularity, that is, repeating the rules of the cycle -- a simple repetition in the progress of social science and technology.

For example, in the early 1990s, it was a period of nostalgia, strong love and natural protection. The social values were directly reflected in the design of decorative fabrics: the popular themes of classical paintings were popular, and their rich and colorful expressions were very popular. However, the popular style gradually changed when the classical realistic flowers tended to be saturated: Although the nostalgic style flower pattern did not disappear immediately, it was gradually replaced by the courtyard flowers of the big garden in full bloom, and the colors were brilliant and bright. After a large number of such styles appeared in the market, the theme of flowers changed, advocating a simple, loose and elegant expression.

After the middle of 1990s, the popular style of nostalgia was at a low ebb. The alternating period of twentieth Century and twenty-first Century is an era of full diversity and individuation. In the pattern design, the individuality, abstract and romantic style are displayed in the extreme. After that, people seem to like to look for and appreciate the classics in the complex of history, and re examine their own aesthetics. They have local style stripes, elegant and romantic flower patterns, and rich patterns of interest, which appear in the design of clothing and indoor textiles from the bright and bright tones. This non static design concept and popular phenomenon shows that indoor textile design is different from indoor hard decoration. Its unique flexibility, softness and decoration can adapt to the modern dynamic fashion trend under the influence of many factors. It also proves that the popularity of its patterns can only be achieved when the consumption psychology accords with the richness, variability and fashion of contemporary people. Secondly, influenced by different artistic expression techniques and the development of science and technology.

The decoration and texture vision of modern indoor textiles is far from the concept of traditional products. Its blurred, dynamic and static blending and rich decorative effects are directly related to the development of science and technology and the rich artistic expression.

Besides the cotton, linen and wool fibers, a large number of fabrics, such as cotton and chemical fiber, cotton and linen, silk and wool, silk and cotton, silk and linen, are widely used. In addition to the traditional plain and twill weave, the fabric structure of the fabric is mostly the texture of rotten flowers, wrinkles, wrinkles and wrinkles, forming loose, transparent, leaky, thin and light vision. The advanced technology and the rich texture of materials provide changeable visual beauty to the changing decorative patterns: the jacquard and the printing form the subtle beauty; the rotten flowers and the printing become the beauty of density and leakage; the yarn leakage and folds make the abstract prints float and three-dimensional. In addition, the simulation technology expands the wide range of expression for the decoration of fabrics, such as imitation sheep skin, imitation deer skin, imitation chicken skin, imitation wool fabric in the autumn and winter, imitation silk, imitation linen and other fabrics in spring and summer, and imitation batik, imitation tie dye, hand painted fabric and so on. The shape and color of decorative patterns are vivid and capricious in the foil of different fabric technology.

In short, the design of Interior Textile ornaments is suitable for people, suitable for the times and popular. It needs to create an environment space with a sense of the times, a tone and a life. The creation of indoor textile ornaments will always require a new concept of non static and innovative design.