Clothing Collection Investment Is Getting Better; &Nbsp; &Nbsp; Future Market Can Be Expected.

Blue land yarn

Rising trend of clothing auction

Collection investment is just now.

At the spring auction in 2010, Yongle, Beijing, launched the "splendid Wenhua" - a collection of exquisite works of silk weaving by the senior collectors.

This is a large-scale auction of costumes sold by domestic auction houses in recent 2005 years after the special photo taken by China's gardspring photo, "splendid and skillful Tiangong, ploughing and weaving hall and Chinese silk art".

A total of 10 pieces of silk dress art were made, mainly in the court costumes of the Qing Dynasty.

The total turnover was 7 million 56 thousand yuan, with a turnover rate of 100%.

Among them, Qingdao green and Satin Embroidery, group crane, eight treasures, court court gowns and robes were sold at 257 thousand and 600 yuan.

This product adopts many techniques, such as plate gold, seed beating, needle picking and other techniques. The technique is exquisite, embroidered and colorful, full of mercerizing, and the sleeves are decorated with gold plate techniques and embroidered as a decorative pattern. Golden light and mercerizing reflect each other, showing the gorgeous and gorgeous Royal costumes.

Yongle Autumn Auction continued the good momentum of the spring shoot. In the Ming and Qing craft exquisite works, it also launched 15 pieces of Qing Dynasty costumes, a total of 12 pactions, with a turnover rate of 80%.

Although the number of clothing auctions is not large, it is also sufficient to show the potential investment potential of clothing collections.

The earliest silk auction in China was the special filming of "splendid and skillful Tiangong - ploughing and weaving hall, Chinese silk art" launched in 2005 by China's Guardian spring photo.

A total of 203 products were sold, with a total turnover of 44 million 378 thousand and 400 yuan, with a turnover rate of 91.1%, of which 8 were over $1 million.

In 2006, the top three Chinese embroidered products were sold over $10 million before the auction price of Christie's and Sotheby's in Hongkong.

In 2008, Christie's spring launched a special auction of court costumes and silk in Qing Dynasty in New York.

The auction was made by Linda Wrigglesworth, a well-known Chinese silk collector and British antique dealer Linda. The auction was the first Chinese silk special auction in the west, with a total of 154 products, and a total of 112 pieces were sold.

Chinese clothing began to be favored by the international market.

Dai Dai, director of the Chinese porcelain and Art Department of Yongle auction companies, Beijing, introduces that traditional costumes are not only of scarcity and historical research value, but also highly ornamental clothing with exquisite workmanship.

Apparel auction has been very mature overseas. In recent years, with the involvement of domestic auction houses and the expansion of the auction block, the market of clothing collection has gradually become large.

From the collection of clothing, the court costumes and aristocratic costumes of the Qing Dynasty were more popular.

For example, the Dragon Robe in the Qing Dynasty has attracted much attention in the market.

The pattern of dragon robes in Qing Dynasty was extensive, rich in content, exquisite in workmanship and highly valuable in collection and investment.

In addition, clothing is hard to preserve. Before the Qing Dynasty, costumes were rarely circulated. The costumes of the costumes were few, and the clothing auction market in China just started. Clothing still has a large investment potential.

Regression of traditional clothing value

Show a low profile gorgeous

In 2001, at the APEC conference in Shanghai, heads of countries attended the conference in a Tang costume, which made the traditional style of Chinese dress in the Tang Dynasty a new fashion.

The clothing culture of 5000 years was deeply influenced by the ancient political system and the traditional philosophy.

It reflects the aesthetic orientation of the ancients and the development and evolution of our traditional ideas through different colors, shapes, decorations and so on. It reflects Chinese traditional etiquette concepts and strict hierarchy.

The rich variety and changeable decoration styles of traditional costumes continue to influence the future generations.

For example, Qipao, which is familiar with people, is originated from the traditional costumes of Manchu women in the Qing Dynasty.

Modern cheongsam also has a lot of traditional charm, but also reflects the beauty of fashion.

Beautifully made cheongsam also has certain collection value.

With the return of the value of traditional dress culture, its elements will be fully inherited and used more in the production of modern costumes.

After a new improvement and design, the traditional dress culture will definitely take on a new look in modern dress, thus closer to the needs of modern people.

