Silk Market Is Popular And Market Potential Is Unlimited.

Just like what we know about beauties today is like "white, rich and beautiful". "Virtue, speech, tolerance and work" is the standard of beauty in the eyes of the ancients. Not only can women reflect the ingenuity of women, but they can also cultivate their mental state and mind in the spirit of peace and tranquilness.

There are many odd women who are famous for their history in the history of the "Three Kingdoms".

In the first year of Yongzhen in the Tang Dynasty, there was a strange woman, Lu Mei Nu, who could embroider seven volumes of "Fa Hua Jing" at fourteen years old.

In the Ming Dynasty, Han Ximeng had Gu embroidery. In the late Qing Dynasty and the early Republic of China, Shen Shou was once introduced to the palace to teach embroidery and to study in Japan.

Of course, she was the first woman in the world -- Zhu Kerou and Song Huizong in the Southern Song Dynasty.

"The peach butterfly sparrow" is written on autographs: "the sparrow tread the flower branches out of the Su Wan."

If you want to know that you should be a publicity object, don't look at it as usual.

Silk is the most time-consuming and the most exquisite of needlework.

"Silk", also known as "silk", is one of the most traditional ornamental decorative silk fabrics in China.

The knitting methods of the common brocade are all through the weft and weft knitting method. The weft knitted fabric adopts the weaving method of "through the broken weft", and the weft thread penetrates the entire width of the fabric, making the silk like carving and carving, and has a strong two-sided stereo feeling. The old fabric is clean on the front, but the back is messy, while the "through the broken weft" is the same as the reverse side, which is very different from the ordinary fabric.

There are many varieties of weaving of "silk weft", each of which has its own characteristics: thick silk, thick silk, soft and soft, bright silk, elegant, foil and paper, and now it is commonly called "Texan" and "soft".

In the silk, the "flower line" technology is unique to China. Instead of weaving a peony petal, from red to white, it needs gradual pition. The general textile is gradual fading with pitional color blocks, and the technology of combining yarn can make gradual changes.

It twists together with different colored threads, as if it were toning in painting.

Because of its ingenious techniques, more work and more money, people used to compare the value of silk to gold in the past.

In ancient times, there were "...

Like a woman's coat, she will be all the year round.

It has been thousands of years ago.

In the pre Qin period, the Xinjiang area began to make woolen fabrics, woolen as raw materials.

At least in the Sui and Tang Dynasties, China began to make silk, and the grottoes of the Dunhuang grottoes were mostly geometric patterns and gorgeous colors.

In the Song Dynasty, he moved beyond the category of practical arts and crafts to the pure appreciation of artistic creation, and achieved very high artistic achievements to achieve a peak that could not be overtaken in the next millennium.

In the Northern Song Dynasty, with the development of academy style painting, he began to use traditional Chinese painting to make manuscripts, and the technology of floral line can vividly show the thick and thin brushwork.

There is a special loom, silk thread machine, which is a simple plain wood machine.

When weaving, the warp thread is installed on the loom, and the manuscript or manuscript is placed under the warp line. The weaver passes the warp silk and uses the brush to depict the coloured pattern on the warp surface, and then separately uses the 10 cm long boat pattern with a variety of silk threads.

Silk can pform colors freely, so it is especially suitable for making calligraphy and paintings.

The weavers weave weft knitted fabrics must have some artistic attainments.

The structure of the silk fabric follows the principles of "fine and coarse weft", "white warp weft" and "straight warp weft".

That is: the natural color is fine, the color is thick, and the weft is warp. It only shows colorful weft and does not reveal longitude.

Because the colored weft is fully covered on the upper part of the fabric, the effect of the pattern will not be affected due to the contraction of the weft.

The completion of a piece of work involves 16 processes, such as warping, dragging the thread, setting the reeds, bending, embedding the rear axle and dragging the surface, and replacing tens of thousands of shuttles to complete. The time consuming is often over the years. When the work is finished, the movement of the draft can not exceed 5 millimeters.

The difficulty of making silk is obvious.

The weaving of silk is very complicated. The weaver should not only endure loneliness for years, but also have some basic skills of painting. Otherwise, it is difficult to be competent for making the heavy responsibility of making silk.

