Chinese Home Textiles Highlight Local Characteristics In Inheriting

In 2009

It has found the source of innovation for the original problems of home textile products advocated by China's home textile industry for many years, and has also found a new platform and path for industrial development of traditional crafts such as brocade, Dong brocade, and blue calico.

At the sixteenth China International Textile Exhibition, which will be held in August, the intangible cultural heritage exhibition area will still be one of the highlights of the exhibition. The exhibition area, based on 14 exhibitors last year, has selected and optimized categories such as brocade, blue printed cloth, Dong brocade, Li brocade, Shen embroidery, handmade homespun, and Lu embroidery.

In the process of cultural pmission, we should highlight the local characteristics of China, fully excavate Chinese elements, and emphasize the combination of culture and industry.

Highlight local characteristics in inheriting

At the current home textile exhibition, the host policy has organized relevant training to help the intangible cultural heritage inheritors lack of market operation experience, so as to help exhibitors find breakthroughs in product display, design and development, market development and other aspects, and promote the pformation of intangible cultural heritage to industrialization and commercialization.

Yang Zhaohua, President of China Textile Association, said that promoting the home textile culture will be one of the highlights of this year's home textile exhibition.

The cultural heritage of home textile is the deposition and crystallization of ancient civilization. It conceals the code of life of a national culture, which contains the unique national spirit, way of thinking, imagination and ideology. It is one of the basic bases for safeguarding cultural identity and cultural sovereignty.

To deepen the home textile culture, we must first do well the work of inheritance, and expand and strengthen the home textile culture from the three dimensions of inheritance, integration and development.

If the cultural heritage is not done well, it will not be able to develop original local products.

At present, the homogeneity of domestic textile products, especially bedding, is serious.

As a creative culture industry, the home textile industry can only create a good home textile fashion, which is different from the West and independent innovation based on the integration of national elements and international trends on the basis of local culture.

In order to make China's traditional culture better inheriting and developing in the home textile industry, the Dunhuang grotto protection research foundation will display the typical decorative patterns selected from Dunhuang grotto art to show its exquisite Dunhuang grotto art, and also make people understand the process of Buddhist art and Its Sinicization.

Mysterious and charming art of Dunhuang Grottoes

Exquisite Dunhuang grotto art, as one of the iconic symbols of Chinese traditional culture, has always been the source of inspiration for many designers.

The art of Dunhuang grottoes, represented by the Mogao Grottoes, has lasted for thousands of years. Its unique artistic form has inherited the local Han Jin tradition, absorbed the styles of the southern and Northern Dynasties and the Tang and Song Dynasties, and accepted, pformed and integrated the artistic styles of India, Central Asia and Western Asia, especially the imaginative methods of creation, such as exaggeration and deformation, and the use of colors. It has irreplaceable artistic value and deserves to be listed in the list of world cultural heritage.

The figure paintings, landscape paintings, animal paintings, decorative patterns and paintings in Dunhuang Grottoes have a history of 1000 years.

These patterns are rich in color and brilliant in color. They are epitome of the history of Chinese art in medieval times, and can be called a picture of decorative art.

According to the decorative position and nature of patterns in grottoes, Dunhuang patterns can be divided into four categories: architecture, clothing, Buddha implements, and general decoration.

The architectural patterns include the figures, grottoes, caisson, grottoes, and the decoration of the buildings in the grottoes. The costumes are painted on statues and frescoes; the Buddha designs include the Buddhist niches, the Buddha top, the Buddha, the Buddha and the Bodhisattva, and the furnishings for the Buddha; the general decorative patterns are mainly the ribbon ornaments painted between the buildings, murals and all parts.

Patterns include flowers, animals, clouds, flame, geometry and so on. The patterns have separate patterns, suitable patterns, corner patterns, ribbon patterns, two party continuum and Quartet patterns.

These colorful patterns not only retain valuable information for studying ancient Chinese patterns, but also provide rich resources for modern art.

Only a few of these rich pattern resources are revealed by historical documents, and most of the others are still hidden in the cave.

Because the Dunhuang grottoes are immovable cultural relics, this exhibition is mainly based on inkjet pictures and forum lectures, presenting the various decorative patterns in Dunhuang Grottoes to the audience.

The source of home textile design in China

"For the home textile industry, we can draw original inspiration from the traditional Dunhuang pattern, especially its exaggeration, deformation, suitability and other methods of creation and use of colors. It is not only the inspiration for our original design of home textiles, but also the source of our home textile style with Chinese characteristics."

In the past two years, Yang Zhaohua has actively advocated the integration of the cultural connotation of national and cultural home textiles into modern home textile design, forming a distinctive Chinese style.

"This year, we specially invited the Dunhuang pattern design into the home textile exhibition. It is to provide a home textile designer with an opportunity to feel the splendid Chinese traditional culture in a short distance, inspire original inspiration in the perception, and create a new home textile product that is more in line with the modern aesthetic concept."

It is understood that at present, a group of home textile enterprises such as Hangzhou Lida and Nantong blue silk feather have been actively seeking and developing products of Dunhuang decorative pattern style through various channels.

The appearance of the exquisite Dunhuang pattern at home textile exhibition will undoubtedly provide more decorative and creative resources for these home textile enterprises.

According to Yang Xiuqing, Secretary General of the Dunhuang grotto protection research foundation, the sixteenth China International Textile Exhibition was invited to show the beautiful and colorful patterns of Dunhuang Grottoes to the community, so as to enable more people to understand Dunhuang patterns and explore the possibility of reference, inheritance and development in the field of home textiles, combining Dunhuang's art research with industrial development to serve the modern better life.