People can increase their awareness of traditional dress culture and enhance their appreciation of traditional costumes in daily life, which is of great importance to people's investment in traditional clothing collections.

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Clothing store value depressions

Future market can be expected

After thousands of years of embroidery, Chinese embroidery reached its peak in the two generation of Ming and Qing Dynasties.

In the Qing Dynasty, the senior silk embroidery made by the Royal and royal ministers was made by local officials in Jiangning, Nanjing, Suzhou and Hangzhou. They were made by local skilled craftsmen, and they were produced every year according to the patterns, colors and quantities drawn by the database of Guang Chu Si.

The reproduction of a palace dress in the Qing Dynasty also takes a lot of time, and the price of the replica is very high.

Even modern silk fabrics, with good fabrics and good technology, are expensive. In this regard, there is still much room for appreciation of traditional clothing.

Yan Yong, a researcher at the Palace Museum of the the Imperial Palace Museum.

Then, what are the main reasons for the rising price of clothing and other silk fabrics? Dai Dai said that, first, because of the popularity of silk clothing such as court costumes, it has become a driving force in overseas markets.

Moreover, the Museum of the the Imperial Palace Museum held the exhibition of costumes in the Qing Dynasty. The exhibition received a good market reaction, and people's attention was increasing. Secondly, the quality of silk products with good quality, high grade and complete preservation was small.

With the development of the market and the improvement of people's awareness, the demand for silk fabrics has increased, which has affected the market price. Thirdly, the imitation of the advanced traditional clothing is very difficult, so the market has fewer counterfeit and easier fidelity, which has attracted more collectors to enter.

Dai Dai suggested that collectors could start with some low price, large quantity of silk fabrics, such as handkerchiefs and scarves.

Therefore, we should first exercise our eyesight and improve our appreciation ability.

Chen Shaofang, who is the last master of Guangdong embroidery in China, won the gold medal of the first folk crafts exhibition. South of the Five Ridges's brocade, which was sold in the 2004 auction, was priced at 20 million yuan.

The price of Guangdong embroidery in Guangzhou international design week has doubled several times over the past few years.

This year, at the first China Hunan embroidery culture festival, Hunan embroidery, Shu embroidery, Guangdong embroidery and Suzhou embroidery launched the four famous embroideries jointly to declare the world's intangible cultural heritage.

This will undoubtedly carry forward the traditional embroidery culture, promote the development of the silk industry, and will also promote the collection and investment of traditional clothing and other silk fabrics.

Encyclopedia

The Four Famous Embroideries in China

The four famous embroidery refers to Suzhou embroidery, Xiang embroidery, Yue embroidery and Shu embroidery in Chinese embroidery.

Needlework embroidery is a process of embroidering needles and embroidering stitches, embroidering needles and embroidering stitches on textiles.

Suzhou embroidery is the general name of embroidery products in Jiangsu, which is centered around Suzhou.

In embroidery techniques, most of Suzhou embroidery is mainly made of needle, embroidered thread does not show needle marks. It is commonly used in three or four different colored lines or adjacent colors.

The embroidery and embroidery of Su embroidery are famous for its realistic artistic effect.

Guangdong embroidery refers specifically to embroidery crafts in Guangzhou, including embroidery, calligraphy and painting, embroidery costumes, bead embroidery and so on.

Guangzhou embroidery is famous for its well-balanced composition, colorful and highly decorative.

Character embroidery and flower and bird embroidery are the special products of Guangdong embroidery.

Shu embroidery is the general name of Sichuan embroidery products with Chengdu as its center.

Due to the influence of geographical environment, customs and habits, culture and art, we have gradually formed the unique style of rigorous, fine, bright, smooth, rich, smooth and bright colors.

The works of Shu embroidery are rich in materials, such as flowers and trees, birds and beasts, landscape fish and worms, portrait of characters, etc.

Xiang embroidery is the general name of embroidery products centered on Changsha, Hunan.

Xiang embroidery is mainly made of YISHION silk, hard satin, soft satin, pparent yarn and silk thread with various colors.

Its characteristics are rigorous composition, bright colors, various stitches and expressive power.

Through colorful lines and ever-changing needles, the embroidered characters, animals, landscapes, flowers and birds have special artistic effects.