Zhu Kerou, the most famous woman in the Southern Song Dynasty, was the creator of the silk.

In the Ming Dynasty, many famous celebrities were emerging. Among them, Zhu Liangdong was the most famous.

The auspicious axis of Yao Chi is Zhu Liangdong's masterpiece.

In the dream of red silk, the "golden jockey" added by Qingwen is made of the feather and velvet on the peacock's feather.

The Dragon silk robe of Ming Wanli, unearthed by Ding Ling, is also a dragon pattern woven with peacock feathers.

These patterns, woven with peacock feathers, appear to be golden and brilliant, and will never fade.

After Song Huizong, exquisite silk was loved by more royal families. They not only regarded silk as a practical product in life, but also regarded it as a collection of works of art.

The collection of silk products in the the Imperial Palace museum is the largest proportion of silk in calligraphy and painting.

These silk threads are all made of pure weaving techniques. Even the details of the eyeballs, clothes and wrinkles are woven and woven with silk thread.

Among the costumes related to silk, dragon robes are the most dazzling. Dragon robes are mostly made of silk. It takes at least three or four years to make a dragon robe for one or two years.

Whether it is the enormous labor consumed by the silk, or the mental strength that is devoted to art, it makes silk full of dignity and luxury.

Speaking of the collection and protection of modern silk, we have to mention two key figures: Zhang Xueliang and Zhu Qiqian.

Zhu Qiqian, the town of Shuangliu, Kaiyang, Guizhou.

He was an important figure of the "pportation department" in the late Qing Dynasty and the early Republic of China. He once served as Prime Minister of the state affairs and an ancient architect and collector.

Out of his love for him, he bought a lot of silk products at a great expense. At that time, the collector had "Zhu Jiaqi".

Most of his collection of silk is from the imperial palace of the Qing Dynasty, which includes the peony map and the camellia butterfly diagram.

He also studied the silk and wrote the book "Cun Su Tong silk embroidery", which catalogued the collection one by one.

The Japanese have been coveted by Zhu Qiqian's collection of silk.

In 1924, Japanese Industrial magnate Okura Kiyaro proposed to Zhu Qiqian that he would like to buy 1 million pieces of silk.

At this time, although Zhu Qiqian had lost his family, he needed money urgently, but he was not interested in this huge sum of money. He told his family privately that these treasures were sold, and they must not be sold to foreigners.

General Zhang Xueliang, when he heard the news, immediately contacted Zhu Qi to express his willingness to take over the group and promised to "never let them drain overseas, especially Japan".

With Zhang Xueliang's promise, Zhu Qiqian assured him that the price of the silk was 200 thousand silver dollars, half sold and half land to Zhang Xueliang.

After taking possession of the silk, Zhang Xueliang did not dare to be careless. He carefully collected the treasures in the gold bank of the northeast side bank.

Unfortunately, something happened.

After the September 18th Incident, the Japanese invaded the northeast, and the group was pported to Changchun for storage with the Bank of Japan.

At that time, the puppet Manchuria state also set the silk as "national treasure" and printed it in Japan as a catalogue of "compiling a group of Yinghua".

Fortunately, after the surrender of Japan, Zhu Qiqian, with the help of heritage expert Wang Shixiang, flew the silk from Changchun to Beijing and gave it to the the Imperial Palace Museum, which became the national treasure of today's the Imperial Palace Museum and Liaoning Provincial Museum.

In the spring shooting of 2006, Hongkong's Sotheby's and Christie's launched the Qianlong imperial imperial silk armour and the Qianlong emperor's Samsung silk axis, each with a high price of 15 million 267 thousand yuan and 18 million 179 thousand yuan.

Compared with Hongkong, the popularity of the Silk Market in the mainland market is also no show of weakness. Not long ago, a scroll of the Lanting Pavilion in the Qing Dynasty was sold in a auction companies in Beijing with a price of 35 million 750 thousand yuan, and another mahogany carved mosaic silk screen was sold for 83 million 720 thousand yuan at Shanghai Chong Yuan auction house.

In recent years, the performance of his works in the auction field has been expected to be better.