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    Dramatic Costumes Are Too New To Change.

    2015/8/21 10:36:00 14

    Dramatic CostumesClothing BrandsFashion Trends

    Speaking of

    Theatrical costume

    In recent years, there have been obvious changes in the stage setting and the costume of the various plays.

    But this time, unlike the "Revolutionary Model Operas", the content is still mainly in ancient times, so they are still emperors and gentlemen.

    Thus, it became obvious and immature.

    First of all, the gowns and the costumes of Peking Opera are mainly pythons, official clothes, and Xu.

    It used to be a lot of attention and role play, but also matched with hat and boots.

    The sleeves are narrow now, the sleeves are short, or the sleeves are short.

    In the spring and Autumn period, Wu Zi Xu and Shen Bao Xu wore three beams, five beams and robes on the brick of Han Dynasty. In the Three Kingdoms period, Cao Cao and Yang Xiu were also dressed like gowns, and they were very short.

    But the new white gauze gown on the bottom of the new robe still can't cover my ankles. I look familiar and strange.

    It is familiar with the fact that it is similar to murals and painted bricks. The strange thing is that the following pair of thick bottomed boots with white boots will not match them.

    Thick bottom boots, also known as high square boots, are usually two to four inches thick, and are painted in white. They are art processed official boots, exaggerated with pythons, leaning, official clothes, and clothings.

    Costume match

    In order to foil the solemn and dignified role.

    Some officials are short in their robes, such as Liu Lujing in the little grave, though he is a bureaucrat, he is a clown.

    His robes are short and his boots are thin. The term is called the North Korean boots, which are usually thick and thick.

    One of his lines shows that he is a literary ugly, and the two is also easy to dance in a big way, so he can not feel his robe short.

    Cao Cao wore something wrong.

    The jade belt is also suited to the robes, and the costumes are a loose circle with big sides on the waist.

    There are always people asking me, is it true in ancient times? No, of course, it is for decorations on stage.

    The officials held the hard circle with both hands.

    Now it becomes the waist belt of the waist, the truth is true, but the unique modeling effect no longer exists.

    In fact, the jade belt originally used has real ingredients, such as a hard piece with a round or square shape on the surface, and jade tablets decorated on it, called tablets, and the real "Jiao" is distinguished by gold, silver, copper and other grades.

    The traditional costumes include special soldier clothes, such as "the Yandang Mountain", the two sides of the army, Meng Hai Gong and the Yandang Mountain of Yandang Mountain. They wear purple embroidered side care pants, one is wearing black pattern coins, and the other is a green guard.

    The two sides can distinguish and appear rich in color.

    There are also many kinds of pawns.

    In the lost Street Pavilion, the Shu soldiers wore red and the Wei soldiers wore green.

    In the two generals, Ma Chao's soldier Pak Pak Kan, Zhang Fei's soldier black Pak Kan, with the master will be very decorative.

    In the new play, soldiers wore armor similar to the Terracotta Army of Mausoleum of the First Qin Emperor. They only used the dark cloth and sewed the squares with light colored lines to make them look fresh.

    Chinese costume changes are not limited to Peking Opera. The armor of the Ju opera and Huangmei Opera has become the style of Qin Terracotta Army.

    Of course, the pformation of costumes is not isolated. Now, such a huge stage can hardly be filled with two chairs, so there are one or two steps in the huge background to facilitate the two or three platoon.

    Before the steps, there was a physical background, like an ancient chariot in the spring and autumn two Xu, and a cannon in the great emperor Kangxi.

    Apart from Beijing opera, the opera players always feel that they are watching drama or stage play.

    Fortunately, some of the chairs have some "Peking Opera" with high seat and low back, otherwise it will be easy to remind of Chen Bai Lu on the sofa.

    The traditional Chinese costumes are mainly in the Ming Dynasty, while in the Ming Dynasty they were mainly dressed in Tang and Song dynasties.

    In the early years of the Qing Dynasty, Jin Zhijun, the Minister of the Ming Dynasty, agreed with the governor of the Ming Dynasty, Hong Chengchou, that there was an unwritten agreement with the Qing court, that is, "ten from ten not to follow."

    Among them, "prostitutes and actors do not follow" make drama costumes unaffected by Manchu rule.

    Beijing opera costumes are stylized and have a specifying nature.

    It is said that the color of Python is used by emperors in the Ming Dynasty. It is not only Han Zhao emperor in Su Wu shepherd, but also Li Yuan in Wang Er Lou, or Song Renzong in Dragon Robe, until Yongle and Zhu Houzhao can use it, regardless of Dynasty, and do not make realistic historical textual research.

    Deep yellow and apricot yellow are princes and princes, such as the eight virtuous kings in Yangjiajiang.

    Red is Wang Hou, prime minister, imperial consort, and Emperor's consort.

    These are based on historical facts, but they do not stick to a specific historical figure.

    During the Dragon Boat Festival, Qu Yuan, who is determined to portray Qu Yuan as a "real" figure, seems to think that singing is redundant.

    In other words, dramatic costumes do need change. There is a costume costume called "ancient costume", which is recognized by everyone, and is readily accepted by Mei Lanfang, a master of Beijing opera, redesigned according to the waitresses in ancient paintings.

    clothing

    Although traditional drama costumes have many outstanding qualities, they will not remain unchanged forever. It seems that the key is how to change.

    Discard the stylization and highlight the personality image? There are several old people who don't wear moustache, and directly stick their beard on the nose and lips.

    Here is a problem, drama is art, art should be higher than life, and has its own unique "language", too much attention to reality, but lost the original charm of costume.

    If all the costumes and costumes are the same, will they repeat the same mistakes of thousands of people in shopping malls and schools?


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