Wallace Huo'S First Bald Dress Show

Today, the TV drama "Yi Yi Chuan" first exposes the stills, such as Yi Xun Zhou, Qian Long Wallace Huo, Hai Lan Janine Chang, Gao Xiyue Yao Tong, Jin Yuyan Xin Zhi Lei Ding, Jin Yuyan, Su Lun Yun and other starring role modeling first exposure, whether it is the Dragon Robe casual clothes, or the concubines.

Hair ornaments reveal exquisite and gorgeous production styles.

After the emperor, he received "look at the killing" deeply.

At the beginning of the play, Fang Fang had first released a close interaction map of Emperor Qianlong's "emperor's face killing".

And in the photos of the exposure,

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Once again, "sugar", a two person tenderness, mutual gaze of "opposed to kill" stills, once again firmly attracted everyone's attention.

It is reported that the drama currently completed is mainly concentrated in Yangxin hall, Yan Jui palace and Mulan Wei Chang, while the "Jubilee Palace" is the first residence in Qianlong's accession to the throne, and the two people play quite a lot in this scenario.

In this play, there are worries about future rumors and misfortune in Yi's heart, but there is also Qian Long's full confidence in her comprehensive care.

In the two person's stills, Xun Zhou gazed at the chess book and decided to play chess.

When the eyebrows were locked and thoughtful, they were captured by the camera. These feelings were deeply contained in their delicate performances.

The imperial concubines are beautiful, beautiful, charming, and beautiful.

Meanwhile, in the release of the stills, the role models of several important empress concubines were exposed.

The "Hai Lan" headwear is simple and elegant, and a snowy white casual dress is more elegant and refined. Yao Tong's "Gao Yue" costumes and Seiko embroidery, "ear ear three pliers" earrings are also exquisite; Xin Zhi Lei plays the role of "Golden Jade Yan" in the red and brilliant colors, and shows the charming movement among the hands; Li Chun's "Wei Wan Wan" gold ornament is luxurious, and the ruby ring is secretly meditating; Hu He's "Su Luyun" smiles gently, and the accessories and the flag suit complement each other without losing the dignified concubines.

According to Chen Tongxun, director of the play, he said: "because the script of" Yi Yi Chuan "involves many characters, and the time spanned over 60 years before and after the Qianlong Dynasty, it was an unprecedented flourishing Dynasty.

Both the full cultural inheritance when entering the customs and the development and integration of Chinese culture, it is necessary to reflect the age changes and identity changes of all the roles of young people to the elderly. It is also necessary to match clothes with characters, makeup and scenes.

On the basis of respecting historical facts, the characters in the play also joined the modern aesthetic improvement, or fresh and graceful, or beautiful and charming. They were both born out of the character character and reflected the ups and downs of the fate of the deep palace concubines.

Ancient and modern aesthetic collision sparks "Neo classicalism" exquisite presentation

In addition to creating a fine "historical drama" temperament in character modeling, "Yi Zhuan" always adhered to the establishment and pursuit of "Neo classicalism" in various aspects, such as script creation, photography, art and costumes.

Huang Lan, a producer of the play, explains this: "the so-called" new "is to revaluate and express the classical and modern history with the modern aesthetic vision, and to use classical Chinese and classical vocabulary accurately, striving to make the modern people cut into the ancient society emotionally and psychologically, but at the same time, it can also produce aesthetic interest in classical literature.

The purpose of this creation is also embodied in the shaping of various roles. Compared with the distinct role relationship between the two poles in The Legend of Zhen Huan, "Yi Zhuan" shows a more extensive and profound creative perspective from the original and screenwriter Liu Lianzi in his role modeling and life view communication.

In the special living environment of the Imperial Palace, each character is not simply a division of good and evil, and no matter whether it is a self possessed mind, it is a complex struggle for human nature and a deep walled wall. It is difficult to control the real predicament of fate.

It is reported that the legendary grand system of Qing palace, such as Yi Chuan, is still in the process of intense filming. The TV and network broadcasting platform has been locked in Dongfang satellite TV, Jiangsu satellite TV and Tencent videos, while the global copyright in addition to mainland China has also been granted to fosse media group.