2017 Spring And Summer London Fashion Week: Metaphor And Irony Behind Flashy Life

The entire fashion industry has been running for 100 years. Up to now, it has been very difficult to have any startling innovations or creations, and the fast running fashion wheels have made the design start to be uniform.

It's not amazing, but there are also small surprises.

Exhibition mode

Fashion as the main body, presentation as a presentation.

However, the importance of assisting is often indifferent.

Whether it's a static show or a show,

In order to show the choice of fashion.

And this year's

There are bright spots in the static display section.

The highlight is Faustine Steinmetz.

The French designer, who built her brand at the very beginning, used her denim as the material design to make her brand very topic oriented. This time, she placed the model in a closed space. People had to watch the whole design series through the narrow glass gap. This kind of peep show was obviously inspiring the audience's curiosity.

But it's easy to imagine.

In the 2001 "Voss" show, he looked at the outside with a single mirror, but the people inside could not see the outside. It also revealed a peep like meaning.

Although there is a fundamental difference between the two ways of showing, the continuity and similarity of concepts with behavioral art are equally interesting.

More than 100 people were excited to take a picture around a slit, and then Po went to the social network. The psychology of gathering and the motivation of sharing seemed funny, but the Faustine Steinmetz show was undoubtedly successful.

Structure and splicing

And turn my gaze back.

In itself, structure, cloth, printing and craft together constitute the quintessence of fashion. In these respects, designers of London Fashion Week always seem to have recovered their best condition. Those beautiful and exquisite programs are not available.

Both Christopher Kane and J.W.Anderson have contributed to the delightful high quality series.

Asymmetric black cut, jacket and scarf splicing, pink ostrich feather, that smart, eccentric and elegant.

Christopher Kane came back and found a good blend of new and luxurious border points.

The geometric aesthetics of J.W.Anderson is reflected in those curved skirt edges, square decoration, wrinkle edges, silver zippers and light gauze splicing.

He knows how to describe his design language with wonderful structure and rich materials.

Royal Blue Satin stitching silver zipper, cushioned leather texture.

Embroidering a rose, the combination of metal rivets and gauze makes people fondle admiringly.

Multi material splicing and sharp contours have long been the masterpiece of the Empress Dowager. This season is also simple and clear. Many familiar shapes are embellished with thick cotton cloth splicing.

Cotton T-shirt spliced with sequins, old wine and old wine.

Printing

Printing, as the most intuitive expression of fabric, is also in the same way.

There are also prints that are too busy to see.

The series of digital printing queen Mary Katrantzou has quite a series of MiuMiu appendages.

In modern times, there is a hint of witty little women, and familiar with Mary Katrantzou's personal tag.

And the Erdem, which is also known as the famous print, is very expensive this season, with a large number of embroidered printed fabrics, folds of rich lotus leaves, hollowed out stitching fabrics.

The level is rich and the texture is advanced.

Interest

There is always no lack of interest.

The two person combination brand FYODOR GOLAN, which has always preferred the digital fabric, depicts the girl's infinite interest.

Equally interesting is the sibling that always plays.

The same is the two person design group, this season with comfortable hollow knitted fabric and big spike edge combination of all kinds of printing, plus antenna toy headphones and bright colors compose a piece of smart and ancient music.

Metaphor and irony

Ghosts Gareth pugh this season with cheekbones and Hannibal mask, cut and close, but also full of dramatic tension.

It deduces a strong, grotesque and strong feminine image.

The high contrast of tight coats, cocktail skirts, checked coat and blue satin presents a strange aesthetic feeling, and the whole series is full of tension and confusion of dark charm.

First return after 2001

Alexander McQueen, Sarah burton creates a beautiful and pale illusion of neon with a thin and rich black dress, a leather coat and an oriental Satin coat.

There was a contrast before and after the show, with the opening wool fur collar overcoat and black leather coat as a strong tone, and finally to the white Eugen's skirt with embroidered satin.

The beauty, complexity, and contrast show two meanings, as if two extreme beauty.

As the center of production of talents in fashion and creative industries, London has always lacked young independence.

There is no shortage of masters.

Splicing, mixed use of multi materials, oblique cutting and deconstruction, inheritance and innovation have been continuing.

However, regardless of tailoring or technology, the concept is always the first.

Where is the cultural meaning?

thus

Often there is more fashion interpretation, no matter what kind of interpretation, it is really gratifying.